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William Vincent Wallace

1812 - 1865 Person Name: fr. W. V. Wallace Topics: Christ Character of; Christ Character of Arranger of "SERENITY" in Laudes Domini

John Cennick

1718 - 1755 Person Name: Cennick Topics: Offices and Characters of Christ Author of "Melchisedec a Type of Christ" in A Selection of Hymns for Public Worship. In four parts (10th ed.) (Gadsby's Hymns) John Cennick was born at Reading, Berkshire, in the year 1717. He became acquainted with Wesley and Whitefield, and preached in the Methodist connection. On the separation of Wesley and Whitefield he joined the latter. In 1745, he attached himself to the Moravians, and made a tour in Germany to fully acquaint himself with the Moravian doctrines. He afterwards ministered in Dublin, and in the north of Ireland. He died in London, in 1755, and was buried in the Moravian Cemetery, Chelsea. He was the author of many hymns, some of which are to be found in every collection. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ======================= Cennick, John, a prolific and successful hymnwriter, was descended from a family of Quakers, but brought up in the Church of England. He assisted J. Wesley and then G. Whitefield in their labours for a time, and then passed over to, and died as a minister of, the Moravian Church. Born at Reading, Dec. 12, 1718, he was for some time a land surveyor at Reading, but becoming acquainted with the Wesleys in 1739, he was appointed by J. Wesley as a teacher of a school for colliers' children at Kingswood in the following year. This was followed by his becoming a lay preacher, but in 1740 he parted from the Wesleys on doctrinal grounds. He assisted Whitefield until 1745, when he joined the Mora¬vians, and was ordained deacon, in London, in 1749. His duties led him twice to Germany and also to the North of Ireland. He died in London, July 4, 1755. In addition to a few prose works, and some sermons, he published:— (1) Sacred Hymns, for the Children of God in the Days of their Pilgrimage, Lond., J. Lewis, n.d. (2nd ed. Lond., B. Milles, 1741), Pts. ii., iii., 1742; (2) Sacred Hymns for the Use of Religious Societies, &c, Bristol, F. Farley, 1743; (3) A Collection of Sacred Hymns, &c, Dublin, S. Powell, 3rd ed., 1749; (4) Hymns to the honour of Jesus Christ, composed for such Little Children as desire to be saved. Dublin, S. Powell, 1754. Additional hymns from his manuscripts were published by his son-in-law, the Rev. J. Swertner, in the Moravian Hymn Book, 1789, of which he was the editor. There are also 16 of his hymns in his Sermons, 2 vols., 1753-4, some being old hymns rewritten, and others new. Many of Cennick's hymns are widely known, as, "Lo, He cometh, countless trumpets;" “Brethren, let us join to bless;" "Jesus, my all, to heaven is gone;" "Children of the heavenly King;" "Ere I sleep, for every favour;" "We sing to Thee, Thou Son of God;" and the Graces: " Be present at our table, Lord;" and "We thank Thee, Lord;" &c. Some of the stanzas of his hymns are very fine, but the hymns taken as a whole are most unequal. Some excellent centos might be compiled from his various works. His religious experiences were given as a preface to his Sacred Hymns, 1741. In addition to the hymns named, and others annotated under their first lines, the following are in common use:— 1. Be with me [us] Lord, where'er I [we] go. Divine Protection. [1741.] 2. Cast thy burden on the Lord. Submission. [1743.] 3. Not unto us, but Thee alone. Praise to Jesus. [1743.] 4. Thou dear Redeemer, dying Lamb. Priesthood of Christ. [1743.] 5. We sing to Thee, Thou Son of God. Praise to Jesus. [1743.] 6. When, 0 dear Jesus, when shall I? Sunday Evening. [1743.] --John Julian, Dictionary of Hymnology (1907)

