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Scripture:Luke 9
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Ora W. Garber

Person Name: Ora W. Graber Scripture: Luke 9:57-62 Translator of "Count Well the Cost" in Voices Together

Natalie Sleeth

1930 - 1992 Person Name: Natalie Sleeth, 1930-1992 Scripture: Luke 9:1-6 Author of "Who's goin' to tell the story" in The Book of Praise

Bartholomeus Monoetius

Scripture: Luke 9:23-27 Composer of "WARUM BETRÜBST DU DICH, MEIN HERZ" in Voices Together

J. Harold Moyer

1927 - 2012 Scripture: Luke 9:23-27 Harmonizer of "WARUM BETRÜBST DU DICH, MEIN HERZ" in Voices Together

Bartholomäus Gesius

1555 - 1613 Scripture: Luke 9:57-62 Composer of "MACH’S MIT MIR / EISENACH" in Voices Together Bartholomaeus Gesius; b. 1555, Muencheberg, near Frankfort; d. 1613 or 14, Wittenberg Evangelical Lutheran Hymnal, 1908

Johann Hermann Schein

1586 - 1630 Person Name: Johann H. Schein Scripture: Luke 9:57-62 Adapter of "MACH’S MIT MIR / EISENACH" in Voices Together Schein, Johann Hermann, son of Hieronymus Schein, pastor at Griinhain, near Annaberg, in Saxony, was born at Grünhain, Jan. 20,1586. He matriculated at the University of Leipzig in 1607, and studied there for four years. Thereafter he acted for some time as a private tutor, including two years with a family at Weissenfels. On May 21, 1615, he was appointed Capellmeister, at the court of Duke Johann Ernst, of Sachse-Weimar; and in 1616 he became cantor of I3t. Thomas's Church, and music director at Leipzig, in succession to Seth Calvisius (d. Nov. 24, 1615). This post he held till his death, at Leipzig, Nov. 19, 1630. Schein was one of the most distinguished musicians of his time, both as an original composer, and as a harmoniser of the works of others. As a hymnwriter he was not so prolific, or so noteworthy. Most of his hymns were written on the deaths of his children or friends, e.g. on seven of his children, and on his first wife. They appeared mostly in broadsheet form, and were included, along with his original melodies, in his Cantional oder Gesang-Buch Augspurgischer Confession, Leipzig, 1627; 2nd ed., 1645. [Both in Wernigerode Library.] Those of Schein's hymns which have passed into English are:— i. Machs mit mir, Gott, nach deiner Güt. For the Dying. First published, as a broadsheet, at Leipzig, 1628, as a Trost-Liedlein á 5 (i.e. for 5 voices), &c. [Berlin Library.] The words, the melody, and the five-part setting, are all by Schein. It was written for, and first used at, the funeral, on Dec. 15, 1628, of Margarita, wife of Caspar Werner, a builder and town councillor at Leipzig, and a churchwarden of St. Thomas's. It is in 6 stanzas of 6 lines; the initial letters of 11. 1, 3, in st. i.-iv., forming the name Margarita; and the W of st. v. 1. 1 standing for Werner. In Schein's Cantional, 1645, No. 303 (marked as Trost-Liedlein, Joh. Herm. Scheins, á 5), and later hymn-books, as e.g. the Unverfäschter Liedersegen, 1851, No. 830, st. vi. was omitted. It is Schein's finest production, and one of the best German hymns for the sick and dying. Translated as:— Deal with me, God, in mercy now. This is a good and full translation by Miss Winkworth, in her Chorale Book for England, 1863, No. 191, set to Schein's melody of 1628. ii. Mein Gott und Herr, ach sei nicht fern. For the Dying. First published, with his name, in his Cantional, 1627, No. 262, in 9 stanzas of 6 lines. The initial letters of the stanzas give the name Margarita, probably one of the daughters who predeceased him. It is included, in 5 st., in the 164-8, and later eds., of Crüger's Praxis. The translation in common use is:— My Lord and God, go not away. A good tr. of st. i., ii., iv., v., vii., by A. T. Russell, as No. 254, in his Psalms & Hymns, 1851. [Rev. James Mearns, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)

A. Williams

1731 - 1776 Person Name: Aaron Williams Scripture: Luke 9:32-33 Composer of "ST. THOMAS" in Fiesta Jubilosa Aaron Williams (b. London, England, 1731; d. London, 1776) was a singing teacher, music engraver, and clerk at the Scottish Church, London Wall. He published various church music collections, some intended for rural church choirs. Representative of his compilations are The Universal Psalmodist (1763)— published in the United States as The American Harmony (1769)—The Royal Harmony (1766), The New Universal Psalmodist (1770), and Psalmody in Miniature (1778). His Harmonia Coelestis (1775) included anthems by noted composers. Bert Polman

Christopher M. Idle

b. 1938 Scripture: Luke 9:36 Author of "When Jesus Led his Chosen Three" in Scripture Song Database Christopher Martin Idle (b. Bromley, Kent, England, 1938) was educated at Elthan College, St. Peter's College, Oxford, and Clifton Theological College in Bristol, and was ordained in the Church of England. He served churches in Barrow-in-­Furness, Cumbria; London; and Oakley, Suffolk; and recently returned to London, where he is involved in various hymnal projects. A prolific author of articles on the Christian's public responsibilities, Idle has also published The Lion Book of Favorite Hymns (1980) and at least one hundred of his own hymns and biblical paraphrases. Some of his texts first appeared in hymnals published by the Jubilate Group, with which he is associated. He was also editor of Anglican Praise (1987). In 1998 Hope Publishing released Light Upon the River, a collection of 279 of his psalm and hymn texts, along with suggested tunes, scripture references, and commentary. Bert Polman

