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Leopold Dix

Person Name: Leopold L. Dix Topics: Waiting upon God Arranger of "FINGAL" in Trinity Psalter Hymnal

John H. Gower

1855 - 1922 Topics: Waiting upon God Composer of "MEDITATION" in Trinity Hymnal (Rev. ed.)

Stephen Jenks

1772 - 1856 Person Name: Stephen Jenks, 1772-1856 Topics: Waiting upon God Composer of "COMMUNION" in Methodist Hymn and Tune Book Born: March 17, 1772, Glocester, Rhode Island. Died: June 3, 1856, Thompson, Ohio. Buried: Maple Grove Cemetery, Thompson, Ohio. During his life, Jenks moved from town to town, living in Ridgefield and New Canaan, Connecticut; Pound Ridge, New York; and Providence, Rhode Island; finally settling in Thompson, Ohio, in 1829. After moving to Ohio, he became a farmer and a maker of percussion instruments. His works include: The New-England Harmonist (Danbury, Connecticut, 1799) The Musical Harmonist (New Haven, Connecticut, 1800. The American Compiler, with Elijah Griswold (Northampton, Massachusetts, 1803) The Delights of Harmony (New Haven, Connecticut, 1804) The Delights of Harmony; or, Norfolk Compiler (Dedham, Massachusetts: 1805) Additional Music, to the Delights of Harmony The Delights of Harmony; or, Union Compiler, 1806 The Jovial Songster (Dedham, Massachusetts: 1806) The Hartford Collection of Sacred Harmony, with Elijah Griswold and John C. Frisbie (Hartford, Connecticut: 1807) The Royal Harmony of Zion (Dedham, Massachusetts: 1810) The Christian Harmony (Dedham, Massachusetts: 1811) The Harmony of Zion; or, Union Compiler (Dedham, Massachusetts: 1811) The Whistle (Dedham, Massachusetts: 1811) --www.hymntime.com/tch

Charles Wood

1866 - 1926 Person Name: Charles Wood, 1866-1926 Topics: Waiting upon God Composer of "ARMAGH" in The Book of Praise

