Person Results

Switch back to the old search page.Advanced Search

Showing 81 - 90 of 184Results Per Page: 10 20 50

Samuel Sebastian Wesley

1810 - 1876 Person Name: Samuel Sebastian Wesley (1810-1876) Topics: Book One: Hymns, Songs, Chorales; The Christian Home Morning, Evening Hymns Composer of "WINSCOTT" in The Christian Hymnary. Bks. 1-4 Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman

Hans G. Nägeli

1773 - 1836 Person Name: Hans Georg Nägeli Topics: Himnos y Cantos Para Los Niños; Hymns and Songs for Children; La Mañana; Morning Composer of "WENN DIE LIEBE SONNE" in Culto Cristiano Johann G. Nageli (b. Wetzikon, near Zurich, Switzerland, 1773; d. Wetzikon, 1836) was an influential music educator who lectured throughout Germany and France. Influenced by Johann Pestalozzi, he published his theories of music education in Gangbildungslehre (1810), a book that made a strong impact on Lowell Mason. Nageli composed mainly" choral works, including settings of Goethe's poetry. He received his early instruction from his father, then in Zurich, where he concentrated on the music of. S. Bach. In Zurich, he also established a lending library and a publishing house, which published first editions of Beethoven’s piano sonatas and music by Bach, Handel, and Frescobaldi. Bert Polman

David Hurd

b. 1950 Topics: Ascension; Christ the King; Feb. 2: Presentation of theLord; Journey; Majesty and Power; Morning; Praise; Song Composer (psalm tone) of "[God mounts his throne to shouts of joy]" in RitualSong David Hurd (b. Brooklyn, New York, 1950) was a boy soprano at St. Gabriel's Church in Hollis, Long Island, New York. Educated at Oberlin College and the University of North Carolina, he has been professor of church music and organist at General Theological Seminary in New York since 1976. In 1985 he also became director of music for All Saints Episcopal Church, New York. Hurd is an outstanding recitalist and improvisor and a composer of organ, choral, and instrumental music. In 1987 David Hurd was awarded the degree of Doctor of Music, honoris causa, by the Berkeley Divinity School at Yale. The following year he received honorary doctorates from the Church Divinity School of the Pacific, Berkeley, California, and from Seabury-Western Theological Seminary, Evanston, Illinois. His I Sing As I Arise Today, the collected hymn tunes of David Hurd, was published in 2010. Bert Polman and Emily Brink

Gerald H. Knight

1908 - 1979 Person Name: Gerald H. Knight, 1908-1979 Topics: Creation; God the Father, Creator; Guidance; Interfaith; Journey, Pilgrimage; Life; Light; Morning; Music; Peace; Praise; Service; Song; Thanksgiving, Gratitude; Worship and Adoration Harmonizer of "ASH GROVE" in Lead Me, Guide Me (2nd ed.) Gerald Hocken Knight CBE (1908–1979) was an cathedral organist, who served at Canterbury Cathedral. Gerald Hocken Knight was born on 27 July 1908 in Par, Cornwall, and was educated at Truro Cathedral School and Peterhouse, Cambridge. He was an articled organ pupil of Hubert Stanley Middleton at Truro Cathedral. He was appointed a Fellow of the Royal School of Church Music in 1964. He published the following compositions and books: The Treasury of English Church Music. Volume one. 1100-1545. Edited by Denis Stevens, etc. 1965 Accompaniments for unison Hymn-singing. 1971 Christ whose Glory fills the Skies. [Anthem for treble voices and organ.] Words by Charles Wesley, etc. 1957 The Coventry Mass. Adapted from medieval sources. Accompaniment by G. H. Knight. 1966 Incidental Vocal Music to "The Devil to pay," Play by Dorothy L. Sayers. 1939 Incidental Music to The Zeal of Thy House, Dorothy L. Sayers. 1938 Twenty Questions on Church Music. Answered by G. H. Knight (Series. no. 3.), 1950 R.S.C.M. The first forty years. 1968 --en.wikipedia.org/

