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William Parsons Lunt

1805 - 1857 Hymnal Number: 195 Author of "When, driven by oppression's rod" in Singers and Songs of the Liberal Faith Lunt, William Parsons, D.D., son of Henry Lunt, was born at Newburyport, Massachusetts, April 21, 1805. He entered Harvard College in 1819, and graduated in 1823. After acting as a tutor in a school for one year, and studying law a second, he joined the Cambridge Divinity School in 1825, and entered the Unitarian Ministry, June 19, 1828, his first charge being the Second Congregational Unitarian Society of New York City. In 1835 he became co-pastor of the Unitarian congregation at Quincy, Massachusetts, with the Rev. P. Whitney, and in 1843 sole pastor of the same congregation. During a tour in the East he died at Akabah (the ancient Ezion-Geber), March 21, 1857, and was buried a short distance from that village. Dr. Lunt was the author of several sermons, and contributed largely to the Christian Examiner and other periodicals. His hymns and poems, together with selections from his prose works, were published by his son as Gleaning. His most widely used hymn is “When driven by oppression's rod." It was "written for the public schools of Quincy, and sung by them at their Fourth of July Celebration, 1837." It is in 5 stanzas of 4 lines. This, together with several others, including one of more than ordinary merit for Sunday schools, "Hark, the gentle Shepherd's voice" (written in 1846), are given in full in Putnam's Singers and Songs of the Liberal Faith, 1875. To this work we are indebted for the above facts. --John Julian, Dictionary of Hymnology (1907)

Caroline A. Mason

1823 - 1890 Hymnal Number: 479 Author of "The Sabbath bells ring out upon the air" in Singers and Songs of the Liberal Faith Mason, Caroline Atherton, née Briggs, daughter of Dr. Calvin Briggs, of Marblehead, b. there July 27, 1823, married Charles Mason, a lawyer at Fitchburg, in 1853, and d. there June 13, 1890. She published a volume of poems as Utterance: or Private Voices to the Public Heart, 1852. Her Lost Ring and other Poems was issued in 1891. Of her hymns the following are in common use:— 1. I cannot walk in darkness long. [Evening.] This begins with st. v. of her poem on eventide, "At cool of day with God I walk." In her Lost Ring, 1891, p. 165. 2. 0 God. I thank Thee for each sight. [The Joy of Living.] From her Lost Ring, Dec, 1891, p. 164, where it is entitled "A Matin Hymn," and begins "I lift the sash and gaze abroad." 3. The changing years, eternal God. [Adoration.] Written for the Bicentennial of the First Cong. Church, Marblehead, Aug. 13, 1884 (Lost Ring, 1891, p. 174). It begins "The changing centuries, O God." Of these Nos. 1 and 2 are in Putnam's Singers & Songs, 1875, pp. 464-5. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Friedrich Rückert

