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Jane Euphemia Saxby

1811 - 1898 Person Name: Mrs. Saxby Meter: 8.7.4 Author of "Father, let thy benediction" in Manual for the chapel of Girard College Saxby, Jane Euphemia, née Browne, daughter of William Browne of Tallantire Hall, Cumberland, and sister of Lady Teignmouth, was born Jan. 27, 1811, and married, in 1862, to the Rev. S. H. Saxby, Vicar of East Clevedon, Somersetshire. Her work, The Dove on the Cross, was published in 1849. It has passed into numerous editions, and from it several hymns have come into common use. This was followed by The Voice of the Bird, in 1875; and Aunt Effie’s Gift to the Nursery, 1876. Sometimes Mrs. Saxby's Dove on the Cross is dated 1819, but in error. The compilation known as Hymns and Thoughts for the Sick and Lonely, by a Lady, London, J Nisbet & Co., 1848, although it contains several of her hymns in an altered form, is ascribed to her in error. Mrs. Saxby's hymns in common use include: 1. Father, into Thy loving hands. Resignation. 2. O Jesus Christ, the holy One. Holy Communion. 3. O Holy Ghost, the Comforter. Whitsuntide. 4. Shew me the way, O Lord. Guidance desired. 5. Thou art with me, O my Father. God everywhere. 6. Thou God of love, beneath Thy sheltering wings. Burial. Of these hymns, Nos. 1, 3, 4, and 6, appeared in her Dove on the Cross, 1849. No. 2 appeared in the English Presbyterian Psalms & Hymns for Divine Worship, 1867, No. 840, in 5 stanzas of 4 lines. It was supplied to Dr. W. F. Stevenson in manuscript in 6 stanzas for his Hymns for the Church and Home, 1873. The additional stanza (the 4th) given in his Notes is:— As Thou hast placed beyond my reach Thy richest means of grace, Teach me without them, Saviour, teach My soul to see Thy face." The point and meaning of this stanza is explained by the fact that this hymn "was written for one who by illness was prevented joining in the Communion." The hymn was included in The Voice of the Bird, 1875. Mrs. Saxby's hymns are very plaintive and tender. This is explained by her thus:— "I wrote most of my published hymns during a very long and distressing illness, which lasted many years. I thought probably that I was then in the 'Border Land’ and wrote accordingly." Died Mar. 25, 1898. --John Julian, Dictionary of Hymnology (1907)

Edgar Pettman

1886 - 1943 Meter: 8.7.4 Composer of "ANGELUS (Pettman)"

Thomas Baldwin

1753 - 1825 Person Name: Baldwin Meter: 8.7.4 Author of "Go ye heralds of salvation, Go proclaim" in Village hymns for social worship, selected and original Baldwin, Thomas. (Bozrah, Connecticut, December 23, 1753--August 29, 1825, Waterville, Maine). Following the death of his father and his mother's remarriage, he moved at age sixteen to Canaan, New Hampshire. He was married in 1775, and while a young man was elected to represent Canaan in the legislature and was repeatedly reelected. Following his conversion he was baptized in 1781. He then abandoned his legal studies and began to preach in 1782, being ordained in the following year and then serving for seven years as an evangelist. In 1790 he became pastor of the Second Baptist Church of Boston. He published a number of books and was the first editor of the Massachusetts Baptist Missionary Magazine, beginning in 1803. For many years he was chosen chaplain of the General Court of Massachusetts, delivering the annual sermon on the general election day in 1802. He was given the M.A. from Brown University in 1794 and the D.D. from Union College in 1803. His death occurred during a visit he made as a trustee to the annual commencement of Waterville College. See: Chessman, Daniel. (1826). Memoir of Rev. Thomas Baldwin. (Boston). --Harry Eskew, DNAH Archives ====================================== Baldwin, Thomas, D.D., born at Bozrah, or Norwich, Connecticut, 1753, was representative for some time of his native State in the Legislature. In 1783 he was ordained to the Baptist ministry, and from 1790 till his death, in 1825, he was Pastor of the Second Baptist Church, Boston. His best known hymns are:— 1. Almighty Saviour, here we stand. Holy Baptism. This hymn "For Immersion " was contributed to a Collection of Sacred and Devotional Hymns, Boston, 1808, from whence it has passed into later Collections, including the Baptist Praise Book, N. Y., 1871, and others. 2. From whence does this union rise? Communion of Saints. First found in J. Asplund's New Collection, Baltimore, 1793, beginning, "O whence does this union rise." Formerly very popular, and still in use as in the Baptist Hymn [and Tune] Book, Phila., 1871, No. 638. In the Church Pastorals, Boston, 1864, No. 981, it is altered to "From whence doth this union arise.” 3. Ye happy saints, the Lamb adore. Holy Baptism. For Immersion, first appeared in a Collection of Sacred and Devotional Hymns, Boston, 1808, from whence it passed in an altered form as:—"Come, happy souls, adore the Lamb," into Winchell's Supplement to Watts, 1819. It is found in Spurgeon's Our Own Hymn Book, 1866, and many modern American Baptist collections. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907) ============================