William Cowper

1731 - 1800 Person Name: Cowper Topics: Characters of Christ Author of "There is a fountain fill'd with blood" in Village hymns for social worship, selected and original William Cowper (pronounced "Cooper"; b. Berkampstead, Hertfordshire, England, 1731; d. East Dereham, Norfolk, England, 1800) is regarded as one of the best early Romantic poets. To biographers he is also known as "mad Cowper." His literary talents produced some of the finest English hymn texts, but his chronic depression accounts for the somber tone of many of those texts. Educated to become an attorney, Cowper was called to the bar in 1754 but never practiced law. In 1763 he had the opportunity to become a clerk for the House of Lords, but the dread of the required public examination triggered his tendency to depression, and he attempted suicide. His subsequent hospitalization and friendship with Morley and Mary Unwin provided emotional stability, but the periods of severe depression returned. His depression was deepened by a religious bent, which often stressed the wrath of God, and at times Cowper felt that God had predestined him to damnation. For the last two decades of his life Cowper lived in Olney, where John Newton became his pastor. There he assisted Newton in his pastoral duties, and the two collaborated on the important hymn collection Olney Hymns (1779), to which Cowper contributed sixty-eight hymn texts. Bert Polman ============ Cowper, William, the poet. The leading events in the life of Cowper are: born in his father's rectory, Berkhampstead, Nov. 26, 1731; educated at Westminster; called to the Bar, 1754; madness, 1763; residence at Huntingdon, 1765; removal to Olney, 1768; to Weston, 1786; to East Dereham, 1795; death there, April 25, 1800. The simple life of Cowper, marked chiefly by its innocent recreations and tender friendships, was in reality a tragedy. His mother, whom he commemorated in the exquisite "Lines on her picture," a vivid delineation of his childhood, written in his 60th year, died when he was six years old. At his first school he was profoundly wretched, but happier at Westminster; excelling at cricket and football, and numbering Warren Hastings, Colman, and the future model of his versification. Churchill, among his contemporaries or friends. Destined for the Bar, he was articled to a solicitor, along with Thurlow. During this period he fell in love with his cousin, Theodora Cowper, sister to Lady Hesketh, and wrote love poems to her. The marriage was forbidden by her father, but she never forgot him, and in after years secretly aided his necessities. Fits of melancholy, from which he had suffered in school days, began to increase, as he entered on life, much straitened in means after his father's death. But on the whole, it is the playful, humorous side of him that is most prominent in the nine years after his call to the Bar; spent in the society of Colman, Bonnell Thornton, and Lloyd, and in writing satires for The Connoisseur and St. James's Chronicle and halfpenny ballads. Then came the awful calamity, which destroyed all hopes of distinction, and made him a sedentary invalid, dependent on his friends. He had been nominated to the Clerkship of the Journals of the House of Lords, but the dread of appearing before them to show his fitness for the appointment overthrew his reason. He attempted his life with "laudanum, knife and cord,"—-in the third attempt nearly succeeding. The dark delusion of his life now first showed itself—a belief in his reprobation by God. But for the present, under the wise and Christian treatment of Dr. Cotton (q. v.) at St. Albans, it passed away; and the eight years that followed, of which the two first were spent at Huntingdon (where he formed his lifelong friendship with Mrs. Unwin), and the remainder at Olney in active piety among the poor, and enthusiastic devotions under the guidance of John Newton (q. v.), were full of the realisation of God's favour, and the happiest, most lucid period of his life. But the tension of long religious exercises, the nervous excitement of leading at prayer meetings, and the extreme despondence (far more than the Calvinism) of Newton, could scarcely have been a healthy atmosphere for a shy, sensitive spirit, that needed most of all the joyous sunlight of Christianity. A year after his brother's death, madness returned. Under the conviction that it was the command of God, he attempted suicide; and he then settled down into a belief in stark contradiction to his Calvinistic creed, "that the Lord, after having renewed him in holiness, had doomed him to everlasting perdition" (Southey). In its darkest form his affliction lasted sixteen months, during which he chiefly resided in J. Newton's house, patiently tended by him and by his devoted nurse, Mrs. Unwin. Gradually he became interested in carpentering, gardening, glazing, and the tendance of some tame hares and other playmates. At the close of 1780, Mrs. Unwin suggested to him some serious poetical work; and the occupation proved so congenial, that his first volume was published in 1782. To a gay episode in 1783 (his fascination by the wit of Lady Austen) his greatest poem, The