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Jean Holloway

b. 1939 Person Name: Jean Holloway, b. 1939 Meter: 8.4.8.4.8.8.8.4 Author of "Lord, we come to ask your healing" in Singing the Faith

1811 - 1873 Meter: 8.4.8.4.8.8.8.4 Author (st. 2) of "God, That Madest Earth and Heaven" in Trinity Hymnal (Rev. ed.) Mercer, William, M.A., born at Barnard Castle, Durham, 1811, and educated at Trinity College, Cambridge (B.A., 1835). In 1840 he was appointed Incumbent of St. George's, Sheffield. He died at Leavy Greave, Sheffield, Aug. 21, 1873. His principal work was:—- The Church Psalter and Hymn Book, comprising The Psalter, or Psalms of David, together with the Canticles, Pointed for Chanting; Four Hundred Metrical Hymns and Six Responses to the Commandments; the whole united to appropriate Chants and Tunes, for the use of Congregations and Families, by the Rev. William Mercer, M.A. . .. Assisted by John Goss, Esq…., 1854; enlarged 1856; issued without music, 1857; quarto edition 1860; rearranged edition (Oxford edition) 1864; Appendix 1872. For many years this collection was at the head of all the hymn-books in the Church of England, both in circulation and influence. Its large admixture of Wesleyan hymns, and of translations from the German gave it a distinct character of its own, and its grave and solemn music was at one time exceedingly popular. To it Mercer contributed several translations and paraphrases from the Latin and German, the latter mainly from the Moravian hymn-books; but his hymn-writing was far less successful than his editing, and has done nothing to increase his reputation. -- John Julian, Dictionary of Hymnology (1907)

Colin Hand

Meter: 8.4.8.4.8.8.8.4 Arranger of "AR HYD Y NOS" in Complete Anglican Hymns Old and New

Thomas B. Southgate

1814 - 1868 Meter: 8.4.8.4.8.8.8.4 Composer of "SOUTHGATE" in The Book of Common Praise Southgate, Thomas Bishop, born at Hornsey, Middlesex, June 8, 1814; educated in the school of the Chapel Royal, where he was a chorister; studied harmony under Thomas Attwood and Sir John Goss, and the organ under Samuel Wesley; organist of Hornsey Church from 1834 to 1853, and of St Anne's, Highgate Rise, London, from the latter year until his death, which occured at Highgate, November 3, 1868. EVENSONG, No. 320 F.C.H., was published in sheet form in 1858, set to the words "God that madest earth and heaven." --James Love, Scottish Church Music: Its Composers and Sources (1891)

Richard Whately

1787 - 1863 Person Name: Richard Whately, 1787-1863 Meter: 8.4.8.4.8.8.8.4 Author (st. 3) of "God, That Madest Earth and Heaven" in Trinity Hymnal (Rev. ed.) Whately, Richard, D.D., born in London, Feb. 1, 1787; educated at Oriel College, Oxford; Bampton Lecturer, 1822; Principal of St. Alban's Hall, Oxford, 1825; and Archbishop of Dublin, 1831. He died in Dublin, Oct. 8, 1863. His association with hynmody is very slight. In 1860 he published his Lectures on Prayer, in which were several translations of German hymns by his eldest daughter, Miss Emma Jane Whately. Dean Dickinson, from whom we have received this information, also says that the Archbishop's hymn "Thou to Whom all power is given" (Lent), was written circa 1830. It was first published in the 1st edition of the Irish Church Hymnal, 1855. The Archbishop's youngest daughter, Blanche, was also a writer of hymns. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

John Ambrose Lloyd

1815 - 1874 Person Name: John Ambrose Lloyd, the elder, 1815 - 1874 Meter: 8.4.8.4.8.8.8.4 Composer of "WYNNSTAY" in The Hymnary of the United Church of Canada

