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Ken Barker

b. 1955 Arranger (choral ending) of "HURSLEY" in The Celebration Hymnal

Geoffrey T. Shaw

1879 - 1943 Person Name: Geoffrey Shaw, 1879-1943 Harmonizer of "BIRLING" in Common Praise

1820 - 1915 Adapter of "[Sun of my soul, Thou Saviour dear]" in Manly Praise Luther Orlando Emerson was born at Parsonsfield, Maine, August 3, 1820. He descended from distinguished English ancestry. His parents were quite musical, and while the family circle were together, they had a choir and orchestra of their own. The father played the violoncello, the mother was an excellent singer, the flute and violin added their sweet tones, till the quiet homestead rang with melody. Mr. Emerson's education was obtained at the district school, Parsonsfield Seminary and Effingham Academy. He was full of energy, quick and versatile, an apt scholar, and with a view to entering the profession of medicine he entered Dracut Academy, Mass. But his great love for music swerved him from that course, and now, having far better opportunities for cultivating and enjoying this taste and ability, he soon determined upon music as the profession of his choice. He accordingly commenced a course of musical instruction under the late I. B. Woodbury, then a popular teacher of music. After several years of study on the voice, piano, organ and in harmony, Mr. Emerson went to Salem, Mass., began teaching, and took charge of his first choir at a salary of one hundred dollars per year. Here he commenced the composition of music for his own choir, whiich was so popular with its members and the congregation, that Mr. Emerson was encouraged to seek a larger hearing by publishing a collection of church music. Among the tunes was that of Sessions, named after his pastor, which was destined to have a perennial popularity, and is often used in worship in the place of Old Hundred, for the Doxology. At the great Peace Jubilee it was received with applause when sung by a chorus of ten thousand voices, accompanied by an orchestra of two hundred instruments and a great pipe organ. The effect was sublime beyond expression. In 1847 occurred the marriage of Mr. Emerson to Miss Mary Gore, daughter of a prominent Boston merchant. She was a lady of much musical taste and ability. In 1853 he decided to make an effort to put his music before the public, and accordingly went to Boston in search of a publisher. Like most young and unknown authors, he met with but little encouragement, but finally found a publisher in the person of Mr. B. B. Muzzy. Thus was the Romberg Collection published. The book was not pushed — hence it found no market. After a residence of eight years in Salem, Mr. Emerson removed to Boston, accepting the position of organist and musical director at the Bulfinch Street Church, then under the pastoral care of Rev. Wm. R. Alger, which he filled for four years. He eagerly improved the rare means of culture which were once more enjoyed, meanwhile teaching and composing music. In 1857 he formed the connection with Oliver Ditson Company, of Boston, of author and publisher, which has continued to the present time with but one interruption (a single volume brought out by another firm), the Golden Wreath, which at once became popular, and sold forty thousand during the first year, this being the initial volume in the long series since brought out by these publishers. In 1858 came the Golden Harp, which was also a success. These successes gave him not only encouragement, but reputation. Mr. Emerson now entered upon a career of usefulness and popularity for which he had been preparing during the years of self-denying struggle and discipline. He was called to take charge of the music in the Second Congregational Church, Greenfield, Mass., and also of the musical department of Power's Institute, at Bernardston. Amid nature's most beautiful surroundings, he had a quiet retreat for the pursuit of his true vocation, the composition of church music. The first fruit of his genius here was the Sabbath Harmony, in 1860. This book was also a success. In 1863 followed the Harp of Judah, which had the remarkable sale of nearly fifty thousand copies in the first three months. This book probably gave Mr. Emerson his preeminence as a composer of church music, containing as it did his anthem, Guide Me, O Thou Great Jehovah, and many of his finest compositions. Having declined the solicitations of Dr. Lowell Mason to become his associate in music, Mr. Emerson started forth on his own plans, and attained the highest rank among those who loved the pure and beautiful in song. Mr. W. S. B. Mathews, a musical critic, pronounces him the best melodist of all the psalmodic writers. In 1866 the equally successful Jubilate appeared, followed by the Choral Tribute, the Standard and the Leader. In the last two Dr. I. R. Pahner was associated with him. Later on came the Salutation, Voice of Worship, Herald of Praise, etc. The diligence with which Mr. Emerson plied his pen can be estimated when one recalls the fact that he has made seventy-two collections of music, embracing music for churches, singing schools, public schools, choral societies and conventions, instruction books for voice, organ, etc. He has also composed and published scores of songs, quartets and instrumental pieces. The great amount of work this represents can only be appreciated by those who have undertaken similar labors. Some years ago the degree of Doctor of Music was conferred upon Professor Emerson by the Faculty of Findlay College, Findlay, Ohio. For many years past. Dr. Emerson has devoted his energies to the grand purpose of elevating the general character of music in our churches, and thus largely advancing the interests of true worship. He places great stress upon the mission of church music. He regards sacred music as the best expression of devotional feeling that exists. He looks upon sacred song as prayer, and believes that it inspires and intensifies prayer. With this view he has taken an active and prominent part in musical festivals and conventions, of which he has conducted over three hundred throughout the United States and Canada. As a conductor, he stands in the front rank. As a teacher. Dr. Emerson has an exceedingly happy faculty of imparting in a concise manner to his classes. His very pleasing address enables him to command the undivided attention of his pupils. As a singer, he has always held high rank, and has sung much in public. His voice is a baritone of great compass, and quite powerful. As a lecturer upon music, Dr. Emerson has attracted much attention. His most popular lecture is entitled The World of Music, in which he traces its origin and progress, and gives some excellent traits of the lives of the great composers. In this lecture he also shows the design of music, and how it has been prized in every age of the world, among all nations — its power in the Church and State, and the need of its influence in the family — in joy and sorrow — for this life and the life to come. -Biography of Gospel Song and Hymn Writers