Task, and also John Gilpin were owing. His other principal work was his Homer, published in 1791. The dark cloud had greatly lifted from his life when Lady Hesketh's care accomplished his removal to Weston (1786): but the loss of his dear friend William Unwin lowered it again for some months. The five years' illness of Mrs. Unwin, during which his nurse of old became his tenderly-watched patient, deepened the darkness more and more. And her death (1796) brought “fixed despair," of which his last poem, The Castaway, is the terrible memorial. Perhaps no more beautiful sentence has been written of him, than the testimony of one, who saw him after death, that with the "composure and calmness" of the face there “mingled, as it were, a holy surprise." Cowper's poetry marks the dawn of the return from the conventionality of Pope to natural expression, and the study of quiet nature. His ambition was higher than this, to be the Bard of Christianity. His great poems show no trace of his monomania, and are full of healthy piety. His fame as a poet is less than as a letter-writer: the charm of his letters is unsurpassed. Though the most considerable poet, who has written hymns, he has contributed little to the development of their structure, adopting the traditional modes of his time and Newton's severe canons. The spiritual ideas of the hymns are identical with Newton's: their highest note is peace and thankful contemplation, rather than joy: more than half of them are full of trustful or reassuring faith: ten of them are either submissive (44), self-reproachful (17, 42, 43), full of sad yearning (1, 34), questioning (9), or dark spiritual conflict (38-40). The specialty of Cowper's handling is a greater plaintiveness, tenderness, and refinement. A study of these hymns as they stood originally under the classified heads of the Olney Hymns, 1779, which in some cases probably indicate the aim of Cowper as well as the ultimate arrangement of the book by Newton, shows that one or two hymns were more the history of his conversion, than transcripts of present feelings; and the study of Newton's hymns in the same volume, full of heavy indictment against the sins of his own regenerate life, brings out the peculiar danger of his friendship to the poet: it tends also to modify considerably the conclusions of Southey as to the signs of incipient madness in Cowper's maddest hymns. Cowper's best hymns are given in The Book of Praise by Lord Selborne. Two may be selected from them; the exquisitely tender "Hark! my soul, it is the Lord" (q. v.), and "Oh, for a closer walk with God" (q. v.). Anyone who knows Mrs. Browning's noble lines on Cowper's grave will find even a deeper beauty in the latter, which is a purely English hymn of perfect structure and streamlike cadence, by connecting its sadness and its aspiration not only with the “discord on the music" and the "darkness on the glory," but the rapture of his heavenly waking beneath the "pathetic eyes” of Christ. Authorities. Lives, by Hayley; Grimshaw; Southey; Professor Goldwin Smith; Mr. Benham (attached to Globe Edition); Life of Newton, by Rev. Josiah Bull; and the Olney Hymns. The numbers of the hymns quoted refer to the Olney Hymns. [Rev. H. Leigh Bennett, M.A.] --John Julian, Dictionary of Hymnology (1907) ================ Cowper, W. , p. 265, i. Other hymns are:— 1. Holy Lord God, I love Thy truth. Hatred of Sin. 2. I was a grovelling creature once. Hope and Confidence. 3. No strength of nature can suffice. Obedience through love. 4. The Lord receives His highest praise. Faith. 5. The saints should never be dismayed. Providence. All these hymns appeared in the Olney Hymns, 1779. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ===================== Cowper, W., p. 265, i. Prof. John E. B. Mayor, of Cambridge, contributed some letters by Cowper, hitherto unpublished, together with notes thereon, to Notes and Queries, July 2 to Sept. 24, 1904. These letters are dated from Huntingdon, where he spent two years after leaving St. Alban's (see p. 265, i.), and Olney. The first is dated "Huntingdon, June 24, 1765," and the last "From Olney, July 14, 1772." They together with extracts from other letters by J. Newton (dated respectively Aug. 8, 1772, Nov. 4, 1772), two quotations without date, followed by the last in the N. & Q. series, Aug. 1773, are of intense interest to all students of Cowper, and especially to those who have given attention to the religious side of the poet's life, with its faint lights and deep and awful shadows. From the hymnological standpoint the additional information which we gather is not important, except concerning the hymns "0 for a closer walk with God," "God moves in a mysterious way," "Tis my happiness below," and "Hear what God, the Lord, hath spoken." Concerning the last three, their position in the manuscripts, and the date of the last from J. Newton in the above order, "Aug. 1773," is conclusive proof against the common belief that "God moves in a mysterious way" was written as the outpouring of Cowper's soul in gratitude for the frustration of his attempted suicide in October 1773. --John Julian, Dictionary of Hymnology, New Supplement (1907)