John Dowland

1563 - 1626 Person Name: John Dowland, 1562-1626 Topics: Dedication of a Church; Creation; Gathering; God the Father (Creator); Joy; Morning; Praise; Providence; Service; Shepherd; Song Harmonizer of "OLD HUNDREDTH" in Worship (3rd ed.) John Dowland, (born 1562/63, Westminster, London, England—died January 21, 1626, London), English composer, virtuoso lutenist, and skilled singer, one of the most famous musicians of his time. Nothing is known of Dowland’s childhood, but in 1580 he went to Paris as a “servant” to Sir Henry Cobham, the ambassador to the French court. In 1588 he received a bachelor of music degree from the University of Oxford. His conversion to Roman Catholicism, he believed, caused his rejection for a post as a court lutenist in 1594, and after that disappointment he left England to travel on the Continent. He visited the duke of Brunswick at Wolfenbüttel and the landgrave of Hesse at Kassel and was received with esteem at both courts. His travels also took him to Nürnberg, Genoa, Florence, and Venice, and by 1597 he had returned to England. In 1598 Dowland became lutenist to Christian IV of Denmark, but he was dismissed for unsatisfactory conduct in 1606. Between 1609 and 1612 he entered the service of Theophilus, Lord Howard de Walden, and in 1612 he was appointed one of the “musicians for the lutes” to James I. Although a respecter of tradition, Dowland worked during a time of musical transition and absorbed many of the new ideas he had encountered on the Continent. His 88 lute songs (printed 1597–1612) particularly reflect those influences. The early songs are presented with an alternative version for four voices. Possessing enchanting melodies, they show simple strophic settings, often in dance forms, with an almost complete absence of chromaticism. Later, in such through-composed songs as "In Darkness Let Me Dwell" (1610), "From Silent Night" (1612), and "Lasso vita mia" (1612), he introduced the Italian declamatory style, chromaticism, and dissonance; no alternative four-voice versions are given. Dowland composed about 90 works for solo lute; many are dance forms, often with highly elaborate divisions to the repeats. His famous Lachrimae, or Seaven Teares Figured in Seaven Passionate Pavans (1604), became one of the most widely known compositions of the time. In his chromatic fantasies, the finest of which are "Forlorne Hope Fancye" and "Farewell," he developed this form to a height of intensity unequaled by any other writer for the Renaissance lute. His compositions also include several psalm harmonizations and sacred songs printed in contemporary music books. --www.britannica.com/

Cesáreo Gabarain

1936 - 1991 Person Name: Cesáreo Gabaráin, 1936-1991 Topics: Alabanza; Praise; Alegría; Joy; Canción; Song; Children's Hymns; Música Para Los Jóvenes; Dar Gracias; Thanksgiving; Dios el Padre Creador; God the Father Creator; Evening; Tarde; Mañana; Morning; Petition/Prayer; Súplica/Oración Author of "Demos Gracias al Señor (With Thanksgiving and with Joy)" in Oramos Cantando = We Pray In Song Cesáreo Gabaráin, a Spanish priest involved in liturgical renewal following Vatican II. Bert Polman

Michel Guimont

b. 1950 Topics: 11th Sunday in Ordinary Time Year B; 8th Sunday in Ordinary Time Year C; Creation; Evening; Interfaith; Justice; Morning; Music Ministry; Refuge; Song; Thanksgiving Composer of "[It is good to give thanks to the Lord]" in RitualSong

Peter J. Horrobin

b. 1943 Person Name: Horrobin Topics: Morning and Evening; Songs Suitable for Children Alterer of "Hushed was the evening hymn" in Complete Mission Praise

