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Sally Ann Morris

Composer of "[Holy, Holy, Holy, Lord God of Hosts]" in Worship (4th ed.)

Peter Christian Lutkin

1858 - 1931 Person Name: Peter C. Lutkin, 1858-1931 Composer of "[Holy, holy, holy, Lord God of hosts]" in Hymnbook for Christian Worship

James Chepponis

b. 1956 Composer of "[Holy, Holy Holy, Lord]" in Gather (3rd ed.)

F. C. Woodworth

Person Name: The Rt. Rev. C. Woodworth, D.D. Author of "Holy, Holy, Holy, Lord God of hosts" in The Choral Hymnal

Liam Lawton

Composer of "[Holy, Holy, Holy, Lord, Lord God of hosts]" in Gather (3rd ed.)

John Richardson

1816 - 1879 Person Name: John Richardson, 1816-1879 Composer of "TICHFIELD" in The Book of Praise

Samuel Wesley

1766 - 1837 Person Name: S. Wesley, 1766-1837 Composer of "[Holy, holy, holy, Lord God of hosts]" in The Book of Common Praise Samuel Wesley; b. Feb. 24, 1766, Bristol; d. Oct. 11, 1837, London; composer and organist. Son of Charles Wesley, grandson of Samuel Wesley, 1662-1735

Steven C. Warner

b. 1954 Composer of "[Holy, Holy, Holy Lord God of hosts]" in One in Faith

Martin Shaw

1875 - 1958 Person Name: Martin Edward Fallas Shaw, 1875-1958 Composer of "[Holy, holy, holy Lord God of hosts]" in New English Praise Martin F. Shaw was educated at the Royal College of Music in London and was organist and choirmaster at St. Mary's, Primrose Hill (1908-1920), St. Martin's in the Fields (1920-1924), and the Eccleston Guild House (1924-1935). From 1935 to 1945 he served as music director for the diocese of Chelmsford. He established the Purcell Operatic Society and was a founder of the Plainsong and Medieval Society and what later became the Royal Society of Church Music. Author of The Principles of English Church Music Composition (1921), Shaw was a notable reformer of English church music. He worked with Percy Dearmer (his rector at St. Mary's in Primrose Hill); Ralph Vaughan Williams, and his brother Geoffrey Shaw in publishing hymnals such as Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). A leader in the revival of English opera and folk music scholarship, Shaw composed some one hundred songs as well as anthems and service music; some of his best hymn tunes were published in his Additional Tunes in Use at St. Mary's (1915). Bert Polman

F. A. Gore Ouseley

1825 - 1889 Person Name: F. A. G. Ouseley Composer of "[Holy, holy, holy Lord] (Ouseley)" in The Church Hymnal Born: August 12, 1825, London, England. Died: April 6, 1889, Hereford, England. Buried: Church of St. Michael and All Angels, Tenbury Wells, Hereford and Worcester, England. Gore-Ouseley was educated at Oxford University (BA 1846, MA 1849, DMus 1854), and was ordained in 1849. In 1855, he was appointed Oxford Professor of Music, succeeding Henry Bishop. At that time, Oxford music degrees were easy to obtain, as there were no conditions of residence. Candidates only had to submit a musical composition, (e.g., for choir or orchestra). This was then approved by the examiner, rehearsed and performed to a small, select audience at Oxford. As far as Ouseley was concerned, this only meant two or three trips to Oxford each year, usually for two or three days each time, as there was no music "taught" in the university and very little in Oxford itself at the time. Also in 1855, Ouseley was appointed Precentor of Hereford Cathedral, a post he held for the next 30 years, before becoming a Canon there. Although theoretically in charge of the cathedral choir, Ouseley only had to be in residence at the cathedral two months each year, and he arranged these to take place during the summer vacation, when he was not required to be at his College, although such was his commitment that he did make regular visits to the cathedral, which was only 18 miles from his College at St. Michael’s. His College of St. Michael’s, Tenbury, a "model" choir school, opened in 1856, mostly at his own expense. He founded the College and was its first Warden, which was the greater part of his work for the next 33 years. Ouseley’s compositions covered a wide range: operas, songs, chamber music and organ pieces. His works include the following treatises: Harmony (London: 1868) Counterpoint (London: 1869) Canon and Fugue (London: 1869) Form and General Composition (London: 1875) --www.hymntime.com/tch/

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