Person Results

Switch back to the old search page.Advanced Search

Showing 41 - 50 of 167Results Per Page: 10 20 50

Tobias Clausnitzer

1619 - 1684 Person Name: Tobias Clausnitzer, 1619-1684 Topics: Darkness; Gathering; Longing for God; Petition/Prayer; Rites of the Church Rite of Christian Initiation of Adults: Rite of Entrance into the Order of Catechumens; Service Music for Mass Entrance Song (Gathering of Processional); Word Author of "Blessed Jesus, at Your Word" in Journeysongs (3rd ed.) Clausnitzer, Tobias, born at Thum, near Annaberg, in Saxony, probably on Feb. 5,1619. After studying at various Universities, and finally at Leipzig (where he graduated M.A. in 1643), he was appointed, in 1644, chaplain to a Swedish regiment. In that capacity he preached the thanksgiving sermon in St. Thomas's Church, Leipzig, on "Reminiscere" Sunday, 1645 (ii. Sunday in Lent) on the accession of Christina as Queen of Sweden; as also the thanksgiving sermon at the field service held by command of General Wrangel, at Weiden, in the Upper Palatine, on January 1, 1649, after the conclusion of the Peace of Westphalia. In 1649 he was appointed first pastor at Weiden, and remained there (being also appointed later a member of the Consistory, and inspector of the district,) till his death, on May 7, 1684 (Koch, iii. 354, 355; Allg. Deutsche Biographie, iv. 297; Bode, p. 53; manuscript from Pastor Klinkhardt, Thum). Three hymns by him are known as follows:— i. Jesu dein betrübtes Leiden. [Passiontide.] First published in his Passions-Blume, Nürnberg, 1662, a volume containing 12 sermons on the Passion of our Lord. The hymn appears at p. 17, in 7 stanzas of 6 lines entitled, "Clausnitzer's Passion-Hymn which may be sung with each Meditation." This form is No. 496 in Burg's Gesang-Buch, Breslau, 1746. This hymn has passed into English through a recast, probably by Gensch von Breitenau, beginning, “Herr Jesu, deine Angst und Pein," in 6 stanzas of 7 lines. First published in the Vollständiges Gesang-Buch, Plöen, 1675, No. 41, repeated as No. 101 in the Unverfälschter Liedersegen 1851. The only translation in common use is:— Lord Jesu! may Thy grief and pain, a good translation of stanzas i., iii., vi., by A. T. Russell, as No. 84 in his Psalms and Hymns, 1851. ii. Liebster Jesu wir sind bier, Dion und Dein Wort anzuhören. [Public Worship .] First published in the Altdorffisches Gesang-Buchlein, 1663, No. 20, in 3 stanzas of 6 lines, as a Sunday Hymn for use before Sermon. It appeared with Clausnitzer's name in the Nürnberg Gesang-Buch, 1676, No. 891, and has since come into universal use. In the Berlin Geistliche Lieder, ed. 1863, No. 1062. Translated as:— 1. Gracious Jesu! in Thy name, a good and full translated by A. T. Russell, as No. 82 in the Dalston Hospital Hymn Book, 1848. Included as No. 454 in the ed.,1857, of Mercer's Church Psalm & Hymn Book. (Ox. ed. 1864, No. 56, considerably altered with stanza i. line 4, iii. lines 1-4, from Miss Winkworth, and a doxology added). 2. Gracious Jesu! we are here, a recast of his 1848 translation, made by A. T. Russell for his Psalms & Hymns, 1851, No. 19. 8. Saviour, in Thy house of prayer, a good and full translation as No. 13 in J. F. Thrupp's Psalms & Hymns, 1853, repeated in Maurice's Collection, 1861, No. 634. In Kennedy , 1863, No. 1251, altered and beginning, "Saviour, to Thy house of prayer." 4. Blessed Jesus, at Thy word, a full and good translation by Miss Wink worth in her Lyra Germanica, 2nd Series, 1858, p. 68, repeated in her Chorale Book for England, 1863, No. 12. Included in the English Presbyterian Psalms & Hymns,1867, and others; and in America in the Pennsylvania Lutheran Church Book, 1868; Evangelical Hymnal, N. Y., 1880, and others. 5. Dear Lord, to hear Thee and Thy word, a good translation by Mrs.L. C. Smith; included as No. 50 in Dr. Stevenson's Hymns for Church & Home, 1873. Translations not in common use:— (1) “Dearest Jesu! we are here, Thee to hear," by J. C. Jacobi (1720, p. 32; 1722, p. 43; 1732, p. 72, alt.). In the Moravian Hymn Book, 1789, No. 12 (1849, No. 3), recast by C. J. Latrobe. (2) "Dearest Jesu, we are here, for to hear," as No. 432 in pt. i. of the Moravian Hymn Book, 1754. (3) "Here in Thy presence we appear," by J. Swertner, as No. 10 in the Moravian Hymn Book, 1789 (1886, No. 9). (4) "Blessed Jesus, we are here," by Miss Manington, 1863, p, 145. (5) "Precious Jesus! here are we," in the British Herald, Nov. 1866, p. 360, repeated in Reid's Praise Book, 1872, No. 419. (6) "Dear Redeemer, we are here," by N. L. Frothingham, 1870, p. 204. iii. Wir glauben all an einen Gott, Yater, Sohn und heilgen Geist. [Trinity Sunday.] First appeared in the Culmbach-Bayreuth Gesang-Buch, 1668, p. 132, with the initials "C.A.D." With (Clausnitzer's name it was included as No. 572 in the Nürnberg Gesang-Buch, 1676, in 3 st. of 6 1. In the Bavarian Gesang-Buch, 1854. Translated as:— 1. We all believe in One true God, Father, Son and Holy Ghost, in full by Miss Winkworth in her Chorale Book for England, 1863, No. 75, and thence as No. 118 in the American Methodist Episcopal Hymnal, 1878, and the Evangelical Association Hymn Book, 1882, No. 64. 2. One true God we all confess, by E. Cronenwett, as No. 209 in the Ohio Lutheran Hymnal, 1880. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Richard Smallwood