John Adams

1751 - 1835 Meter: 8.7.4 Author of "Jesus is our great salvation" in A New Selection of Seven Hundred Evangelical Hymns ... intended as a Supplement to Dr. Watts's Psalms and Tunes Adams, John. (Northampton, England 1751-May 15, 1835, Northampton). Baptist. Apprenticed to an iron monger. At age eighteen, united with Baptist church in Northampton of which John Collett Ryland was pastor. Later excluded from the church because of a change of view. After retiring from business, he moved his residence several times bur subsequently returned to Northampton, where he died. His first hymns were published in the Gospel Magazine in 1776. One hymn ascribed to "S. P. R." in Service of Song but written by Adams begins: Jesus is our great salvation, Worthy of our best esteem! This hymn appearing also in Rippon's Selection of 1813 concerns salvation by election as does one other hymn: Sons we are through God's election. Many of Adams' hymns remain in manuscript. -Deborah Carlton Loftis, DNAH Archives

William Hauser

1812 - 1880 Meter: 8.7.4 Arranger of "MISSIONARY'S FAREWELL" in The Shenandoah Harmony The Reverend Dr. William Clarke Hauser was a minister, medical doctor, teacher, composer, and music publisher. He was born December 23, 1812 in Bethania, Forsyth County, North Carolina, USA, and died September 15, 1880 in Wadley, Jefferson County, Georgia. He was the son of Martin Hauser and Leah Billiter. William Hauser united with the Methodist Church in 1827 and was licensed to preach in 1834 and was a circuit riding preacher for two years. On March 23, 1837, he married Eliza M. Renshaw (1813-1880), and they had three children: Carolina Elizabeth Hauser Parker (1838-1926), William Clarke Hauser (1844-1919), and Victor McLandhton Hauser (1847-1919). William Hauser raised his family in New Orleans, LA and Victor Hauser did the same in Ogden, Utah. William Hauser attended Henry College in Virginia, beginning in 1839. After moving to Georgia in 1841, he began the study of medicine. He later taught at Oglethorpe Medical College in Savannah, GA. Hauser made two significant contributions in the area of shape note music: (1) The Hesperian Harp: a Collection of Psalm and Hymn Tunes, Odes and Anthems, published in four shapes at Philadelphia by T. K. Collins, Jr. in 1848; and (2) Olive Leaf: A Collection of Beautiful Tunes, New and Old; the Whole of One or More Hymns Accompanying Each Tune, for the Glory of God, and the Good of Mankind, published in seven shapes at Wadley, Georgia, by Hauser and Benjamin Turner in 1878. The Hesperian Harp was probably the largest shape note tune book of its day, containing 552 pages of music, including 36 songs composed by Hauser. His Olive Leaf was produced in the seven shape notes of Jesse B. Aikin and contained only eight of his compositions from the older book. But his new compositions numbered forty-eight. The Moravian Music Foundation calls Dr. William Hauser "Appalachia's most significant contribution to American music." Dr. Hauser died on September 18, 1880. His last words were ″I feel that my work on earth is done, and there is not a cloud between me and God.″ William and Eliza Hauser are buried on their plantation, Hesperia, near Wadley in Jefferson County, Georgia. --en.wikipedia.org/wiki/