William Sterndale Bennett

1816 - 1875 Meter: 8.4.8.4.8.8.8.4 Composer of "STERNDALE" William Sterndale Bennett, born in Sheffield, England, April 13, 1816, died in London, Feb. 1, 1875. His father, an organist, died when he was three years old, and his education was cared for by his grandfather. At the age of eight (1824) he entered the choir of King's College Chapel at Cambridge, where his grandfather lived, and in 1826 was sent to London to study at the Royal Academy of Music. Here he studied composition under Lucas and Dr. Crotch, and pianoforte, first under W. H. Holmes, and then under Cipriani Potter. His first composition of note was his D minor pianoforte concerto, op. 1, written in 1832 and played by himself at the prize concert at the Academy in 1833. Mendelssohn was present and greatly encouraged the young composer. In 1836 the firm of Broadwood offered to pay his expenses for a year's study in Leipsic; here he came under the influence of Mendelssohn and Schumann, both of whom held his talent in high esteem. He came back to London after the specified year, but returned to Leipsic for another year's study in 1840. In 1843 he began to give successful chamber concerts in London, and in 1844 married Mary Anne Wood, daughter of a captain in the Navy. In 1849 he founded the London Bach Society, one of the results of which was the first performance in England of the Matthew Passion, April 6, 1854. In 1853 he was offered the conductorship of the Leipsic Gewandhaus concerts, and in 1856 he was elected to the chair of musical professor at the University of Cambridge, and shortly afterwards received the degree of Mus. Doc. In 1856 he was also made permanent conductor of the Philharmonic Society, a post which he resigned ten years later to become principal of the Royal academy of Music. In 11867 he received the Cambridge degree of M.A. and a salary of 100 pounds was joined to his professorship. In 1870 the University of Oxford conferred upon him the honorary dgree of D.C.L. He was knighted in 1871, and a scholarship was founded at the Royal academy of Music out of subscriptions to a public testimonial to him in St. James's Hall in 1872. He died after a short illness, and was buried in Westminster Abbey. Bennett has been called the first English composer of individual genius since Purcell; he certainly was the first English composer who go any real recognition in Germany. He has generally been considered as a follower and imitator of Mendelssohn, although the best English critics deny this. Yet he may truly be said to have held more by Mendelssohn than by Schumann. His compositions are noteworthy for an easy grace, refinement, and elaborate perfection of style. Cyclopedia of Music and Musicians by John Denison Camplin, Jr. and William Foster Apthorp (Charles Scribner’s Sons, 1888) https://archive.org/details/cyclopediaofmusi01cham/mode/2up