b. 1948 Topics: Order of Service Response to the Word Author of "I Love the Lord" in Zion still Sings Richard Smallwood (b. Washington, D.C., 1948), a composer, arranger, pianist, and innovator in the African American gospel style. Many of his arrangements of gospel hymns appear in Lift Every Voice and Sing (1981). Organized by Smallwood in 1967, the Richard Smallwood Singers have sung and recorded many of his arrangements. He remains their current director. Smallwood has a BM degree from Howard University, Washington, DC. Bert Polman

Mark A. Miller

Topics: Order of Service Communion Composer of "[Holy, holy, holy Lord]" in Zion still Sings

Jacques Berthier

1923 - 1994 Person Name: Jacques Berthier, 1923-1994 Topics: Musical Style Ostinato Prayer Songs; Musical Style Ostinato Prayer Songs; Musical Style Ostinato Prayer Songs; Musical Style Ostinato Prayer Songs; Musical Style Ostinato Prayer Songs; Musical Style Ostinato Prayer Songs; Eternal Life/Heaven; Eucharist; Resurrection; Service Music for Mass Communion Song; Rites of the Church Order of Christian Funerals: Funeral Liturgy; The Liturgical Year Thursday of the Lord's Supper at the Evening Mass; The Liturgical Year The Most Holy Body and Blood of Christ (Corpus Christi) Composer of "[I am the bread of life]" in Glory and Praise (3rd. ed.) Jacques Berthier (b. Auxerre, Burgundy, June 27, 1923; d. June 27, 1994) A son of musical parents, Berthier studied music at the Ecole Cesar Franck in Paris. From 1961 until his death he served as organist at St. Ignace Church, Paris. Although his published works include numerous compositions for organ, voice, and instruments, Berthier is best known as the composer of service music for the Taizé community near Cluny, Burgundy. Influenced by the French liturgist and church musician Joseph Gelineau, Berthier began writing songs for equal voices in 1955 for the services of the then nascent community of twenty brothers at Taizé. As the Taizé community grew, Berthier continued to compose most of the mini-hymns, canons, and various associated instrumental arrangements, which are now universally known as the Taizé repertoire. In the past two decades this repertoire has become widely used in North American church music in both Roman Catholic and Protestant traditions. Bert Polman

Bob Hurd

b. 1950 Person Name: Bob Hurd, b. 1950 Topics: Musical Style Ostinato Prayer Songs; Care of the Sick; Musical Style Ostinato Prayer Songs; Care of the Sick; Musical Style Ostinato Prayer Songs; Care of the Sick; Musical Style Ostinato Prayer Songs; Care of the Sick; Musical Style Ostinato Prayer Songs; Care of the Sick; Musical Style Ostinato Prayer Songs; Care of the Sick; Longing for God; Refuge; Thirst; Water; The Easter Vigil in the Holy Night Reading 7; Service Music for Mass Responsorial Psalm; Sunday Celebrations in the Absence of a Priest Responsorial Psalm; Rites of the Church Order of Christian Funerals: Vigil for the Deceased; Rites of the Church Order of Christian Funerals: Funeral Liturgy; Rites of the Church Rite of Annointing (Care of teh Sick); Rites of the Church Rite of Christian Initiation of Adults: Celebrations of the Word of God; Rites of the Church Rite of Christian Initiation of Adults: General Use; The Liturgical Year Lent (Sundays and Weekdays); The Liturgical Year The Easter Vigil in the Holy Night; The Liturgical Year The Commemoration of All the Faithful Departed (All Souls' Day) (November 2) Author of "Psalm 42/43: As the Deer Longs" in Glory and Praise (3rd. ed.)