Jonathan Allen

Meter: 8.7.4 Author of "Hear, and live" in Hymnal of the Methodist Episcopal Church Allen, Jonathan. Concerning this hymn-writer, to whom is credited the hymn, "Sinners, will you scorn the message?" we can only say that this hymn appeared in Hymns adapted to Public Worship, collected from various Authors, Exeter, S. Woolmer, 1801, edited by Richard Pearsell Allen, Minister of Castle Street Meeting, Exeter; and that in D. Sedgwick's marked copy of John Dobell's New Selection, &c., 1806, it is attributed to Jonathan Allen. What authority Sedgwick had for this ascription we cannot determine. It is through him that it has gained currency. Allen's hymn, "Sinners, will you scorn, &c," is sometimes given with stanzas i. and ii. transposed, as "Hear the heralds of the Gospel," as in the American Baptist Praise Book, N. Y. 1871. [William T. Brooke] -- John Julian, Dictionary of Hymnology (1907)

Samuel Pearce

1766 - 1799 Person Name: Pearce Meter: 8.7.4 Author of "In the floods of tribulation" in A New Selection of Seven Hundred Evangelical Hymns ... intended as a Supplement to Dr. Watts's Psalms and Tunes Pearce, Samuel, son of a silversmith at Plymouth, was born in that town, July 20, 1766. Early in life he joined the Baptist Church in Plymouth, and, showing gifts for the ministry, was invited to preach. After a course of study at the Baptist College, Bristol, he became, in 1790, pastor of the Baptist congregation in Cannon Street, Birmingham. There his ministry was remarkably successful; but after a brief and bright course he died on Oct. 10, 1799. He was strongly disposed to foreign mission work, and was one of the founders of the Baptist Missionary Society, in 1792. His Memoirs, by A. Fuller, was published in 1800. Embodied in the Memoirs were eleven poetical pieces. In the 2nd edition, 1801, these pieces were grouped together at the end of the Memoirs. He is known to hymnology through the following hymns:— 1. Author of life, with grateful heart. Evening. This in the Methodist Free Church Sunday School Hymn Book, 1860, is the original with the omissions of st. iii.; that noted on p. 98, i. is a cento for "Morning." Both are from the Memoirs, 1800. 2. God of our lives, our morning song. Morning. From the Memoirs, 1800, into the Methodist Free Church Hymn Book, 1860, with the omission of st. ii. 3. In the floods of tribulation. In Affliction. His “Hymn in a Storm," in the Memoirs, 1800, in 4 st. of 10 1. In the 10th ed. of Rippon's Baptist Selections, 1800, it is given in another form of 8 st. of 6 1. This form has come down to modern hymnals. 4. Let ocean's waves tumultuous rise. Contentment. No in the Memoirs; but in Rippon's Selections, 1800, in 6 st. of 6 1. 5. Whene'er I look into Thy word. Sunday Morning. In the Memoirs, 1800, in 8 st. of 6 1. In the 27th ed. of Rippon's Selections., 1827, st. iv.-vii., slightly altered, were given as “Our precious Lord, on duty bent." [Rev. W. R. Stevenson, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Charles C. Converse

1832 - 1918 Meter: 8.7.4 Composer of "[O Thou God of my salvation] (Converse)" Pseudonyms: Clare, Lester Vesé, Nevers, Karl Reden, Revons ================================= Charles Crozat Converse LLD USA 1832-1918. Born in Warren, MA, he went to Leipzig, Germany to study law and philosophy, as well as music theory and composition under Moritz Hauptmann, Friedrich Richter, and Louis Plaidy at the Leipzig Conservatory. He also met Franz Liszt and Louis Spohr. He became an author, composer, arranger and editor. He returned to the states in 1859 and graduated from the Albany, NY, Law School two years later. He married Lida Lewis. From 1875 he practiced law in Erie, PA, and also was put in charge of the Burdetta Organ Company. He composed hymn tunes and other works. He was offered a DM degree for his Psalm 126 cantata, but he declined the offer. In 1895 Rutherford College honored him with a LLD degree. He spent his last years in Highwood, NJ, where he died. He published “New method for the guitar”, “Musical bouquet”, “The 126th Psalm”, “Sweet singer”, “Church singer”, “Sayings of Sages” between 1855 and 1863. he also wrote the “Turkish battle polka” and “Rock beside the sea” ballad, and “The anthem book of the Episcopal Methodist Church”. John Perry

