Person Results

Switch back to the old search page.Advanced Search

Showing 221 - 230 of 432Results Per Page: 10 20 50

Amelia Opie

1769 - 1853 Person Name: Mrs. Amelia Opie Hymnal Number: 85 Author of "There seems a voice in every gale" in Evangelical Hymnal Opie, Amelia, née Alderson, daughter of Dr. Alderson, a physician at Norwich, was born there Nov. 12, 1769. In May 1798 she was married to John Opie, the painter, who died in 1807. Originally Mrs. Opie was an Unitarian, but in 1814 she joined the Society of Friends. Most of her subsequent life she lived at Castle Meadow, Norwich, where she died Dec. 2, 1853. Mrs. Opie's prose works were somewhat numerous, and included Father and Daughter, 1801, a most popular tale; Temper, 1812; Tales of Real Life, 1813; and others. Her poetical works were Miscellaneous Poems, 1802; The Warrior's Return and Other Poems, 1808; Lays for the Dead, 1833, &c. Very few of her poems have come into use as hymns. The best known is “There seems a voice in every gale." --John Julian, Dictionary of Hymnology (1907) =================== Opie, Amelia , p. 871, i. Another hymn by Mrs. Opie in common use is "When the disciples saw their Lord" (Travel by Sea and Land), in Com. Praise 1879. Dated 1838. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

N. B. Sargent

Hymnal Number: 721 Author of "Building for Eternity" in Evangelical Hymnal

George Burgess

1809 - 1866 Person Name: Rev. George Burges Hymnal Number: 447 Author of "The harvest dawn is near" in Evangelical Hymnal Burgess, George, D.D. Bishop Burgess was born at Providence, Rhode Island, Oct. 31, 1809, and graduated at Brown University, 1826, where he was for some time a tutor. After studying for two years in Germany, he took Holy Orders, and in 1834 became Rector of Christ Church, Hartford. In 1847 he was consecrated Bishop of Maine, and also entered upon the Rectory of Christ Church, Gardiner. He died in Haiti, April 3, 1866. His Life was published by bis brother in 18G9. His works include The Book of Psalms translated into English Verse, 1839; The American Metrical Psalter, N. Y., 1864; and Poems, Hartford, 1868. His Psalms and Hymns in use are;—- 1. Lord, in Thy Name we spread the sail, Sailor’s Hymn. This hymn is included in his Poems, 1868, p. 268, but is of unknown date and origin. The hymn, "While o'er the deep Thy servants sail," is an altered form of this hymn to be sung on behalf of sailors. It was apparently rewritten for the Connecticut Psalms and Hymns, 1845. 2. The harvest dawn is near. Ps. cxxvi. From his version of Ps. cxxvi., Book of Psalms, &c, 1839, beginning with st. v. Also his American Metrical Psalter, p. 250. It is widely used. 3. The floods, 0 Lord, lift up their voice. From Ps. xciii. in his Book of Psalms, 1839, stanza iii., found in his American Metrical Psalter, p. 179. 4. When forth from Egypt's trembling strand. Ps. cxiv. From his Book of Psalms, 1839, and Psalter, 1864. It has been included in Spurgeon's Our Own Hymn Book, 1866. Of these hymns Nos. 1 and 2 are found in almost every recent American collection but that of the Protestant Episcopal Church. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Frances L. Mace

1836 - 1899 Hymnal Number: 590 Author of "Only waiting, till the shadows" in Evangelical Hymnal Mace, Frances P., née Laughton, was born in Orono, Maine, Jan. 15, 1836, and married in 1855 to Benjamin H. Mace, a Lawyer of Bangor. Her hymn "Only waiting till the shadows" (Heaven Anticipated), was written in 1854, and printed in a local newspaper, the Waterville Mail (Maine), Sep. 7, 1854, in 4 stanzas of 8 lines. It has attained a wide circulation in Great Britain and America. Full text in I. D. Sankey's Sacred Songs & Solos, 1878. See Woman in Sacred Song, 1885, p. 139, for counter-claim on behalf of Mrs. F. A. F. Wood-White. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================== Born: January 15, 1834, Orono, Maine. Died: July 20, 1899. Buried: Los Gatos Memorial Park, San Jose, California. In 1837, Frances’ family moved to Foxcroft (now Dover-Foxcroft), Maine, where she grew up. By age 10, she was studying Latin, and had verses published by age 12. The family later moved to Bangor, Maine, where she graduated from high school, and studied German and music with private teachers. In 1855, she married lawyer Benjamin F. Mace of Bangor; in 1885, they moved to San Jose, California. They had eight children, four of whom reached adulthood. Her works include: Legends, Lyrics and Sonnets, 1883 Under Pine and Palm, 1888 Sources: Willard, pp. 482-83 http://www.hymntime.com/tch/bio/m/a/c/mace_fl.htm