1788 - 1866 Person Name: Friedrich Rueckert Hymnal Number: 379 Author of "I know not whither I go" in Singers and Songs of the Liberal Faith Rückert, Friedrieh, son of Johann Michael Rückert, advocate at Schweinfurt, in Bavaria, was born at Schweinfurt, May 16, 1788. He matriculated at the University of Würzburg Nov. 9, 1805 (where he became a great friend of Baron von Stockmar of Coburg), and finished his course there in the spring of 1809. He graduated PH. D. at Göttingen in 1810, and on March 30, 1811, began to lecture at Jena as a privatdocent in philology, but left April 16, 1812. On Nov. 2, 1812, he was appointed Professor of the Gymnasium at Hanau, but resigned before entering on his duties, and left Hanau Jan. 21, 1813. He was then for some time living at Würzburg as a man of letters, thereafter at Bettenburg near Hassfurt, &c. In Dec. 1815 he began work at Stuttgart as joint editor of the Morgenblatt, retiring from it Jan. 6, 1817. For some time he travelled in Italy, &c, and then in the end of 1820 settled at Coburg as a man of letters. On his appointment as Professor of Oriental Languages at Erlangen he went there in Nov. 1826; and then, in 1841, was appointed Professor of Oriental Languages at Berlin. During the Revolutionary period of March, 1848, he left Berlin and never returned, but received a pension in 1849. He retired to his estate of Neusess, near Coburg, and resided there till his death on Jan. 31, 1866… Rückert was one of the greatest Lyric writers, and one of the most thoughtful and earnest poets that Germany has produced. From the time that, unable to take part in the wars against Napoleon, he issued his Deutsche Gedichte (at Heidelberg) in 1814, containing his famous "Geharnischte Sonnette," he published himself or contributed to the publications of others, a most voluminous mass of poetry original and translated; a complete edition of his poems appearing finally at Frankfurt am Main, 1868-69, in 12 vols. as his Gesammelte poetische Werke. A considerable proportion of his poems are translations and adaptations from the Persian, Arabic, Sanscrit and Chinese. Throughout his poems he preserves a high level of purity of thought and expression; and displays a wonderful mastery of form and power of handling the German language. He was of deeply religious spirit, and wrote various epic poems on Biblical history, e.g. Leben Jesu, 1839; Saul und David, 1843; and Herodes der Grosse, 1844. He can hardly however be called a hymn-writer; the second of the poems noted below being almost the only piece by him which has passed into the German hymnbooks. A large number of his poems have been translated into English by Archbishop Trench, Dr. John Hunt, Dr. N. L. Frothingham, Dr. C. T. Brooks, and various others. Of Rückert's pieces we need here only note four, namely:— i. Das Parodies muss schöner sein. Eternal Life. First published as one of his Neue östliche Rosen in the Aglaja for 1823. Included in his Gesammelte Gedichte, Erlangen, 1834, vol. i. p. 83, in 14 stanzas, entitled "Paradise." The translations are (1) "Oh! Paradise must show more fair," by Abp. Trench, in his Poems from Eastern Sources, 1842, p. 199. (2) "Oh, Paradise must fairer be." Given, without name of translator, in Dr. H. Bonar's New Jerusalem, 1852, p. 84, and in Schaff’s Christ in Song, 1869, p. 657. ii. Dein Konig kommt in niedern Hüllen. Advent. This seems first to have appeared in his Gesammelte Gedicht, Erlangen, 1834, vol. i. p. 95, in 6 stanzas of 6 lines. It is based on St. Matt, xxi. 1-11, the Gospel for the 1st Sunday in Advent. It is included in the Berlin Geistliche Lieder, ed. 1863, No. 1545, and in various other recent German hymnbooks. The translations are: (1) "He comes, no royal vesture wearing." By T. C. Porter. Written April 5, 1868, for Hours at Home, N. Y., June, 18C8. (2) "In lowly guise thy King appeareth." By Dr. J. Troutbeck, as Schumann's Advent Hymn, Novello, N. D., 1876. iii. Er ist in Bethlehem geboren. Bethlehem and Calvary. First published as No. 5 of a series of "Hymns for Festivals by Friedrich Rückert," in the Taschenbuch zum geselligen Vergnügen auf das Jahr 1824, Leipzig, 1824, p. 276, in 10 st. of 8 1. The translations are:-- (1) "In Bethlehem He first arose." By N. L. Frothingham, 1855, p. 168. (2) "In Bethlehem the Lord was born." By Miss Winkworth, 1869, p. 338. (3) "In Bethlehem, the Lord of glory." By T. C. Porter for Hours at Home, N. Y., March, 1868. iv. Um Mitternacht hab ich gewacht. Midnight. The trs. are (1) "At still midnight I raise my sight." By N. L. Frothingham, 1855, p. 175. (2) "At dead of night Sleep took her flight." By Miss Winkworth, in Lyra Mystica, 1865, p. 266, and repeated in her Christian Singer, 1869, p. 337. [Rev. James Mearns, M.A.] --edited from John Julian, Dictionary of Hymnology (1907)

