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J. Grigg

1720 - 1768 Person Name: Joseph Grigg Author of "Jesus, and Shall It Ever Be" in Trinity Hymnal (Rev. ed.) Grigg, Joseph, was born in 1728, according to the D. Sedgwick’s Manuscript," but this date seems to be some six or eight years too late. He was the son of poor parents and was brought up to mechanical pursuits. In 1743 he forsook his trade and became assistant minister to the Rev. Thomas Bures, of the Presbyterian Church, Silver Street, London. On the death of Mr. Bures in 1747, he retired from the ministry, and, marrying a lady of property, look up his residence at St. Albans. He died at Walthamstow, Essex, Oct. 29, 1768. As a hymnwriter Grigg is chiefly known by two of his hymns, "Behold a stranger at the door"; and "Jesus, and can it ever be?" His hymnwriting began, it is said, at ten years of age. His published works of various kinds number over 40. Those in which his hymns are found are:— (1) Miscellanies on Moral and Religious Subjects, &c, London, Elizabeth Harrison, 1756. (2) The Voice of Danger, the Voice of God. A Sermon Preached at St. Albans, and at Box-Lane, Chiefly with a View to the apprehended Invasion. By J. Grigg. London, J. Buckland, 1756. To this is appended his hymn, "Shake, Britain, like an aspen shake." (3) Four Hymns on Divine Subjects wherein the Patience and Love of Our Divine Saviour is displayed, London, 1765. (4) Hymns by the late Rev. Joseph Grigg, Stourbridge, 1806. (5) During 1765 and 1766 he also contributed 12 hymns to The Christians Magazine. In 1861 D. Sedgwick collected his hymns and poems, and published them with a memoir as: Hymns on Divine Subjects, * * * * London, 1861. This volume contains 40 "Hymns," and 17 "Serious Poems." In the “S. MSS." Sedgwick notes that in 1861 he omitted three hymns by Grigg, which were then unknown to him, viz.:—l) On "The National Fast," appended to a sermon preached at Northampton, Feb. 13, 1761, by W. Warburton, and published in London, 1761. (2) "A Harvest Hymn by the late Rev. Joseph Grigg," in 6 stanzas, in the Evangelical Magazine, July, 1822; and (3) On the Parable of Dives and Lazarus, dated "Feb. 15, 1767." -- John Julian, Dictionary of Hymnology (1907)

Henry Baker

1835 - 1910 Person Name: H. Baker Composer of "WHITBURN" in Sacred Songs and Solos Henry Baker, Mus. Bac., son of the Rev. James Baker, Chancellor of the diocese of Durham; born at Nuneham, Oxfordshire; educated at Winchester School; graduated Bachelor in Music at the University of Oxford in 1867. He also worked as a civil engineer. Scottish Church Music, its composers and sources by James Love; William Blackwwod and Sons, Edinburgh and London, 1891

Ignaz Pleyel

1757 - 1831 Person Name: Ignaz J. Pleyel Composer of "GRACE CHURCH" in The Psalter Hymnal Ignaz Joseph Pleyel; b. Ruppertstahl, near Vienna, 1757; d. Parice France, 1831 Evangelical Lutheran Hymnal, 1908

Stanley

1767 - 1822 Person Name: Samuel Stanley Composer of "STONEFIELD" in New Christian Hymn and Tune Book Samuel J. Stanley

Francis Duckworth

1862 - 1941 Composer of "[Jesus, and shall it ever be]" in Hymns Born: December 25, 1862, Rimington, Yorkshire, England. Died: August 16, 1941, at his home Swanside in Colne, England. Buried: St. Mary the Virgin Anglican Church, Gisburn, Lancashire. His gravestone bears the music of Rimington, and a plaque to his memory was placed above the doorway to the former Methodist Chapel in Stopper Lane, Lancashire. When Duckworth was five years old, his family moved to the village of Stopper Lane, near Rimington. He had to leave school at age 12 to help in the family business. At age 20, he moved to Burnley, Lancashire, to work for a tobacconist cousin. Six years later, he returned to live at Colne, and in 1899 took a grocery business in Market Street, Colne. Duckworth had an early interest in music, but received only three months of formal lessons. Shortly after arriving in Colne, he became deputy organist (later organist) at the Albert Road Methodist Church, serving until 1929. He composed numerous hymn tunes, 18 of them appearing in the Rimington Hymnal. His tune Rimington was sung by a massive congregation of British troops on the Mount of Olives after the surrender of Jerusalem during World War I. --www.hymntime.com/tch

Georg Joseph

1630 - 1668 Person Name: Georg Josephi Composer of "ANGELUS" in Many Voices; or, Carmina Sanctorum, Evangelistic Edition with Tunes Born: Probably circa 1630, Breslau, Silesia (now Wrocław, Poland). Died: Circa 1668. A musician in the service of the Prince-Bishop of Breslau in last half of the 17th Century, Joseph collaborated published five hymn volumes with Johann Scheffler. Sources Erickson, p. 325 Stulken, p. 218 Music: ANGELUS --www.hymntime.com/tch

Henry K. Oliver

1800 - 1885 Composer of "FEDERAL STREET" in The Hymnal Henry Kemble Oliver (b. Beverly, MA, 1800; d. Salem, MA, 1885) was educated at Harvard and Dartmouth. He taught in the public schools of Salem (1818-1842) and was superintendent of the Atlantic Cotton Mills in Lawrence, Massachusetts (1848-1858). His civic service included being mayor of Lawrence (18591861) and Salem (1877-1880), state treasurer (1861-1865), and organizer of the Massachusetts Bureau of Statistics and Labor (1867-1873). Oliver was organist at several churches, including Park Street Congregational Church in Boston, North Church in Salem, and the Unitarian Church in Lawrence. A founder of the Mozart Association and several choral societies in Salem, he published his hymn tunes in Hymn and Psalm Tunes (1860) and Original Hymn Tunes (1875). Bert Polman