Grace W. Hinsdale

1833 - 1902 Person Name: Mrs. G. W. Hinsdale Hymnal Number: 247 Author of "My soul complete in Jesus stands" in Evangelical Hymnal Hinsdale, Grace Webster, née Haddock, a Congregationalism daughter married to Theodore Hinsdale, a lawyer of New York, in 1850. Mrs. Hinsdale is a contributor to the periodical press, and has published Coming to the King, a Book of Daily Devotion for Children, 1865; republished in England as Daily Devotions for Children, 1867. Her hymns include :— i. From Coming to the King, 1865. 1. A light streams downward from the sky. Heaven. 2. My soul complete in Jesus stands (1855). Safety in Jesus. ii. From Schaff’s Christ in Song, N.Y., 1869. 3. Are there no wounds for me? Passiontide. Written April, 1868. 4. Jesus, the rays divine. Jesus ever present. Written July, 1868. 5. There was no angel 'midst the throng. Jesus, the Deliverer; or, Redemption. Written April, 1868. The hymn, "Jesus, Thou art my Lord, my God,” in the 1874 Supplement to the New Congregational Hymn Book, is composed of st. viii.-x., xv.-xvii., slightly altered, of this hymn. 6. Thou stand'st between the earth and heave. Virgin and Child. This poem was "written after viewing Raphael's Madonna di San Sisto, in the Royal Gallery of Dresden, Aug., 1867." (Christ in Song.) It is not suited for congregational use. Her pen name is "Farin." -- John Julian, Dictionary of Hymnology

James Cowden Wallace

1793 - 1841 Person Name: Rev. James C. Wallace Hymnal Number: 51 Author of "There is an eye that never sleeps" in Evangelical Hymnal Wallace, James Cowden, was born at Dudley, circa 1793. He was brother of the Rev. Robert Wallace (1791-1880), Professor of Theology in Manchester New College, and author of Antitrinitarian Biography. J. C. Wallace was Unitarian minister at Totnes, 1824, and afterwards at Brighton and Wareham. He died at Wareham in 1841. He was a prolific hymnwriter, and contributed various other poetical pieces to the Monthly Repository. In a Selection of Hymns for Unitarian Worship, by R. Wallace, Chesterfield, 1822, there are 13 of his hymns, and in the 2nd edition of the same, 1826, there are 29 more. There are also 10 of his hymns in the Dukinfield Selection of Psalms & Hymns for Christian Worship, 1822 (still in use), and 64 in Beard's Collection of Hymns, 1837. Of these hymns the following are still in common use:— 1. Is there no balm to soften grief? The Efficacy of Prayer (1837). 2. It is not rank, or power, or state. The Universality of the Gospel. 3. There's not a place in earth's vast round. God seen in Everything. 4. Through every clime God's care extends. Divine Care of All. 5. There is an eye that never sleeps. The Divine Helper in Need. [Rev. Valentine D. Davis, B.A.] -- John Julian, Dictionary of Hymnology (1907) ===================== Wallace, James Cowdan, 1793 (?>-184l. Minister at various places in the south of England, finally at Wareham, author of a considerable number of hymns, to be found in his brother Robert's Selection of Hymns for Unitarian Worship, Chesterfield, 1822, enlarged ed., 1826, and in Beard's Collection, 1837. In the Baptist Hymnal is, "There is an eye that never sleeps” (The Divine watchfulness). See "There's not a star whose trembling light.” --John Julian, Dictionary of Hymnology (1907)