F. H. Burstall

1851 - 1916 Composer of "NOCTURN" in The Church Hymnal Frederick Hampton Burstall, was organist of Liverpool Cathedral from the formation of the diocese in 1880. excerpts from The Musical Times, Volume 5

Emmanuel Poppen

1874 - 1974 Person Name: Rev. Emanuel Poppen Composer of "EVENING PRAYER" in Evangelical Lutheran hymnal Rev. Emanuel Poppen; b. 1874, Dundee, Perth col, Ontario. Luth. pastor, Ohio Synod, Sydney, Ohio Evangelical Lutheran Hymnal, 1908

Phillip Hart

1650 - 1749 Person Name: P. Hart Composer of "HILDERSTONE" in The Church and School Hymnal Christened: January 6, 1650, Helston, Cornwall, England. Hart was a bass singer at York Minster until 1670; Gentleman of the Chapel Royal (1670-1718); and lay-vicar of Westminster Abbey (1670-1718). He also played the organ at St. Andrew’s, Undershaft; St. Michael’s, Cornhill; and St. Dionis, Blackheath (1724). His works include: Melodies Proper to be Sung (advertised in The Postman, July 17-19, 1716) --www.hymntime.com/tch

D. Martyn Thomson

Composer of "MARGARET" in Melodies of Grace and Truth

William Dressler

1826 - 1914 Person Name: Wm. Dressler Arranger of "[Sun of my soul, Thou Saviour dear]" in The New Children's Hymnal Prof. William Dressler was born in Nottingham, England and his father was at one time court flutiest to the King of Saxony. Mr. Dressler was graduated from the Cologne Conservatory of Music in 1847. Shortly after, he was first violinist of the Opera House in Wiesbaden and then became conductor. He came to this country in the early fifties as solo pianist and accompanist to Ole Bull. After traveling several seasons with concert companies Mr. Dressler settled in New York and devoted himself to teaching, playing in churches and composing. He was a former choirmaster and organist of the Fourth Avenue Presbyterina Church. He played in other churches, among them St. Charles Borromeo’s, St. Peter’s Roman Catholic in Brooklyn, and St. Peter’s iin Jersey City, where he remained for eighteen years . This long term in Catholic churches let him to compose much music for their services and many of his compositions have been used all over the world. Prof. Dressler was for many years musical editor for the old publishing house of William Hall & Son & J. L. Peters. He is survived by three children, all musicians. excerpts from New York Times Obituary, July 3, 1914

Nellie Sharpe Anderson

Composer of "[Sun of my soul, Thou Savior dear]" in Songs of the Tabernacle

Albert J. Holden

1841 - 1916 Person Name: A. J. H. Composer of "[Sun of my soul, Thou Saviour dear]" in Songs of Faith, Hope, and Love A Founder of the American Guild of Organists and composer and editor of numerous pieces and collections of sacred music (of which perhaps Songs of Faith, Hope and Love, 1883, is best known), Albert Junos Holden was born in Boston on August 17, 1841. He studied in New York City, and served there as organist of the Church of the Divine Paternity (Universalist) and of the Church of the Puritans (Presbyterian). His sacred solo "In Heavenly Love Abiding" was recorded by the "Metropolitan Quartet" on an Edison Blue Amberol cylinder, No. 3813, in 1919. He died in Longmeadow, Massachusetts, on July 16, 1916. (source: AGO Founders Hymnal, p. 98)