Thomas Kelly

1769 - 1855 Person Name: T. Kelly Meter: 8.7.4 Author of "Look ye saints the sight is glorious" in Old and New Welsh and English Hymns Kelly, Thomas, B.A., son of Thomas Kelly, a Judge of the Irish Court of Common Pleas, was born in Dublin, July 13, 1769, and educated at Trinity College, Dublin. He was designed for the Bar, and entered the Temple, London, with that intention; but having undergone a very marked spiritual change he took Holy Orders in 1792. His earnest evangelical preaching in Dublin led Archbishop Fowler to inhibit him and his companion preacher, Rowland Hill, from preaching in the city. For some time he preached in two unconsecrated buildings in Dublin, Plunket Street, and the Bethesda, and then, having seceded from the Established Church, he erected places of worship at Athy, Portarlington, Wexford, &c, in which he conducted divine worship and preached. He died May 14, 1854. Miller, in his Singers & Songs of the Church, 1869, p. 338 (from which some of the foregoing details are taken), says:— "Mr. Kelly was a man of great and varied learning, skilled in the Oriental tongues, and an excellent Bible critic. He was possessed also of musical talent, and composed and published a work that was received witli favour, consisting of music adapted to every form of metre in his hymn-book. Naturally of an amiable disposition and thorough in his Christian piety, Mr. Kelly became the friend of good men, and the advocate of every worthy, benevolent, and religious cause. He was admired alike for his zeal and his humility; and his liberality found ample scope in Ireland, especially during the year of famine." Kelly's hymns, 765 in all, were composed and published over a period of 51 years, as follows:— (1) A Collection of Psalms and Hymns extracted from Various Authors, by Thomas Kelly, A.B., Dublin, 1802. This work contains 247 hymns by various authors, and an Appendix of 33 original hymns by Kelly. (2) Hymns on Various Passages of Scripture, Dublin, 1804. Of this work several editions were published: 1st, 1804; 2nd, 1806; 3rd, 1809; 4th, 1812. This last edition was published in two divisions, one as Hymns on Various Passages of Scripture, and the second as Hymns adapted for Social Worship. In 1815 Kelly issued Hymns by Thomas Kelly, not before Published. The 5th edition, 1820, included the two divisions of 1812, and the new hymns of 1815, as one work. To the later editions of 1820, 1826, 1836, 1840, 1846, and 1853, new hymns were added, until the last published by M. Moses, of Dublin, 1853, contained the total of 765. As a hymn-writer Kelly was most successful. As a rule his strength appears in hymns of Praise and in metres not generally adopted by the older hymn writers. His "Come, see the place where Jesus lay" (from "He's gone, see where His body lay"),"From Egypt lately come"; “Look, ye saints, the sight is glorious"; "On the mountain's top appearing"; "The Head that once was crowned with thorns"; "Through the day Thy love has spared us"; and “We sing the praise of Him Who died," rank with the first hymns in the English language. Several of his hymns of great merit still remain unknown through so many modern editors being apparently adverse to original investigation. In addition to the hymns named and others, which are annotated under their respective first lines, the following are also in common use:— i. From the Psalms and Hymns, 1802:— 1. Grant us, Lord, Thy gracious presence. Commencement of Divine Worship. 2. Jesus, Immortal King, go on [display]. Missions. 3. Saviour, through the desert lead us. Divine Guidance Desired. 4. The day of rest once more [again] comes round. Sunday. 5. We've no abiding city here. Seeking Heaven. ii. From the Hymns on Varous Passages of Scripture, first edition, 1804 :— 6. Boundless glory, Lord, be thine. Praise for the Gospel. 7. By whom shall Jacob now arise? Epiphany. 