Thomas B. Southgate

1814 - 1868 Composer of "BROOKFIELD" in Trinity Hymnal (Rev. ed.) Southgate, Thomas Bishop, born at Hornsey, Middlesex, June 8, 1814; educated in the school of the Chapel Royal, where he was a chorister; studied harmony under Thomas Attwood and Sir John Goss, and the organ under Samuel Wesley; organist of Hornsey Church from 1834 to 1853, and of St Anne's, Highgate Rise, London, from the latter year until his death, which occured at Highgate, November 3, 1868. EVENSONG, No. 320 F.C.H., was published in sheet form in 1858, set to the words "God that madest earth and heaven." --James Love, Scottish Church Music: Its Composers and Sources (1891)

W. E. M. Hackleman

1868 - 1927 Composer of "[Jesus, and shall it ever be]" in Sacred Selections for the Church William Edward Michael Hackleman USA 1868-1927. Born at Orange, IN, he grew up on a farm. At age 17 he was teaching singing classes and leading singing in meetings. He later taught public school for four years and studied music in Toronto, Canada, at the Conservatory of Music, under Italian composer, Francesco d'Auria, and also with other private teachers in New York City. He married Pearl C MNU, and they had four children: Edwin, Florence, Grace, and Gladys. He edited songbooks, composed music and lead music at state and national conventions of the Christian Church. He was an evangelist and served as president of the National Association of Church Musicians, and for five years was secretary to the Indiana Missionary Society. He led singing at the Centennial Convention in 1909 at Forbes Field in Pittsburgh, PA, for an estimated crowd of 30,000. He also ran the Hackleman Music Company in Indianapolis, IN. He published 15 religious songbooks, some lyrics and many tunes. He died in an auto accident in St. Elmo, IL, enroute to a church convention. John Perry

Benjamin Francis

1734 - 1799 Alterer of "Jesus, and Shall It Ever Be" in Trinity Hymnal (Rev. ed.) Francis, Benjamin , M.A., was born in Wales in 1734. He was baptized at the age of 15, and began to preach at 19. He studied at the Bristol Baptist College, and commenced his ministry at Sodbury. In 1757 he removed to Horsley (afterwards called Shortwood), in Gloucestershire. There he remained, through a happy and very successful ministry of 42 years, until his death in 1799. He was the author of many poetical compositions :— (1) Conflagration, a Poem in Four Parts, (1770); (2) Elegies on the Deaths of the Revs. George Whitefield , Caleb Evans, Robert Day, and Joshua Thomas; (3) The Association, a Poem (1790); (4) a Poetical Address to the Stockbridge Indians (5) two satirical pieces on the Baptismal controversy; The Salopian Zealot; and The Oracle, the former passing through several editions and being reprinted in America. Francis was the author of five hymns in Rippon's Selections, 1787, all of which are still in common use :— 1. Before Thy throne, eternal King . Meetings of Ministers: or Church Conferences. 2. Glory to the eternal King. Majesty of God. In Snepp's Songs of Grace & Glory for Private, Family and Public Worship, 1872. 3. In tweet [loud] exalted strains . Opening of a Place of Worship . This was given in Rippon, No. 338, in 6 st. of 6 1. with the note:—“Sung on opening the Meeting House at Horsley, Gloucestershire, [his Chapel,] September 18, 1774; and also at the opening of the New Meeting House, at Downend, near Bristol, October 4, 1786."This hymn is abbreviated in the Baptist Hymnal, 1879, to 4 stanzas, and begins with st. iii. which is altered to "Come, King of glory, come." No. 1020 in Spurgeon's Our Own Hymnbook is the same arrangement of stanzas altered by Mr. Spurgeon to "Great King of Zion, now." In several American hymnals it reads: "Great King of glory, come." 4. My gracious Redeemer, I love. The love of Christ to Men. In various collections. 5. Praise the Saviour, all ye nations . Offertory. In Snepp's Songs of Grace & Glory, 1872, No. 739, "With my substance I will honour," is a cento from this hymn. 6. Ye objects of sense and enjoyments of time . Death. A long hymn of 16 st. of 4 l. given in the new and improved edition of Rippon, 1837, No. 553, Pt. ii. with the heading, "The dying Christian bidding adieu to the world." This hymn had previously appeared in the Baptist Register, 1795. It was as a writer of Welsh hymns, however, that Francis excelled. In 1774 he published his Alleluia, neu Hymnau perthynol i Addoliad Cyhoeddus (Hymns pertaining to Public Worship) To this he contributed 103 hymns. A second volume appeared in 1786, to which he contributed 91 hymns, being a total of 194 in all [D. Sedgwick’s Manuscript]. Of these many are still in common use in Wales, the most popular being:— 1. Clod i'r bendigedig Oen—-a oddefodd. 2. Deffro 'nghalon, deffro 'nghan—-i ddyrchafu. 3. Gwyn fyd y dyn a gred yn Nuw. 4. Arglwydd grasol, clyw fy nghri—-a'm griddfanau. 5. Wele gadarn sylfaen Sion. [Rev. W. R. Stevenson, M.A.] -- John Julian, Dictionary of Hymnology (1907) See also in: Hymn Writers of the Church