William Gadsby

1773 - 1844 Person Name: W. Gadsby Topics: Offices and Characters of Christ Author of "The Name of Christ" in A Selection of Hymns for Public Worship. In four parts (10th ed.) (Gadsby's Hymns) Gadsby, William , was born in 1773 at Attleborough, in Warwickshire. In 1793 he joined the Baptist church at Coventry, and in 1798 began to preach. In 1800 a chapel was built for him at Desford, in Leicestershire, and two years later another in the town of Hinckley. In 1805 he removed to Manchester, becoming minister of a chapel in Rochdale Boad, where he continued until his death, in January, 1844. Gadsby was for many years exceedingly popular as a preacher of the High Calvinist faith, and visited in that capacity most parts of England. He published The Nazarene's Songs, being a composition of Original Hymns, Manchester, 1814; and Hymns on the Death of the Princess Charlotte, Manchester, 1817. In 1814 he also published A Selection of Hymns for Public Worship, appending thereto a large number of his own compositions [Baptist Hymnody, § nr., 2]. The edition of 1882 pub. by his son J. Gadsby contains 1138 hymns, of which 157 are by William Gadsby, and form Pt. ii. of the Selection From his point of view they are sound in doctrine, but have little poetic fervour, and the rhyme is faulty in a large number of instances. Four of these hymns are in Denham's Selection and one in the Selection of J. Stevens. [Rev. W. R Stevenson, M.A. ] --John Julian, Dictionary of Hymnology (1907)

Theodore Baker

1851 - 1934 Topics: Biblical Characters Isaiah; Biblical Characters Jesse; Biblical Characters Mary, Mother of Jesus; Christian Year Advent; Jesus Christ Atonement; Jesus Christ Images of; Jesus Christ Incarnation; Light; Prophets; Salvation; Advent 2 Year A; Advent 3 Year A; Advent 4 Year A; Advent 4 Year B; Advent 1 Year C; Advent 2 Year C; Christmas Eve Year C; Christmas Day 1 Year C; Epiphany Year C Translator (into English) of "Lo, How a Rose E'er Blooming" in Voices United Theodore Baker (b. New York, NY, 1851; d. Dresden, Germany, 1934). Baker is well known as the compiler of Baker's Biographical Dictionary of Musicians (first ed. 1900), the first major music reference work that included American composers. Baker studied music in Leipzig, Germany, and wrote a dissertation on the music of the Seneca people of New York State–one of the first studies of the music of American Indians. From 1892 until his retirement in 1926, Baker was a literary editor and translator for G. Schirmer, Inc., in New York City. In 1926, he returned to Germany. Psalter Hymnal Handbook, 1987

Kate B. Wilkinson

1859 - 1928 Person Name: Katie B. Wilkinson (1859-1928) Topics: God's Church Commitment and Character; Palm Sunday The Way of the Cross; Pentecost 10 The Mind of Christ; Pentecost 18 The Offering of Life Author of "May the mind of Christ my saviour" in Hymns for Today's Church (2nd ed.) Little is known about Kate Barclay Wilkinson’s (b. England, 1859; d. Kensington, England, 1928) life: a member of the Church of England, she was involved in a ministry to girls in London and a participant in the Keswick Convention Movement. She was married to Frederick Barclay Wilkinson. Bert Polman

Thoro Harris

1874 - 1955 Topics: Christ Character; Praise of Christ; Christ Character; Praise of Christ Author of "All That Thrills My Soul" in Hymns of Faith Born: March 31, 1874, Washington, DC. Died: March 27, 1955, Eureka Springs, Arkansas. Buried: International Order of Odd Fellows Cemetery, Eureka Springs, Arkansas. After attending college in Battle Creek, Michigan, Harris produced his first hymnal in Boston, Massachusetts, in 1902. He then moved to Chicago, Illinois at the invitation of Peter Bilhorn, and in 1932, to Eureka Springs, Arkansas. He composed and compiled a number of works, and was well known locally as he walked around with a canvas bag full of handbooks for sale. His works include: Light and Life Songs, with William Olmstead & William Kirkpatrick (Chicago, Illinois: S. K. J. Chesbro, 1904) Little Branches, with George J. Meyer & Howard E. Smith (Chicago, Illinois: Meyer & Brother, 1906) Best Temperance Songs (Chicago, Illinois: The Glad Tidings Publishing Company, 1913) (music editor) Hymns of Hope (Chicago, Illinois: Thoro Harris, undated, circa 1922) --www.hymntime.com/tch

