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Person Results

Scripture:Luke 5:1-11
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Nelsie T. Johnson

1912 - 2009 Scripture: Luke 5:1-3 Arranger of "AMEN, AMEN" in The Faith We Sing Nelsie T. Johnson was born in Greer, South Carolina, where she resided. She is a retired school teacher who continues to serve as choir director, organist, and pianist for Presbyterian churches in the Greenville and Spartanburg, South Carolina, area. She was frequently the accompanist for Rev. Joseph T. Jones as he led music for Presbyterian gatherings. --The Presbyterian Hymnal Companion, 1993

Salomon Liscovius

1640 - 1689 Person Name: Salomo Liscow Scripture: Luke 5:4-7 Author of "In Gottes Namen fang ich an" in Evangelisches Gesangbuch Liscovius, Salomo, son of Johann Liscovius, or Lischkow, pastor at Niemitsch, near Guben, was born at Niemitsch, Oct. 25, 1640. He entered the University of Leipzig in 1660, and then went to Wittenberg, where he graduated M.A., and was crowned as a poet. Shortly thereafter he was appointed pastor at Otterwisch with Stockheim, near Lausigk, and ordained to this post April 21, 1664. He was then, on March 29, 1685, appointed second pastor of St. Wenceslaus's church, at Wurzen. He died at Wurzen, Dec. 5, 1689. (Koch, iii. 385; Rotermund's continuation of Jöcher's Gelehrten-Lexikon, iii. 1950, &c.) Liscovius was one of the best German hymn-writers of the second rank in the 17th century. That is, though his hymns are not lacking in intensity, in depth, or in beauty of form, yet neither by their intrinsic value nor by their adoption into German common use are they worthy to be ranked with the hymns of Gerhardt, Franck, Scheffler and others of this period. They appeared mostly in his Christlicher Frauenzimmers Geistlicher Tugend-Spiegel. The preface to this book is dated April 14, 1672, and it was probably published at Leipzig in 1672; but the earliest ed. extant is that at Leipzig, 1703. Dr. J. L. Pasig pub. 51 of his Geistliche Lieder, with a short biographical notice, at Halle, 1855. One of his hymns is translated:— Schatz über alle Schatze. Love to Christ. His finest hymn. 1672 as above, and Pasig, 1855, p. 53. In the Nürnberg Gesang-Buch 1676, No. 509, and the Berlin Geistlicher Lieder Schatz, ed. 1863, No. 826. It is in 7 stanzas of 8 lines, the initial letters of the stanzas forming his Christian name Salomon. The translations are:— (1) "Treasure above all treasure," as No. 441 in pt. i. of the