William Hamilton Drummond

1778 - 1865 Person Name: Rev. William H. Drummond Hymnal Number: 382 Author of "One cup of healing oil and wine" in Evangelical Hymnal Drummond, William Hamilton, D.D., son of an Irish physician, was born at Ballyclare, Antrim, Ireland, 1772, and died at Dublin, Oct. 16, 1865. Educated for the ministry at the University of Glasgow, he became, in 1793, the pastor of the Second Presbyterian Church, Belfast, and in 1816, of the Strand Street Chapel, Dublin. His poetical works include:— (1) Juvenile Poems, 1797; (2) Trafalger, 1805; (3) The Giant's Causeway, 1811; (4) Clontarf, 1817; (5) Who are the Happy? a Poem, on the Christian Beatitudes, with other Poems on Sacred Subjects, 1818. In 1818 A Selection of Psalms & Hymns for the Use of the Presbytery of Antrim, and the Congregation of Strand Street, Dublin, was published at Belfast. This Selection was probably edited by Dr. Drummond. It contained several of his hymns. Five of these (Nos. 84, 190, 201, 236, 264) were contributed to that edition. From Who are the Happy? the following hymns have come into common use:— 1. A voice from the desert comes awful and shrill. Advent. This is in extensive use in the Unitarian hymn-books of America. 2. Come, let us sound her praise abroad. Charity. 3. Father, I may not ask for less. Charity. This is stanzas ii.-v. of No. 2, with a new introductory stanza. In this form the hymn was given in the Leeds Hymn Book, 1853. 4. Give thanks to God the Lord. Victory through Christ. Limited in use, although a hymn of much spirit. It appeared in the Belfast Psalms & Hymns, 1818. 5. O had I the wings of a dove. Retirement. This hymn is not suited to congregational use. It appeared in the Belfast Psalms & Hymns, 1818. The original texts of these hymns are in Lyra Britannica, 1867, from whence also most of the biographical facts have been taken. A few of Drummond's hymns, in addition to those named, are found in some American Unitarian collections. -- John Julian, Dictionary of Hymnology (1907) ====================== Drummond, William, p. 312, ii. In the British Museum there is a copy of Drummond's Poems as fol¬lows :— Poems by William Drummond of Hawthornedene. The second Impression, Edinburgh. Printed by Andro Hart, 1616. Neither the Flowers of Zion, nor the translations from the Latin are therein. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Harriet E. Jones

1823 - 1915 Person Name: H. E. Jones Hymnal Number: 699 Author of "How They Sing Up Yonder!" in Evangelical Hymnal Harriet E. Rice Jones, 1823-1915 Born: April 18, 1823, Pompey Hollow, Onondaga County, New York. Died: 1915, Binghamton, New York. Buried: Oran Community Church Cemetery, Pompey, Onondaga County, New York. Daughter of Eleazer Rice, Jones lived in Onondaga County, New York. Her girlhood was spent on a farm, receiving what education the country schools and one term at high school could provide. She was always fond of reading, and was a great singer, with a clear ringing voice. On July 7, 1844, she married a son of Rev. Zenas Jones; her husband died in 1879. Her song writing career began when her poetry came to the attention of Dr. M. J. Munger, who asked if she could write some Sunday school hymns for him. She went on to write for Daniel Towner, J. C. Ewing, the Fillmore brothers, and others. --hymntime.com/tch