Gioacchino A. Rossini

1792 - 1868 Person Name: Gioacchimo Rossini (1792-1868) Topics: Christ Character of Composer of "MANOAH" in Many Voices; or, Carmina Sanctorum, Evangelistic Edition with Tunes Gioacchino A. Rossini; b. 1792, Pesaro; d. 1868, Ruelle near Parise Evangelical Lutheran Hymnal, 1908

John Ryland

1753 - 1825 Topics: Christ Character of Author of "Ye saints, proclaim abroad" in Book of Worship with Hymns and Tunes Ryland, John, D.D., son of Rev. John Collett Ryland, was born at Warwick, Jan. 29, 1753. At that time his father was Baptist minister at Warwick, but in 1759 removed to Northampton. "J. Ryland, junior," as for many years he was accustomed to subscribe himself, was in 1781 ordained co-pastor with his father at Northampton. In 1794 he accepted the presidency of the Baptist College and the pastorate of the church in Broadmead, Bristol, and these offices he retained until his death on June 25, 1825. Dr. Ryland was a man of considerable literary culture, and received the degree of D.D. from Brown University, Rhode Island. He was one of the founders of the Baptist Missionary Society, and for the three years following the death of Rev. A. Fuller, in 1815, acted as its secretary. His prose works were Memoirs of Rev. B. Hall, Arnsby (2nd ed., 1852); A candid statement of the reasons which induce Baptists to differ from their Christian brethren; and many Sermons and Charges. After his death appeared 2 vols. of Discourses, selected from his manuscripts, and entitled Pastoral Memorial. To these discourses are appended many of his hymns, with their dates. Dr. Ryland's hymns were composed at different times, from his sixteenth year to the year of his death. The earliest were published when he was 16, in his Serious Essays, 1771. These 36 hymns were never republished. Several appeared in the Gospel Magazine from 1771 to 1782, and the Protestant Magazine, 1782-83; others in Rippon's Baptist Selection, 1787; 2 in the Collection for the Monthly Prayer Meeting at Bristol, 1797 ; 2 in Andrew Fuller's Memoirs, 1831; and 25 in the Pastoral Memorials, 1825. His Hymns and Verses on Sacred Subjects, to the number of 99, were reprinted from his mss. by D. Sedgwick, and were published, with a Memoir, in 1862. The hymns are dated therein from the mss. [Rev. W. R. Stevenson, M.A.] Those of Dr. Ryland's hymns now in common use include:— 1. For Zion's sake I'll not restrain. Missions. Dated 1798, and printed by D. Sedgwick from Ryland's manuscripts, 1862. 2. Had not the Lord, my soul may say [cry] . Ps. cxxiv. From his Serious Essays, 1771. It is No. 124 in Spurgeon's Our Own Hymn Book, 1866. Not in Sedgwick's reprint. 3. Holy, holy, holy Lord, self-existent Deity. Holy Trinity. Dated 1796. It was given in the tenth edition of Rippon's Baptist Selection, 1800, Pt. 2, No. 22; in the Pastoral Memorials, 1825; and Sedgwick's reprint, 1862, in 5 stanzas of 8 lines. It is in common use in Great Britain and America. 4. Look down, my soul, on hell's domain. Gratitude for escape. This is No. 881 in Spurgeon's Our Own Hymn Book. 1866, and dated 1777. We cannot trace it in any of Ryland's works or amongst his hymns. 5. Lord, teach a little child to pray. A Child's Prayer. Dated 1786. The note to this hymn by Dr. Ryland's son, in Sedgwick's reprint, 1862, p. 15, is:— "This and the following hymn ["God is very good to me “was composed at the request of Mrs. Fuller, wife of the Rev. Andrew Fuller, of Kettering, for the use of Miss Sarah Fuller, who died May 30th, 1789, aged six years and six months." It was published in Andrew Fuller's Memoirs, 1831, p. 442, andsin Sedgwick's reprint, 1862. 6. Now let the slumbering church awake. Activity in the Church desired. Dated "Feb. 20, 1798." Published in the Pastoral Memorials, 1825, and in Sedgwick's reprint, 1862. In Spurgeon's Our Own Hymn Book, 1866. 