John Pierpont

1785 - 1866 Hymnal Number: 24 Author of "O God, I thank thee that the night" in Singers and Songs of the Liberal Faith Pierpont, John, son of James Pierpont, of Litchfield, Connecticut, was born at Litchfield, April 6, 1785, and educated at Yale College, where he graduated in 1804. After fulfilling engagements as a Tutor in New Haven, and in Charlestown, South Carolina, he was admitted to the Bar in 1812. Shortly after he retired and went into business, only to leave it also, and to pass on to Harvard College as a student in theology. In 1819 he succeeded Dr. Holley as the pastor of the Unitarian congregation in Hollis Street, Boston. At length his zeal against intemperance and slavery caused him to resign his charge in 1840 [sic. 1845] (see Lothrop's Proceedings of an Eccl. Council in the case of the Hollis Street Meeting and the Rev. J. Pierpont). At this date he published his Poems & Hymns, including his anti-slavery and temperance poems and songs. In 1845 he became the pastor of an Unitarian congregation at Troy, New York. This he vacated for another at Medford, Massachusetts, in 1849. That he resigned in 1859. When over 70 years of age he became Chaplain in the United States Army (1862), and was finally a Government clerk in the Treasury Department at Washington. He died suddenly at Medford, Aug. 27, 1866. Pierpont's publications include Airs of Palestine, 1816, some school books, and his Poems & Hymns, 1840 and 1854. His hymns in common use include:— 1. Another day its course hath run. Evening. Appeared in Hymns for Children, Boston, 1825; in Greenwood's Chapel Liturgy, 1827; and in the author's Poems & Hymns, 1840. 2. Break forth in song, ye trees. Public Thanksgiving. Written for the Second Centennial Celebration of the Settlement of Boston, Sept. 17, 1830, and included in the Poems & Hymns, 1840. 3. Break the bread and pour the wine. Holy Communion. In Harris's Hymns for the Lord's Supper, 1820. 4. Father, while we break the bread. Holy Communion. 5. God Almighty and All-seeing. Greatness of the Father. Contributed to Elias Nason's Congregational Hymn Book, Boston, 1857. 6. God of mercy, do Thou never. Ordination. Written for the Ordination of John B. P. Storer at Walpole, Nov. 15, 1826; and published in the author's Poems, &c, 1840. 7. God of our fathers, in Whose sight. Love of Truth desired. This hymn is composed of st. ix., x. of a hymn written for the Charlestown Centennial, June 17, 1830. In this form it was given in the Boston Hymns of the Spirit, 1864, and others. 8. Gone are those great and good. Burial. Written in 1830. Part of No. 2 above. 9. I cannot make him dead. Gone Before. "A part of an exquisitely touching and beautiful poem of ten stanzas, originally printed in the Monthly Miscellany, Oct. 1840." 10. Let the still air rejoice. Praise. 11. Mighty One, Whose name is Holy. Charitable Institutions. Written for the anniversary of the Howard Benevolent Society, Dec. 1826, and included in the author's Poems, &c, 1840. 12. My [0] God, I thank Thee that the night. Morning. Appeared in his Poems, &c, 1840. In Martineau's Hymns, &c, 1873, it begins "O God, I thank Thee," &c. 13. 0 bow Thine ear, eternal One. Opening of Divine Service. This is dated 1823, but was not included in the author's Poems, &c, 1840, although one of his best productions. 14. 0 Thou to Whom in ancient time. Universal Worship. “Written for the opening of the Independent Congregational Church in Barton Square, Salem, Massachusetts, Dec. 7, 1824," and printed at the close of the sermon preached by Henry Colman on that day. It was given in Pierpont's Poems, &c, 1840, and is found in several collections in Great Britain and America. It is widely known. 15. 0 Thou Who art above all height. Ordination. “Written for the Ordination of Mr. William Ware, as Pastor of the First Congregational Church in New York, Dec. 18, 1821," and included in his Poems, &c, 1840. 16. 0 Thou Who on the whirlwind rides. Dedication of a Place of Worship. Written for the opening of the Seamen's Bethel in Boston, Sept. 11, 1833. Sometimes given as “Thou Who on the," &c. 17. O'er Kedron's stream, and Salem's height. Gethsemane. One of eight hymns contributed to Dr. T. M. Harris's Hymns for the Lord's Supper, 1820. It is in Martineau's Hymns, &c, London, 1873, and others. 18. On this stone, now laid with prayer. Foundation-stone Laying. Written for the laying of the cornerstone of Suffolk Street Chapel, Boston, for the Ministry of the Poor, May 23, 1839. 19. With Thy pure dews and rain. Against Slavery. Written for the African Colonization Society, and included in Cheever's American Common Place Book, 1831. Not in the author's Poems, &c, 1840. Pierpont's talents as a hymn-writer, as in other fields, were respectable rather than commanding, but so energetically employed as to make their mark. Thus, although he never wrote a single hymn that can be called a great lyric, yet he has attained to a prominent position in American hymnody. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)

John Davis

Hymnal Number: 2 Author of "Sons of renowned sires" in Singers and Songs of the Liberal Faith