Thomas Scott

1705 - 1775 Person Name: Rev. Thomas Scott Hymnal Number: 132 Author of "Angels, roll the rock away" in Evangelical Hymnal Thomas Scott was born at Norwich, and was the son of a Dissenting minister. After his education he began his ministerial life at Wartmell, in Norfolk, adding also the labours of school-teaching. Subsequently he changed his pastoral relations several times, spending the last years of his life at Hupton, in Norfolk, where he died in 1776. He was the author of some prose works, several poems, and a few hymns. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872 ============================ Scott, Thomas, son of Thomas Scott, Independent Minister at Norwich, brother of Elizabeth Scott, and nephew of Dr. Daniel Scott, was born at Norwich, 1705. As a young man he kept a school at Wortwell, and preached once a month at Harleston, Norfolk. Then, after a short ministry at Lowestoft, he removed in 1734 to Ipswich as co-pastor with Mr. Baxter of the Presbyterian congregation meeting in St. Nicholas Street Chapel. On the death of his senior in 1740 he became sole pastor. In 1774 he retired to Hapton, and died there in 1775. He was the author of various poetical works, including:— (1) The Table of Cebes; or, the Picture of Human Life, in English Verse, with Notes, 1754; (2) The Book of Job, in English Verse; translated from the original Hebrew, with Remarks, Historical, Critical, and Explanatory, 1771; 2nd ed. 1773; (3) Lyric Poems, Devotional and Moral. By Thomas Scott, London, James Buckland, 1773. To Dr. Enfield's Hymns for Public Worship, Warrington, 1772, he contributed "All-knowing God, 'tis Thine to know" (p. 43, ii.); "Angels! roll the rock away" (p. 69, i.); "As various as the moon " (p. 85, ii.); and the following:— 1. Absurd and vain attempt to bind. Persecution. 2. Behold a wretch in woe. Mercy. 3. Imposture shrinks from light. Private Judgment, its Rights and Duties. 4. Mark, when tempestuous winds arise. Meekness. 5. O come all ye sons of Adam and raise. Universal Praise to God. 6. Th' uplifted eye and bended knee. Devotion vain without Virtue. 7. Was pride,alas, e'er made for man? Humility. 8. Why do I thus perplex? Worldly Anxiety reproved. In his Preface to his Lyric Poems, 1773, he said that the object of his work was:— "To form a kind of little poetical system of piety and morals. The work opens with natural religion. Thence it proceeds to the mission of Jesus Christ, his sufferings, his exaltation, and the propagation of his doctrine. Next is the call to repentance, the nature and blessedness of a Christian life, and the entrance into it. These topics are succeeded by the various branches of devotion: after which are ranked the moral duties, personal and social, the happy end of a sincere Christian, and the coming of Jesus Christ to finish his mediatorial kingdom by the general judgment. The whole is closed with a description of the illustrious times, when by means of the everlasting gospel, the earth shall be full of the knowledge of the Lord as the waters cover the sea." Of Scott's better known hymns this volume contained most of those named above, and:— 9. Hasten, sinner, to be wise. p. 493, ii. 10. Who, gracious Father, can complain? The Divine Dispensation In the Collection of Hymns and Psalms, &c, 1795, by Kippis, Rees, and others, several of the above were repeated, and the following were new:— 11. If high or low our station be. Justice. 12. Happy the meek whose gentle breast. Meekness. Doctrinally Scott might be described as an evangelical Arian. Hymns of his appear in most of the old Presbyterian collections at the close of the last century, and in the early Unitarian collections. Several are still in common use in G. Britain and America. [Rev. Valentine D. Davis, B.A.] -- John Julian, Dictionary of Hymnology (1907)

Susannah Harrison

1752 - 1784 Hymnal Number: 351 Author of "Tell me no more of earthly toys" in Evangelical Hymnal Harrison, Susanna, invalided from her work as a domestic servant at the age of 20, published Songs in the Night, 1780. This included 133 hymns, and passed through ten editions. She is known by "Begone, my worldly cares, away," and "O happy souls that love the Lord." Born in 1752 and died Aug. 3, 1784. --John Julian, Dictionary of Hymnology, New Supplement (1907) ================================ Harrison, Susanna. (1752--August 3, 1784, Ipswich, England). The preface to the first edition of her collected hymns, Songs in the night, 1780, states that she was "a very obscure young woman, and quite destitute of the advantages of education, as well as under great bodily affliction. Her father dying when she was young, and leaving a large family unprovided for, she went out to service at sixteen years of age." In August 1722, she became ill, probably with tuberculosis, and returned to her mother's home. She taught herself to write and in her remaining years she wrote 142 hymns which, with a few meditations, were published as Songs in the night by an anonymous editor, perhaps her rector. So sincere yet vivid is the expression of her faith as she faced certain death that by 1847 there had been eleven editions printed in England and seven additional ones in America. Individual hymns remained popular in America during much of the nineteenth century due to the constant preoccupation with death in both urban and frontier life, reflected in the large sections of funeral hymns in most hymnals. --Leonard Ellinwood, DNAH Archives