K. Lee Scott

b. 1950 Topics: Waiting upon God Composer of "WIBERG" in Trinity Psalter Hymnal

B. C. Unseld

1843 - 1923 Person Name: Benjamin C. Unseld Topics: Waiting upon God Composer of "ANCYRA" in Trinity Psalter Hymnal Benjamin Carl Unseld, 1843-1923 Born: Oc­to­ber 18, 1843, Shep­herd­stown, West Vir­gin­ia. Died: No­vem­ber 19, 1923. Buried: Elm­wood Ceme­te­ry, Shep­herd­stown, West Vir­gin­ia. After leav­ing school at age 14, Un­seld worked as a clerk in a coun­try store. He re­ceived his first mu­sic­al in­struct­ion around age 15, from a com­pan­ion who had at­tend­ed a sing­ing school. He was shown the rep­re­sen­ta­tion of the scale in the old Car­mi­na Sac­ra, and had it sung for him. At the friend’s sug­gest­ion, he got per­mis­sion from his pas­tor to prac­tice on the church or­gan. Since both boys worked, their on­ly chance to prac­tice was af­ter the store closed at 9:00 p.m., and oc­casion­al­ly at noon­time. They went to the church to­ge­ther and took turns, one at the key­board and the other at the bel­lows. Shortly af­ter the Bat­tle of An­tie­tam in Sep­tem­ber 1862, some of which Un­seld wit­nessed, he left home and be­came a book­keep­er in the gen­er­al of­fic­es of a rail­road in Co­lum­bia, Penn­syl­van­ia. He sang in a choir, and gained fur­ther prac­tice read­ing mu­sic. He rent­ed a mel­o­de­on and spent much time in his room im­pro­vis­ing on it. He bought a co­py of Wood­bur­y’s Har­mo­ny and Mu­sic­al Com­po­si­tion, and stu­died it as well as he could with­out a teach­er. He ac­cept­ed an in­vi­ta­tion to play the or­gan in the lo­cal Meth­od­ist church, on the con­di­tion that he re­ceived the tunes ear­ly in the week so he could learn them. This was his first po­si­tion as an or­ga­nist. In the spring of 1866, he en­tered the Mu­sic­al In­sti­tute in Pro­vi­dence, Rhode Is­land, con­duct­ed by Eben Tour­jée (found­er of the New Eng­land Con­serv­a­to­ry in Bos­ton, Mass­a­chu­setts, and fa­ther of Liz­zie Tour­jée). There he stu­died voice, pi­a­no, or­gan, and har­mo­ny. Af­ter learn­ing of Un­seld’s bus­i­ness ex­per­i­ence, Dr. Tour­jée made him sec­re­ta­ry of the school; in 1867, Un­seld be­came the first sec­re­ta­ry of the New Eng­land Con­ser­va­to­ry. Starting in 1870, Un­seld at­tend­ed schools led by The­o­dore F. Sew­ard. There he met George Webb, Low­ell Mason, James Mc­Gran­a­han, Charles Case, and other not­a­bles in the mu­sic com­mun­i­ty. In 1874, Uns­eld taught at Fisk Un­i­ver­si­ty in Nash­ville, Ten­nes­see, and helped train Fisk’s Ju­bi­lee Sing­ers for their Eur­o­pe­an trip. In 1877 and 1878, he was or­gan­ist and choir mas­ter at St. James’ Epis­co­pal Church, Lan­cas­ter, Penn­syl­van­ia. In 1879, Un­seld moved to New York Ci­ty, and for 15 years taught, led choirs, com­posed and pub­lished. In New York, his mu­sic­al head­quar­ters was the pub­lish­ing house of Big­low & Main Com­pa­ny, where he was in al­most dai­ly con­tact with the pop­u­lar com­pos­ers and teach­ers of the day: Ira San­key, Ho­ra­tio Palm­er, Hu­bert Main, Ro­bert Low­ry, et al. In 1894, Un­seld moved to Cin­cin­na­ti, Ohio, and worked as an ed­it­or for the Fill­more Mu­sic House. In 1898, he moved to Day­ton, Ohio, and worked in a sim­i­lar ca­pa­ci­ty for the Lo­renz Pub­lishing Com­pa­ny. He moved back to New York Ci­ty in 1901, then to Ha­gers­town, Ma­ry­land in 1905. He and his wife Sal­lie were ap­par­ent­ly liv­ing in Ten­nes­see as of 1920. Un­seld’s works in­clude: The Chor­al Stan­dard (New York: Fill­more Bro­thers, 1895) Progress in Song, with E. T. Hil­de­brand (Cin­cin­na­ti, Ohio: The Fill­more Bro­thers Com­pa­ny) Unseld was in­duct­ed in­to the South­ern Gos­pel Mu­sic As­so­ci­a­tion Hall of Fame in 2004. Sources-- Hall, pp. 239-44 Music-- Ancyra Euphemia He Is Ris­en Hordville Make Haste! Meschach Twilight Is Fall­ing Unseld Wonderful Mess­age --www.hymntime.com/tch

George J. Elvey

1816 - 1893 Topics: Waiting upon God Composer of "DIADEMATA" in Trinity Hymnal (Rev. ed.) George Job Elvey (b. Canterbury, England, 1816; d. Windlesham, Surrey, England, 1893) As a young boy, Elvey was a chorister in Canterbury Cathedral. Living and studying with his brother Stephen, he was educated at Oxford and at the Royal Academy of Music. At age nineteen Elvey became organist and master of the boys' choir at St. George Chapel, Windsor, where he remained until his retirement in 1882. He was frequently called upon to provide music for royal ceremonies such as Princess Louise's wedding in 1871 (after which he was knighted). Elvey also composed hymn tunes, anthems, oratorios, and service music. Bert Polman