Bernadette Farrell

b. 1957 Person Name: Bernadette Farrell, b. 1957 Topics: Discipleship; Eternal Life/Heaven; Faith; Hope; Ministry/Mission; Paschal Mystery; Resurrection; Service Music for Mass Communion Song; Sunday Celebrations in the Absence of a Priest Communion Song; Rites of the Church Order of Christian Funerals: Vigil for the Deceased; Rites of the Church Order of Christian Funerals: Funeral Liturgy; The Liturgical Year Lent (Sundays and Weekdays); The Liturgical Year Easter (Sundays and Weekdays); The Liturgical Year The Commemoration of All the Faithful Departed (All Souls' Day) (November 2) Author of "Unless a Grain of Wheat" in Glory and Praise (3rd. ed.)

Kenneth Morris

1917 - 1989 Topics: Order of Service Response to the Word Author of "Yes, God Is Real" in Zion still Sings

Joseph Gelineau

1920 - 2008 Person Name: Joseph Gelineau, SJ, 1920-2008 Topics: Comfort; Confidence; Comfort; Confidence; Comfort; Confidence; Faith; Good Shepherd; Retreats; Trust; Lent 4 Year A; Easter 4 Year A; Sixteenth Ordinary Year B; The Most Sacred Heart of Jesus Year C; Our Lord Jesus Christ, King of the Universe Year A; The Commemoration of All the Faithful Departed (All Souls' Day) (November 2); Service Music for Mass Responsorial Psalm; Sunday Celebrations in the Absence of a Priest Responsorial Psalm; Rites of the Church Baptism; Rites of the Church Confirmation; Rites of the Church Holy Orders; Rites of the Church Order of Christian Funerals: Funeral Liturgy; Rites of the Church Rite of Annointing (Care of teh Sick); Rites of the Church Rite of Christian Initiation of Adults: Second Scrutiny (4th Sunday of Lent); Rites of the Church Rite of Christian Initiation of Adults: Mystagogia; The Liturgical Year The Most Sacred Heart of Jesus; The Liturgical Year Our Lord Jesus Christ, King of the Universe; The Liturgical Year The Commemoration of All the Faithful Departed (All Souls' Day) (November 2) Composer of "[The Lord is my shepherd]" in Glory and Praise (3rd. ed.) Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiéred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com

Fintan O'Carroll

1922 - 1981 Person Name: Fintan O'Carroll, d. 1977 Topics: Order of Mass: Liturgy of the Word Alleluia or Gospel Acclamation; Service Music for Mass: Liturgy of the Word Gospel Acclamation (Alleluia) Composer of "[Alleluia, alleluia]" in Journeysongs (2nd ed.) Fintan O’Carroll was born on 31st July 1922 in Wexford, and spent most of his life in Waterford. On completion of his secondary school studies Fintan took up a position as a Clerk in C.I.E., the national railway. He won first prize in a traditional music competition, aged 12, playing violin, and went on to study violin at home, taking lessons as and when the opportunity arose. While working at C.I.E. Fintan undertook a correspondence course in Music from Trinity College, Dublin. His heart was in music, and he left C.I.E. in 1967 after 27 years service, whereupon he completed his degree at Trinity to gain his B.Mus. along with the Prout Prize for the most outstanding student of the year. All the time Fintan had taken a keen interest in composition, particularly sacred music. Fintan became a fulltime teacher at the Presentation Convent Secondary School in Waterford, a job which payed about half the salary in C.I.E. at the time. He supplemented his income by taking 52 private pupils, conducting 2 brass bands, and led the orchestra in every musical show that offered. Some of the many musical organizations that owe a debt of musical gratitude to Fintan, whether it be as leader, violinist, conductor, organist, composer, or founder include Waterford Orchestral Players; Waterford Festival of Light Opera Orchestra; St Saviours Church, Bridge Street; the Franciscan Friary; the Church of SS Josephs and Benildus; St Patrick’s; Waterford Cathedral; St Patrick’s Brass Band; HFC Brass Band, New Ross; Mount Sion Silver Band. It is particularly with the brass bands that we are interested and it is fair to say that Fintan brought a sense of musicality and musicianship to these bands which helped greatly in the development of their players and the achievement of competition successes at all levels. Many musicians have commented later in their life that it was the love of music instilled in them by Fintan that carried them through their own musical lives. One of the proudest moments of Fintan’s musical career must have been when his Mass of the Immaculate Conception was chosen for the occasion of the visit of Pope John Paul II to Limerick in 1979. He took part in the Offertory Procession on this momentous occasion. Fintan died in July 1981 and was survived by his wife Josephine, a fine contralto voice, and whom he credits with much of his own success. They had six children: Fiona, Deirdre, Fergus, Declan, Kevin, Aoileann, and Cian, many of which play a very active role in the musical life of Waterford and beyond. --www.mountsionsilverband.org/history/

John B. Foley

b. 1939 Person Name: John Foley, S.J., b. 1939 Topics: Confidence; Courage; Confidence; Courage; Confidence; Courage; Death/Dying; Eternal Life/Heaven; Hope; Service Music for Mass Entrance Song (Gathering of Processional); Rites of the Church Rite of Christian Initiation of Adults: Rite of Entrance into the Order of Catechumens Author of "For You Are My God" in Glory and Praise (3rd. ed.)