Thomas S. Cobb

1876 - 1942 Person Name: T. S. C. Scripture: Luke 6:38-49; 7; 8; 9; 10, 11:1-41 Author of ""Go," "Pray," "Give"" in The New Wonderful Songs for Work and Worship Thomas S. Cobb (1876-1942), a native Texan, was educated in much the same circles as [Austin] Taylor, and received his music diploma from the Western Normal and College of Music in Dallas. He taught singing schools across Texas and the bordering states, and was particularly noted for the "Cobb Quartet" made up of his four daughters. He was recruited to Firm Foundation by Showalter in 1935.(Finley, 122ff.) Cobb edited only four hymnals for Firm Foundation before his death in 1942, but among these was the significant New Wonderful Songs (1933); at 296 hymns it was part of the trend toward more substantial publications. Prior to his work with Firm Foundation, Cobb edited hymnals for the Quartet Music Company of Fort Worth, Texas. A search of WorldCat.org shows that he was involved with at least 7 books for this publisher, going back as far as the 1890s when it was called the "Quartette Company." One of these earlier works From the Cross to the Crown (1921?) was subtitled, "Scriptural Songs," and was co-edited with Elder T. B. Clark and T. B. Mosley, one of the most well-known singing school teachers among the Churches of Christ in the southeastern U.S. Mosley was also known as a staunch doctrinal conservative. This gives some idea of the bona fides Cobb brought with him during the era of the "hymnal controversy" surrounding E. L. Jorgenson's Great Songs of the Church. Jorgenson was firmly in the premillennial camp, and was an editor of Word and Work, the primary voice of this viewpoint within the Churches of Christ. Opponents of premillennialism objected to several hymns in Great Songs that supported this doctrine, or were at least questionable. (Most of these were removed or altered in the better-known "No. 2" edition). Thomas S. Cobb passed from this life in 1942, shortly after the last of the pre-war Firm Foundation hymnals appeared. --drhamrick.blogspot.com/2012/01/hymnals-published-by-firm-foundation.html

Huub Oosterhuis

1933 - 2023 Person Name: Huub Osterhuis, 1933- Scripture: Luke 9:28-36 Author of "You Have Passed By" in Common Praise (1998) Hubertus Gerardus Josephus Henricus Oosterhuis (born 1 November 1933, Amsterdam) is a controversial Dutch theologian and poet. He is mainly known for his contribution to Christian music and liturgy in the Dutch language, used in both Protestant and Roman Catholic churches, although there is much Catholic opposition to his work, which has resulted in the banning of several songs in certain dioceses. He is the author of over 60 books and at the time of over 700 hymns, songs, Psalms (often in an own interpretation), and prayers. Oosterhuis was a Jesuit and is a Roman Catholic priest. In 1954, inspired by Che Guevara who said that churches have the potential to transform the social structure of society, Oosterhuis combined his priesthood with political activism. In 1965, Oosterhuis became one of the major supporters of ecumenism, following the modernist interpretation of the Second Vatican Council. He started out to rewrite the liturgy and make it acceptable to all. Some of his changes were considered controversial within the Roman Catholic Church especially writing the prayer for agnostics: "Heer, als U bestaat, kom dan onder ons" ("Lord, if You exist, come amongst us"). His political views, the conflicts regarding the liturgy and his dismissal of celibacy led to Oosterhuis being expelled from the Jesuit order in 1969. He still however remained working as a priest, running his church in Amsterdam out of the responsibility of a bishop, at the time for about forty years. He is still focussed on writing liturgy, poetry and essays. Back in the sixties and seventies his liturgical texts were put to music by his fellow former Jesuit Bernard Huijbers (1922–2000). The co-operation between Oosterhuis and Huijbers ended. The last engaged himself more and more in a 'spirituality-without-God' or '-Thou', whereas the former kept to his biblical prayers, hymns, psalms. After they both split up and Huijbers moved to the South of France Oosterhuis' main composers were two of Huijbers' pupils, Antoine Oomen (born 1945) and Tom Löwenthal (born 1954). Oosterhuis founded the discussion center "De Rode Hoed" ("The Red Hat") in Amsterdam in 1989. The building was a former Remonstrant shelter church, hidden because Remonstrantism was outlawed in the 17th century. The building was more or less deserted at the time. Oosterhuis wanted to use it for his student organization (1990) and create a discussion center. Its nice interior made it also very suitable for TV-shows. After a short period Oosterhuis was replaced by a managing-director for a more commercial exploitation of this prominent building in Amsterdam's Canal zone. In 2002 Queen Beatrix of the Netherlands asked him to deliver the eulogy at the funeral of her Prince-Consort Claus von Amsberg, a longtime personal friend. The New Church in Delft was packed with heads of state, high dignitaries, forming an unexpected audience. That same week the Protestant VU University in Amsterdam granted Oosterhuis an honorary PhD (or Doctorate) in Theology. It was at De Rode Hoed where André van der Louw announced his Social Democratic Renewal Program which was an incentive to reform the Labour Party. Oosterhuis ultimately choose the lesser known Socialist Party as he viewed it closer to socialist ideals. He also opined that The Socialist Party is closer to the social ethics of the Bible than many Christian parties." In 2006 elections Oosterhuis stood as final candidate, a symbolic position, for the Socialist Party. Oosterhuis translated the Torah together with Alex van Heusden, which was released in five separate books, as an attempt to translate the first five books of the Bible as close to contemporary Dutch as possible without losing the style figures of the original Hebrew text. Huub Oosterhuis is the father of the musicians Trijntje Oosterhuis and Tjeerd Oosterhuis. Only a very few books, poems, verses of Huub Oosterhuis were translated into English: Fifty Psalms, Your Word is Near, At Times I See, The Children of the Poor Man, Wake Your Power (CD) - some more. --en.wikipedia.org/wik

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