Isaac Watts

1674 - 1748 Topics: Waiting upon God Author of "Hast thou not known, hast thou not heard" in Trinity Hymnal Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit. The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred. Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.) --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================================= Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693. Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution. Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey. His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.] A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken. (l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736. 454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time. --Excerpts from John Julian, Dictionary of Hymnology (1907) ================================== Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================= Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin. i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:— On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202. ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:— On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441. iii. Additional not noted in the revision:— 1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place." 2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719. 3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719. A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only. --John Julian, Dictionary of Hymnology, New Supplement (1907) =========== See also in: Hymn Writers of the Church

Henry A. Bruinsma

1916 - 1991 Topics: Waiting upon God Adapter of "CONTRITION" in Psalter Hymnal (Blue) It was in Bruinsma's musical compositions that his brilliance was most displayed. “Henry’s personality was … embodied in his music: colorful, radiating charisma, magnetic in a nonverbal way,” niece Jane DeGroot said. Bruinsma displayed musical potential even before he was considered old enough to take music lessons, said his wife, Grace Hekman Bruinsma. The preschooler would eavesdrop on his older brother’s piano lessons. After the teacher left, Bruinsma would climb onto the piano bench to practice his brother’s lesson assignment. Later on, he chose to attend Ottawa Hills High School in Grand Rapids, Mich., for its music program. Following high school graduation in 1933, Bruinsma attended the University of Michigan for a degree in music. He stayed on to complete a Ph.D. in musicology, becoming the first musicologist to graduate from the University of Michigan. It was during his graduate work that Bruinsma wrote Scherzo on a Dutch Nursery Song. “He never lost his love for Dutch history or Dutch Reformed music,” Grace Bruinsma said. It was also during his time at U of M that Bruinsma began taking Grace to music concerts, and in 1939 they were married. Bruinsma began his time as a professor of music at Calvin College (1946-55). In addition to his teaching duties at the college, Bruinsma taught the first music and theology course at Calvin Seminary. He also chaired the first Conference on Liturgy of Music. However, not long after his time at Calvin, Bruinsma decided he was being called to move from teaching to education administration. Of note is his time at Ohio State University (1959-64), where he served as the director of the School of Music. He also held the position of executive committee member of the College of Education. Next, Bruinsma moved to what is now Arizona State University (1964-79), another notable mark in his education administration career. During that time, he served first as chair of the School of Music, then as founding dean of the College of Fine Arts. He is also known to have started the first religious studies program at Arizona State as part of the university’s interdisciplinary studies program. Due to the amount of time he spent in education administration, much of Bruinsma’s musical compositions were never published. After his death, Grace Bruinsma contacted Gerry Bouma of Morningside College in Sioux City, Iowa. Bouma and Henry Bruinsma had met in 1969 at a Grand Rapids Christian High School concert in Chicago. “For whatever reason, Henry and Grace treated us like we were their kids,” Bouma said. Grace asked Bouma to catalog and publish the 10,000 pages of Henry’s material. Taking a semester sabbatical, Bouma began his work. Bouma’s catalog of Bruinsma’s work can be found in the Heritage Hall Archives at the Hekman Library, Calvin College. The Archives also hosts additional works from Bruinsma’s time at Calvin. --Excerpted from Calvin Spark, Spring 2006 issue

Christian Strover

1932 - 2020 Person Name: Christian Strover Topics: Waiting upon God Composer of "SILENCE" in Trinity Hymnal (Rev. ed.) Christian T. Strover (b. Colchester, Essex, England, 1932) received the B.Litt. and MA degrees from Hertford College in Oxford, England. He was director of music at Emanuel School (Battersea Rise), 1956-1997) and organist and choirmaster at Christ Church in Beckenham, Kent, England (1956-2020). He has composed and arranged a number of hymn tunes, some of which appeared in Psalm Praise (1973). Bert Polman, (revised Dianne Shapiro, from email sent to Hymnary)

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