James Hutton

1715 - 1795 Person Name: James Hutton, 1713-1795 Topics: Book One: Hymns, Songs, Chorales; Morning Author of "My Opening Eyes with Rapture See" in The Christian Hymnary. Bks. 1-4 James Hutton, son of a clergyman and cousin to Sir Isaac Newton, was born in London, Sept. 3, 1715, and followed for some years the trade of a bookseller. In 1739 he visited the Moravian settlement at Herrnbut, where he became acquainted with Count Zinzendorf. He retired from business in 1745, and was ordained a diaconus of the Moravian Church in 1749. He died May 3, 1795. He contributed several hymns to the Moravian Hymn Book, 1754. All his hymns were included in an Appendix to his Memoirs, published by Daniel Benham in 1856. --Dictionary of Hymnology, John Julian, 1907 ================= Hutton, James, p. 545, ii. Concerning his hymns we have to note: (1) that No. 3 [p. 546, i.] appeared in the Moravian Hymn Book, 1743, Pt. ii.. No. 242, as "Ah Love! come, sweetly bind me"; and that in some modern collections it begins "0 gracious Saviour [Shepherd], bind us;" (2) and that No. 4 also appeared in 1743, No. 284, as, "How shall the young men cleanse their ways.” --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Joachim Lange

1670 - 1744 Person Name: J. Lange, 1670-1744 Topics: Morning Songs Author of "O Jesu, süßes Licht" in Evang.-Lutherisches Gesangbuch Lange, Joachim, D.D., son of Mauritius Lange, senior councillor at Gardelegen in the Altmark, was born at Gardelegen, Oct. 26, 1670. He entered the University of Leipzig in the autumn of 1689, where he shared rooms with A. H. Francke; and in 1690 followed Francke to Erfurt, and in 1692 to Halle. By the recommendation of J. O. Schade he was appointed, in 1693, tutor to the only son of F. R. L. von Canitz, at Berlin. Subsequently he became, in 1696, rector of the school at Coslin in Pomerania; in 1698 rector of the Friedrichswerder Gymnasium at Berlin, and in 1699 pastor of the Friedrichstadt church; and in 1709, professor of theology at Halle (D.D. 1717), where he d. May 7,1744 (Koch, iv. 343; Allg. Deutsche Biographie, xvii. 634, &c). In his day Lange was best known as a commentator on the whole Bible (Biblisches Licht und Recht, &c, 7 folio vols., Halle, 1730-1738); as a defender of Pietism against the “Orthodox” Lutheran controversialists of the early 18th century; and as the author of over 100 theological works. Only two hymns are known by him, one of which is:— O Jesu, süsses Licht. Morning. First published in the Geistreiches Gesang-Buch, Halle, 1697, p. 4, in 8 stanzas of 8 lines. Repeated in Freylinghausen's Gesang-Buch, 1704, No. 608, and recently, as No. 469, in the Unverfälschter Leidersegen, 1851. Translated as:— Jesu, Thy light again I view. A free translation, in 7 stanzas of 6 lines, by J. Wesley, in Hymns & Sacred Poems, 1739 (Poetical Works, 1868-72, vol. i. p. 159) ; repeated as No. 661 in pt. i. of the Moravian Hymn Book, 1754 (1886, No. 344, abridged). The form most used is that in the Wesleyan Hymn Book, 1780, No. 419, where st. i. is omitted; and it begins with st. ii., altered to "O God, what offering shall I give." This form is in Mercer, 1857 and 1864, Kennedy, 1863, and others; and in America, in the Methodist Episcopal Hymns, 1849, Evang. Association Hymn Book, 1882, &c. In the American Sabbath Hymn Book, 1858, a cento from Wesley's stanzas iii., vi., vii., is given as No. 917, beginning, "Now, O my God, Thou hast my soul." Other translations are: (1) "O let me always think Thou'rt near," by J. Swertner, of st. vii., as No. 430 in the Moravian Hymn Book, 1789. In the 1801 and later editions. (1886, No. 567) it is altered, and begins, "O let us always think Thee near." (2) "O Jesu, welcome Light," by H. J. Buckoll, 1842, p. 47. (3) "O Jesu, Light most sweet." In the Family Treasury, 1879, P- 230. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)