7. O Lord, I would delight in Thee. Delight in Christ. Dated "Dec. 3, 1777." Dr. Ryland added this note to the ms.:—-" I recollect deeper feelings of mind in composing this hymn, than perhaps I ever felt in making any other." It was published in Rippon's Selection 1798, No. 248; in the Pastoral Memorials, 1825; and in Sedgwick's reprint, 1862, in 7 st. of 41. It is in extensive use in its original, or an abbreviated form; or as "O Lord we would delight in Thee." In the American Methodist Episcopal Hymns, 1849; and their Hymn, 1878, st. i., ii., vi., vii. are rewritten in S. M. as "Lord, I delight in Thee." 8. Out of the depths of doubt and fear. Ps. cxxx. From the Serious Essays, 1771 (misdated in Spurgeon's Our Own Hymn Book 1775). It is not in the Pastoral Memorials, 1825, nor in Sedgwick's reprint, 1862. 9. Rejoice, the Saviour reigns. Missions. Dated "Jan. 19, 1792." In the 10th ed. of Rippon's Selection, 1800, 422 (2nd pt.) it is given in 6 st. of 6 1., as in the Ryland ms., and then after the word "Pause" two stanzas are added on, which are not in the ms. The 6 stanzas were repeated in the Pastoral Memorials, 1825; in Sedgwick's reprint, 1862; and in Spurgeon's Our Own Hymn Book, 1866 (abbreviated), and other modern hymnals. 10. Sovereign Ruler of the skies. Guidance, Peace, and Security in God. Dated "Aug. 1,1777." Included in Rippon's Selection, 1787, No. 545 ; the Pastoral Memorials, 1825 ; and Sedgwick's reprint, 1862, in 9 st. of 4 1. 11. Thou Son of God, and Son of Man. Praise to God, the Son. This is undated. It was given in the Pastoral Memorials, 1825; and Sedgwick's reprint, 1862. 12. When Abraham's servant to procure. Onward, Heavenward. Dr. Ryland's son, under the date of Nov. 4, 1861, informed D. Sedgwick that this hymn "was written with a slate pencil on a rusty iron blower by moonlight, past twelve o'clock, Dec. 30, 1773," and he gives these words as a quotation from his father's manuscript. It is almost needless to add that this account does not agree with the generally received history of the hymn, as set forth in Miller's Singers and Songs, 1869, p. 313. In the May number of the Gospel Magazine, 1775, p. 235, the hymn was given in 9 st. of 4 1., with the heading" Hinder me not-—Gen. xxiv. 56," and signed "Elachistoteros." It was repeated in Rippon's Selection, 1787, No. 447; and Sedgwick's reprint, 1862. In Rippon a note is added, "This hymn may begin with 6th verse." This direction has been followed in some modern collections, the result being the hymn commonly known as "In all my Lord's appointed ways." 13. When the Saviour dwelt below. Compassion of Christ. Dated 1806. Included in the Pastoral Memorials, 1825, and Sedgwick's reprint, 1862. Dr. Ryland's hymns are plain and simple, but they lack poetry and passion, and are not likely to be largely drawn upon, for future hymnals. --John Julian, Dictionary of Hymnology (1907)

Phillips Brooks

1835 - 1893 Topics: The Christian Year Christmas; Angels; Biblical Characters Mary, Mother of Jesus; Biblical Places Bethlehem; Christian Year Christmas; City/City of God; Good News, Gospel; Jesus Christ Birth and Infancy; Jesus Christ Incarnation; Jesus Christ Life In; Jesus Christ Presence; Light; Peace (Inner, Calmness, Serenity; Regeneration; Service Music Prayer Responses; Advent 4 Year A; Christmas Eve Year A; Christmas Eve Year B; Christmas Day 1 Year B; Advent 4 Year C; Christmas Day 1 Year C Author of "O Little Town of Bethlehem" in Voices United Brooks, Phillips, D.D., was born at Boston, Dec. 13, 1835, graduated at Harvard College 1855, and was ordained in 1859. Successively Rector of the Church of the Advent, Philadelphia, and Trinity Church, Boston, he became Bishop of Mass. in 1891, and died at Boston in Jan., 1893. His Carol, "O little town of Bethlehem," was written for his Sunday School in 1868, the author having spent Christmas, 1866, at Bethlehem. His hymn, "God hath sent His angels to the earth again," is dated 1877. --John Julian, Dictionary of Hymnology, New Supplement (1907)

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