Johann Crüger

1598 - 1662 Scripture: Luke 5:4-7 Adapter of "[In Gottes Namen fang ich an]" in Evangelisches Gesangbuch Johann Crüger (b. Grossbriesen, near Guben, Prussia, Germany, 1598; d. Berlin, Germany, 1662) Crüger attended the Jesuit College at Olmutz and the Poets' School in Regensburg, and later studied theology at the University of Wittenberg. He moved to Berlin in 1615, where he published music for the rest of his life. In 1622 he became the Lutheran cantor at the St. Nicholas Church and a teacher for the Gray Cloister. He wrote music instruction manuals, the best known of which is Synopsis musica (1630), and tirelessly promoted congregational singing. With his tunes he often included elaborate accom­paniment for various instruments. Crüger's hymn collection, Neues vollkomliches Gesangbuch (1640), was one of the first hymnals to include figured bass accompaniment (musical shorthand) with the chorale melody rather than full harmonization written out. It included eighteen of Crüger's tunes. His next publication, Praxis Pietatis Melica (1644), is considered one of the most important collections of German hymnody in the seventeenth century. It was reprinted forty-four times in the following hundred years. Another of his publications, Geistliche Kirchen Melodien (1649), is a collection arranged for four voices, two descanting instruments, and keyboard and bass accompaniment. Crüger also published a complete psalter, Psalmodia sacra (1657), which included the Lobwasser translation set to all the Genevan tunes. Bert Polman =============================== Crüger, Johann, was born April 9, 1598, at Gross-Breese, near Guben, Brandenburg. After passing through the schools at Guben, Sorau and Breslau, the Jesuit College at Olmütz, and the Poets' school at Regensburg, he made a tour in Austria, and, in 1615, settled at Berlin. There, save for a short residence at the University of Wittenberg, in 1620, he employed himself as a private tutor till 1622. In 1622 he was appointed Cantor of St. Nicholas's Church at Berlin, and also one of the masters of the Greyfriars Gymnasium. He died at Berlin Feb. 23, 1662. Crüger wrote no hymns, although in some American hymnals he appears as "Johann Krüger, 1610,” as the author of the supposed original of C. Wesley's "Hearts of stone relent, relent" (q.v.). He was one of the most distinguished musicians of his time. Of his hymn tunes, which are generally noble and simple in style, some 20 are still in use, the best known probably being that to "Nun danket alle Gott" (q.v.), which is set to No. 379 in Hymns Ancient & Modern, ed. 1875. His claim to notice in this work is as editor and contributor to several of the most important German hymnological works of the 16th century, and these are most conveniently treated of under his name. (The principal authorities on his works are Dr. J. F. Bachmann's Zur Geschichte der Berliner Gesangbücher 1857; his Vortrag on P. Gerhard, 1863; and his edition of Gerhardt's Geistliche Lieder, 1866. Besides these there are the notices in Bode, and in R. Eitner's Monatshefte für Musik-Geschichte, 1873 and 1880). These works are:— 1. Newes vollkömmliches Gesangbuch, Augspur-gischer Confession, &c, Berlin, 1640 [Library of St. Nicholas's Church, Berlin], with 248 hymns, very few being published for the first time. 2. Praxis pietatis melica. Das ist: Ubung der Gottseligkeit in Christlichen und trostreichen Gesängen. The history of this, the most important work of the century, is still obscure. The 1st edition has been variously dated 1640 and 1644, while Crüger, in the preface to No. 3, says that the 3rd edition appeared in 1648. A considerable correspondence with German collectors and librarians has failed to bring to light any of the editions which Koch, iv. 102, 103, quotes as 1644, 1647, 1649, 1650, 1651, 1652, 1653. The imperfect edition noted below as probably that of 1648 is the earliest Berlin edition we have been able to find. The imperfect edition, probably ix. of 1659, formerly in the hands of Dr. Schneider of Schleswig [see Mützell, 1858, No. 264] was inaccessible. The earliest perfect Berlin edition we have found is 1653. The edition printed at Frankfurt in 1656 by Caspar Röteln was probably a reprint of a Berlin edition, c. 1656. The editions printed at Frankfurt-am-Main by B. C. Wust (of which the 1666 is in the preface described as the 3rd) are in considerable measure independent works. In the forty-five Berlin and over a dozen Frankfurt editions of this work many of the hymns of P. Gerhardt, J. Franck, P. J. Spener, and others, appear for the first time, and therein also appear many of the best melodies of the period. 3. Geistliche Kirchen-Melodien, &c, Leipzig, 1649 [Library of St. Katherine's Church, Brandenburg]. This contains the first stanzas only of 161 hymns, with music in four vocal and two instrumental parts. It is the earliest source of the first stanzas of various hymns by Gerhardt, Franck, &c. 4. D. M. Luther's und anderer vornehmen geisU reichen und gelehrten Manner Geistliche Lieder und Psalmen, &c, Berlin, 1653 [Hamburg Town Library], with 375 hymns. This was edited by C. Runge, the publisher, and to it Crüger contributed some 37 melodies. It was prepared at the request of Luise Henriette (q.v.), as a book for the joint use of the Lutherans and the Re¬formed, and is the earliest source of the hymns ascribed to her, and of the complete versions of many hymns by Gerhardt and Franck. 5. Psalmodia Sacra, &c, Berlin, 1658 [Royal Library, Berlin]. The first section of this work is in an ed. of A. Lobwasser's German Psalter; the second, with a similar title to No. 4, and the date 1657, is practically a recast of No. 4,146 of those in 1653 being omitted, and the rest of the 319 hymns principally taken from the Praxis of 1656 and the hymn-books of the Bohemian Brethren. New eds. appeared in 1676, 1700, 1704, 1711, and 1736. [Rev. James Mearns, M.A.] -- Excerpt from John Julian, Dictionary of Hymnology (1907) ======================= Crüger, Johann, p. 271, ii. Dr. J. Zahn, now of Neuendettelsau, in Bavaria, has recently acquired a copy of the 5th ed., Berlin, 1653, of the Praxis. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Jorge Lockward

b. 1965 Person Name: Jorge Lockward, b. 1965 Scripture: Luke 5:1-11 Translator of "Two Fishermen (Dos Pescadores)" in Oramos Cantando = We Pray In Song