George W. Bethune

1805 - 1862 Meter: 8.4.8.4.8.8.8.4 Author of "Joy and Gladness!" in Rejoice in the Lord Bethune, George Washington, D.D. A very eminent divine of the Reformed Dutch body, born in New York, 1805, graduated at Dickinson Coll., Carlisle, [PA], 1822, and studied theology at Princeton. In 1827 he was appointed Pastor of the Reformed Dutch Church, Rinebeck, New York. In 1830 passed to Utica, in 1834 to Philadelphia, and in 1850 to the Brooklyn Heights, New York. In 1861 he visited Florence, Italy, for his health, and died in that city, almost suddenly after preaching, April 27, 1862. His Life and Letters were edited by A. R. Van Nest, 1867. He was offered the Chancellorship of New York University, and the Provostship of the University of Pennsylvania, both of which he declined. His works include The Fruits of the Spirit, 1839; Sermons, 1847; Lays of Love & Faith, 1847; The British Female Poets, 1848, and others. Of his hymns, some of which liave attained to some repute, we have:— 1. Tossed upon life's raging billow. Sailor's Hymn. Appeared in the Christian Lyre, 1830; in the Seamen's Devotional Assistant the same year, and in Dr. Bethune's Lays, 1847, p. 168, in 3 stanzas of 8 lines. It "is said to have been the Author's first and favourite hymn, having been written when he was on a voyage to the West Indies, for the benefit of his health, in the year 1825" (Lyra Sac. Amer. p. 297). It is a "Sailor's Hymn;" as such it was given in Lyra Sac. Amer., and thence passed into The Hymnary, 1872, and other English collections. 2. O for the happy hour. Whitsuntide. "A Prayer for the Spirit," contributed to the Parish Hymns, Phila., 1843, and republished in the Lays, &c, 1847, p. 158, in 6 stanzas of 4 lines. It is found in many modern collections. 3. It is not death to die. A translation of Caesar Malan's "Non, ce n'est pas mourir," (q.v.) from his Lays, 1847, p. 141, in 5 stanzas of 4 lines. As stated above, Dr. Bethune died at Florence. His remains were taken to New York, and buried in Greenwood Cemetery. This hymn, in compliance with a request made by him before his death, was sung at his funeral. It is found in several English hymnals. 4. Light of the Immortal Father's glory. Evening. A translation of a Greek hymn. (q.v.). It appeared in his Lays, &c, 1847, p. 137, in 2 stanzas of 8 lines, and is in common use. 5. Farewell to thee, brother. Parting. "The departing Missionary," published in his Lays, &c, 1847, p. 170, in 5 stanzas of 4 lines, and included in Lyra Sac. Amer., 1868, and thence into English collections. It is not in common use in America. 6. O Jesus, when I think of Thee. Easter. This is said to bear the date of 1847. It was 1st pub. in his Life, &c, 1867. Included in Lyra Sac. Americana (where it is stated to have been found in MS. amongst the author's papers), and from the Lyra into English collections. It is an Easter hymn of no special merit. 7. Come, let us sing of Jesus. S. Schools. Published in 1850, suited to Sunday schools, and is found in Snepp's Songs of Grace and Glory and others. 8. O Thou Who in Jordan didst bow Thy meek head. Adult Baptism. Written for and much used by the Baptists. It is dated 1857. 9. There is no Name so sweet on earth. Name of Jesus. Said by Mr. H. P. Main to be by Dr. Bethune. It has been wrongly ascribed to E. Roberts, a musician. 10. When time seems short and death is near. Death anticipated. This was found in the author's portfolio, and was written on Saturday, April 27th, 1862, the day before his death at Florence (Life, &c, p. 409). It was included in the Lyra Sac. Amer., 1808, and from thence passed into one or two English hymnals. In his Lays, &c, 1847, Dr. Bethune included the following "Christmas Carols for Sunday School Children”: 1. The Almighty Spirit to a poor, &c. 2. Joy and gladness, joy and gladness. 3. Full many a year has sped. 4. We come, we come, with loud acclaim. In the same work there are also metrical renderings of Psalms ix., xix., xxiii., cxxvi., and cxxvii. In the Lyra Sacra Americana, 14 pieces by Dr. Bethune are given, including many of the above. -John Julian, Dictionary of Hymnology (1907) ==================== Bethune, George Washington, p. 138, ii. Other hymns from his Lays of Love and Faith, 1847, are in common use:- 1. 'Tis He, 'tis He, I know Him now. Easter. 2. Upon the well by Sychar's gate. Resignation. 3. Yes, boar them to their rest. Evening. "Hymn to Night, suggested by the Bas-relief of Thorwaldsen." --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Gerardo C. C. Oberman

b. 1965 Person Name: Gerardo Oberman, b. 1965 Meter: 8.4.8.4.8.8.8.4 Translator of "Go, My Children, with My Blessing (No están solos, vayan, lleven)" in Santo, Santo, Santo

Charles E. Kettle

1833 - 1895 Person Name: C. E. Kettle Meter: 8.4.8.4.8.8.8.4 Composer of "GOODREST" in Redemption Songs Charles Edward Kettle, 1833-1895 Born: 1833, Bury St. Edmunds, Suffolk, England. Died: Circa February 1895, Steyning district, Sussex, England. As of 1881, Kettle lived in Hove, Sussex, where he was an organist. --www.hymntime.com/tch