8. Glory, glory to our King. Praise to Christ as King. 9. How pleasant is the sound of praise. Praise for Redemption. 10. How sweet to leave the world awhile. In Retirement, or For a Retreat. 11. Inform I long had bowed the knee. Jesus, the Saviour, or Praise for Salvation. 12. It is finished! sinners, hear it. Good Friday. 13. Jesus, the Shepherd of the sheep. The Good Shepherd. 14. Let reason vainly boast her power. Death. 15. Poor and afflicted, Lord, are Thine. Affliction. 16. Praise we Him to Whose kind favour. Close of Service. 11. Spared a little longer. Safety in God. 18. Stricken, smitten, and afflicted. Passiontide. ii. From the Hymns, &c, second edition, 1806:— 19. Far from us be grief and sadness. Joy of Believers. 20. Give us room that we may dwell. Missions. 21. Glory, glory everlasting. Praise of Jesus. 22. God has.turned my grief to gladness. Joy after Sorrow. 23. Happy they who trust in Jesus. Peace in Jesus. 24. Hark, the notes of angels singing. Angels praising Jesus. 25. Hark! 'tis a martial sound. Christian Life a Warfare. 26. I hear a sound [voice] that comes from far. The Gospel Message. 27. Jesus is gone up on high. Divine Worship. 28. Now [O] may the Gospel's conquering power. Home Missions. In the 1853 edition of the Hymns it begins “O may the Gospel's conqu'ring force." 29. O Zion, when I think on thee. Desiring Heaven. 30. Praise the Saviour, ye who know Him. Praise of Jesus. 31. See from Zion's sacred mountain. The Fountain of Life. 32. The atoning work is done. Jesus the High Priest. 33. Zion is Jehovah's dwelling. The Church of God. 34. Zion stands by hills surrounded. The Safety of the Church. 35. Zion's King shall reign victorious. Missions. iv. From the Hymns, &c, 3rd edition, 1809:— 36. Behold the Temple of the Lord. The Church a Spiritual Temple. 37. Blessed Fountain, full of grace. Fountain for Sin. 38. Brethren, come, our Saviour bids us. Holy Communion. 39. Fly, ye seasons, fly still faster. Second Advent Desired. 40. God of Israel, we adore Thee. Evening. 41. Gracious Lord, my heart is fixed. Trust and Peace. 42. Hark, a voice! it comes from heaven. Death. 43. Hark, that shout of rapt'rous joy. Second Advent. 44. If our warfare be laborious. Labour and Rest . 45. Lo, He comes, let all adore Him. Missions. 46. Nothing know we of the season. Time of Second Advent uncertain. 47. O had I the wings of a dove. Holiness and Heaven desired. 48. O where is now that glowing love. Despondency. 49. Our Father sits on yonder throne. God the Father. 50. Ours is a rich and royal Feast. Holy Communion. 51. Shepherd of the chosen number. Safety in the Good Shepherd. 52. We're bound for yonder land. Life, a Voyage. 53. Welcome sight! the Lord descending. The Advent. 54. What is life? 'tis but a vapour. Death anticipated. 55. Who is this that comes from Edom? Ascension. 56. Why those fears ? Behold 'tis Jesus. Stilling the Sea. 57. Without blood is no remission. Passiontide. 58. Yes, we trust the day is breaking. Missions. v. FromHymns: Not before Published, 1815:— 59. Behold the Lamb with glory crowned. Exaltation of Christ. 60. God is love, His word has said it. God is Love. 61. God of our salvation, hear us. Opening or Close of Divine Worship. 62. In Thy Name, O Lord, assembling. Commencement of Divine Worship. 63. Keep us, Lord, O [and] keep us ever. Divine Worship. 64. Let sinners saved give thanks, and sing. Praise for Salvation. 65. Praise the Lord Who died to save us. Passiontide. 66. Salvation is of God alone. God the Author of Salvation. 67. Saviour, come, Thy [saints] friends await Thee [are waiting] . Second Advent desired. 68. Sweet were the sounds that reached our ears. Divine Mercy. 69. We'll sing of the Shepherd that died. The Lost Sheep. 70. When we cannot see our way. Trust and Peace. 71. Who is this that calms the ocean? Stilling the Sea. vi. From the Hymns on F. Passages of Scripture, &c, eds. 1820 and 1826 :-— 72. Grace is the sweetest sound. Divine Grace. 