Harry Webb Farrington

1880 - 1930 Person Name: Harry W. Farrington Scripture: Luke 5:1-11 Author of "Strong, peaceful man of Galilee" in Voices Together

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes Scripture: Luke 5:1-11 Composer of "MELITA" in Voices Together As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

W. H Gill

1839 - 1923 Person Name: William H Gill Scripture: Luke 5:11 Author of "Hear Us, O Lord" in Scripture Song Database Gill, William Henry, son of Joseph Gill, of the Isle of Man, b. at Marsala, Sicily, Oct. 24, 1839; educated at King William's College, Isle of Man; entered the Seals Office, G.P.O., London, 1858, and retired 1898. A painter in water colours, and student of Manx national music. In combination with his brother, Deemster Gill and Dr. Clague, published in 1805 a volume of Manx National Songs. He has also composed several popular Anthems and Solos. Two of his hymns have attained to some reputation:— 1. Hear us, 0 Lord, from Heaven, Thy dwelling place. [Harvest of the Sea.] Mr. Gill's manuscript history of the origin and building up of this hymn is more than usually interesting, as supplied to us in 1905. This hymn "was directly inspired by my quest some ten years ago for Manx music. . . . Among many interesting finds ... of our once lost national music . . . was a remnant of melody which had . . . been associated with Manx words . . . That melody ... I converted into a hymn tune . . . Then I sought inspiration for a suitable subject." This was found in the occupation of the fisher-folk and the petition in the Manx Book of C. Prayer "That it may please Thee to give and preserve to our use the kindly fruits of the earth, and to restore and continue to us the blessings of the sea, so as in due time we may enjoy them." Continuing, Mr. Gill adds, "Hence the Hymn and its Tune, which I devoutly hope may never" be divorced." Both Hymn and Tune were published in Manx National Songs (London: Boosey & Co.), 1895, and in the Methodist Hymn Book, 1904. It is for its purpose the most suitable hymn we know, and supplies e. felt want in fishing villages and towns. 2. 0 King of nations. Righteous Lord. [In Time of War.] "For our Soldiers and Sailors," written during the Boer War. Its popularity was great, thirty-five thousand copies having been sold in one week (Abingdon: W. H. Hooke). 3. Warrior, rest! thy work is done. [Victory.] "A Song of Victory." Very spirited and devotional. (Abingdon: W. H. Hooke). --John Julian, Dictionary of Hymnology, New Supplement (1907)

Emilio Vicente Matéu

Scripture: Luke 5:1-11 Author of "Pescador" in Oramos Cantando = We Pray In Song

E. Duerr

Person Name: E. Dürr, 1650-1715 Scripture: Luke 5:5 Author of "Fang' dein werk mit Jesu an" in Deutsches Gesangbuch für die Evangelisch-Luterische Kirche in den Vereinigten Staaten

E. R. Latta

1839 - 1915 Scripture: Luke 5:11 Author of "Following Fully" in Heavenly Carols Rv Eden Reeder Latta USA 1839-1915. Born at Haw Patch, IN, the son of a Methodist minister, (also a boyhood friend of hymn writer Willam A Ogden) he became a school teacher. During the American Civil War he preached for the Manchester Methodist Church and other congregations (possibly as a circuit rider filling empty pulpits). In 1863 he married Mary Elizabeth Wright, and they had five children: Arthur, Robert, Jennie, two others. He taught for the public schools of Manchester, and later Colesburg, IA. He moved to Guttenberg, IA, in the 1890s, and continued writing song lyrics for several major gospel composers, including William Ogden, James McGranahan, James Fillmore, and Edmund Lorenz. He wrote 1600+ songs and hymns, many being widely popular in his day. His older brother, William, composed hymn tunes. He died at Guttenbert, IA. John Perry

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