William Cutter

1801 - 1867 Hymnal Number: 151 Author of "Who is thy neighbor, he whom thou" in Singers and Songs of the Liberal Faith Cutter, William, born at North Yarmouth, Maine, May 15, 1801, and was removed in childhood to Portland, and educated at Bowdoin College, graduating in 1821. He was subsequently engaged for some time in business in Portland, and again in Brooklyn, New York. Died Feb. 8, 1867. Mr. Cutter, who was a member of the Congregational body, was a deserving writer, who has hitherto missed his due meed of acknowledgment. To his friend Mr. Colesworthy we are indebted for the details of his life and hymnological work. His hymns include:— 1. Thy neighbour? it is he whom thou. Christian Brotherhood. This appeared in the Christian Mirror for May 30, 1828 (Mr. Colesworthy thinks that he set the types for it), and again in Cheever'sAmerican Poetry, 1831. An altered form of the hymn, "Who is thy neighbour? he whom thou," soon came into use, and was often printed before it was included anonymously in W. B. O. Peabody's Unitarian Springfield Collection, 1835. From being found in that collection it has been attributed to Peabody in error. 2. Hide not thy talent in the earth. Duty. Appeared in the Christian Mirror, Oct. 10, IS28. In some collections it begins with stanza ii., "What if the little rain should say." 3. She loved her Saviour, and to Him. Thankfulness and Duty. Was first published in the Christian Mirror, but the date is uncertain. It was reprinted by Cheever in his American Poetry, 1831. In addition to the above, Cutter wrote several hymns which appeared in the Mirror, and in the Sunday School Instructor, of which he and Mr. Colesworthy were joint editors. His hymns are unknown to the English collections. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907)

Robert Collyer

1823 - 1912 Hymnal Number: 504 Author of "With thankful hearts, O God, we come" in Singers and Songs of the Liberal Faith Collyer, Robert, born at Keighley, Yorkshire, Dec. 8, 1823, at one time a working blacksmith, emigrated to America in 1850, where he was a Methodist local preacher until he joined the Unitarians in 1859; and Pastor of the Church of the Messiah, N.Y., from 1879. Has published several works on various subjects. His hymn, "With thankful hearts, O God, we come" (Dedication of a Church), in the Boston Unitarian Hymns for Church and Home, 1895, is given in Horder's Worship Song, 1905, as "Unto Thy temple, Lord, we come," and appointed for Sunday morning. It was written for the Dedication of Unity Church, Chicago (which was burnt in the great fire of 1870), of which he was the first Pastor in 1859. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Samuel Gilman

1791 - 1858 Hymnal Number: 71 Author of "This child we dedicate to thee" in Singers and Songs of the Liberal Faith Gilman, Samuel, D.D., was born at Gloucester, Massachusetts, Feb. 16, 1791; graduated at Harvard, 1811, and was a tutor there from 1817 to 1819. In 1819 he became the pastor of a Unitarian congregation at Charlestown, South Carolina, and retained the same to his death. He died at Kingston, Mass., Feb. 9, 1858. His hymns include:— 1. 0 God, accept the sacred hour. Holy Communion. Contributed to Dr. Harris's Hymns for the Lord's Supper , July, 1820, republished in Sewall's Unitarian Collection, New York, 1820, and in later collections. 2. We sing Thy mercy, God of love. Holy Communion. Published as in the case of No. 1. 3. Yes, to the [that] last command. Holy Communion. Published as in the case of Nos. 1 & 2. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907)

William T. Davis

1822 - 1907 Hymnal Number: 5 Author of "To thee, O God, whose guiding hand" in Singers and Songs of the Liberal Faith Davis, William T., born at Plymouth [U.S.A.], in 1822, educated at Harvard College, and is a lawyer by profession. His quasi American National Hymn was written for the 250th Anniversary of the Landing of the Pilgrim Fathers at Plymouth, Massachusetts, Dec. 21, 1870. It begins, "To Thee, O God, Whose guiding hand." --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Louisa J. Hall

1802 - 1892 Person Name: Louisa Jane Hall Hymnal Number: 155 Author of "Of idle hopes and fancies wild" in Singers and Songs of the Liberal Faith Hall, Louisa Jane (Park). (Newburyport, Massachusetts, February 2, 1802--1892). Wife of Rev. Edward B. Hall, she began to publish poems anonymously in periodicals. Her husband was minister of the First Unitarian Church of Providence, Rhode Island. She moved to Boston after his death. --Singers and Songs of the Liberal Faith, 1875, DNAH Archives