73. Now let a great effectual door. Missions. 74. Now may the mighty arm awake. Missions. 75. Now may the Spirit from above. Home Missions. 76. Sing, sing His lofty praise. Praise of Jesus. 77. Sound, 6ound the truth abroad. Missions. 78. Speed Thy servants, Saviour, speed them. Departure of Missionaries. vii. From the Hymns on Various Passages, &c, 1836:— 79. Come, O Lord, the heavens rending. Prayer for Blessings. 80. The night is far spent, the day is at hand. The Second Advent. viii. From the Hymns on Various Passages, &c, circa 1845:— 81. Joyful be the hours today. Sunday. 82. Lord, behold us few and weak. Opening of Divine Service. 83. Meet Thy people, Saviour, meet us. Meetings for Prayer. 84. Saviour, send a blessing to us. Prayer for Blessings. 85. Sing of Jesus, sing for ever. Praise of Jesus. ix. From the Hymns on Various Passages, &c, 1853:— 86. Precious volume, what thou doest. Holy Scripture. 87. Unfold to us, O Lord, unfold. Divine aid to reading Holy Scripture. All these hymns, together with those annotated under their respective first lines are in the 1853 edition of Kelly's Hymns published in Dublin by M. Moses, and in London by Simpkin, Marshall & Co. Kelly's musical editions are issued by the same publishers. -- John Julian, Dictionary of Hymnology (1907) ================== Kelly, Thomas, p. 615, i. Other hymns in common use are: 1. Behold the Man! How glorious He. (1809.) Good Friday. 2. Jesus the [Thou] Shepherd of the Sheep. (1804.) Good Shepherd. 3. Saved ourselves by Jesu's blood. (1802.) For a Revival. 4. Saviour, 'tis to [unto] Thee. (1853*.) Lent. 5. See the vineyard lately planted. (1806.) Missions. Sometimes given as "See, O Lord, the vineyard planted." 6. Sing aloud to God our strength. (1809.) Praise to the Father. 7. Sing, sing His lofty praise. (1820.) Praise to Jesus. Sometimes as "Hail our eternal King" (p. 615, No. 76). 8. Sing of Him Who bore our guilt. (1853*.) Praise to Jesus. 9. Sing we praise to God above, God our Saviour, &c. (1815.) Praise for Divine Mercy. 10. Sing we praise to God above, Sing we praise, &c. (1853*.) Praise. 11. Sons of Zion, raise your songs. (1820-26) The Exalted Saviour. 12. The Lord Himself will keep. (1809.) From “We're bound for yonder land" (sec p. 615, No. 52.) 13. The God [Lord] of glory dwells on high. (1809.) Humility and Love of Christ. 14. The people of the Lord Are on their way, &c. (1820.) Life a Pilgrimage. 15. Thus saith God of His Anointed. (1809.) Missions. 16. 'Tis to us no cause of sorrow. (1815.) Resignation. 17. To the Ark away, or perish. (1815.) Safety in Jesus only. 18. To our Lord a throne is given. (1838.) Christ the King. 19. Trust ye in the Lord for ever. (1853*.) Trust in God. 20. We'll sing in spite of scorn. (1806.) Christmas. From this "The long-expected morn" is taken. 21. What tongue can tell, what fancy paint. (1806.) Saints in Glory 22. What were Sinai's awful wonders. (1809.) Advent. 23. Whence those sounds symphonious? (1815.) Christmas. 24. While in the [this] world we still [yet] remain. (1806.) Communion of Saints. 25. Yes, 'tis a rough and thorny road. (1809.) Resignation. Sometimes given as "Though rough and thorny be the way." The dates given above are those of the various editions of Kelly's Hymns. The date 1853* indicates that the hymn is in the 1853 ed. of the Hymns, but had also appeared in a previous edition which we have not seen. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

John Wingrove

1720 - 1793 Person Name: Wingrove Meter: 8.7.4 Author of "Every moment brings me nearer" in A New Selection of Seven Hundred Evangelical Hymns ... intended as a Supplement to Dr. Watts's Psalms and Tunes Wingrove, John. A few hymns by this writer are in J. Middleton's Hymns, 1793. D. Sedgwick dates his pieces 1785. One of these still in common use is, "Hail! my ever blessed Jesus." b. 1720; d. 1793. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)