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George Frideric Handel

1685 - 1759 Person Name: George F. Handel Composer of "SAMSON" in Book of Worship with Hymns and Tunes George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman

Martin Luther King, Jr.

1929 - 1968 Author of "We have a dream" in Complete Anglican Hymns Old and New

Flora B. Nelson

Person Name: Flora Birdsall Nelson Composer of "[Away in a manger, no crib for a bed]" in Garden of Spices

Johann Steuerlein

1546 - 1613 Person Name: I. Steuerlein Author of "The old year now hath passed away" in Lutheran Hymnal for the Sunday School Johann Steuerlein (b. Schmalkalden, Thuringia, Germany, 1546; d. Meiningen, Germany, 1613) studied law at the University of Wittenberg. From 1569 to 1589 he lived in Wasungen near Meiningen, where he served as town clerk as well as cantor and organist in the Lutheran church. From 1589 until his death he lived in Meiningen, where at various times he served as notary public, mayor, and secretary to the Elector of Saxony. A gifted poet and musician, Steurlein rhymed both the Old and New Testaments in German. A number of his hymn tunes and harmonizations were published in Geistliche Lieder (1575) and Sieben und Zwantzig Neue Geistliche Gesenge (1588). Bert Polman

Amanda S. Barlow

Person Name: Mrs. Amanda S. Barlow Composer of "[Away in a manger, no crib for His bed]" in Hymns of the Christian Life No. 2

John Gambold

1711 - 1771 Person Name: Bishop John Gambold, 1711-1771 Translator of "Rejoice, our nature Christ assumes" in Hymnal and Liturgies of the Moravian Church Gambold, John, M.A., was b. April 10, 1711, at Puncheston, Pembrokeshire, where his father was vicar. Educated at Christ Church, Oxford, where he graduated B.A. in 1730, M.A. in 1734. Taking Holy Orders, he became, about 1739, Vicar of Stanton Harcourt, Oxfordshire, but resigned his living in Oct. 1742, and joined the United Brethren [Moravians], by whom lie was chosen one of their bishops in 1754. He d. at Haverfordwest, Sept. 13, 1771. He published an edition of the Greek Testament; Maxims and Theological Ideas; Sermons, and a dramatic poem called Ignatius. About 26 translations and 18 original hymns in the Moravian Hymn Books are assigned to him. One or two of his hymns, which were published by the Wesleys, have been claimed for them, but the evidence is in favour of Gambold. A collected ed. of his works was published at Bath in 1789, and afterwards reprinted. [George Arthur Crawford, M.A.] --John Julian, Dictionary of Hymnology (1907)

James Weldon Johnson

1871 - 1938 Person Name: James Weldon Johnson, 1871-1938 Author of "Lift Every Voice and Sing" in Singing the Living Tradition James Weldon Johnson MA PhD USA 1871-1938. Born at Jacksonville, FL, he attended Clark University, Atlanta, GA, and also spent three months in the backwoods of Georgia., taking in the culture there. While in school he published a paper, ”The daily American newspaper”, which ran for a year until terminated for lack of funding. He graduated in 1894. He then taught at the largest school in Jacksonville, FL, eventually becoming principal and adding 9th & 10th grades there. While there he began preparing for the FL bar exam, taking it in 1897. In 1904 he became treasurer of the Colored Republican Club, becoming its president the following year. He became an author, activist, educator, lawyer, and diplomat. A musician from youth, he collaborated with his brother, Rosamond, also a musician, and Bob Cole to write Broadway songs, and they achieved some success. They also wrote an opera, “Tolosa”, satirizing the U.S. annexation of the Pacific islands. He became a writer and Civil Rights activist. He did the editorial page of the New York Age, an African-American newspaper. In 1916 he became active in the NAACP, and in 1917 he added many chapters to its southern membership. He was its executive secretary (essentially its operating officer) from 1920-1930. He was involved in the campaign to pass the Dyer Anti-lynching Bill. He wrote poems, novels, and anthologies, and collected poems and spirituals from black culture. He wrote the lyrics to the Negro National Anthem, “Lift every voice and sing”, in honor of Booker T Washington, who visited his school and heard the poem recited by 500 school children in his presence, paying tribute to Abraham Lincoln’s birthday. He participated in Theodore Roosevelt’s successful presidential campaign, and was rewarded by receiving an appointment as U.S. Consul to Venezuela (1906-1909), and later to Nicaragua (1909-1913). He married activist,Grace Elizabeth Nail during this period. They had collaborated on a screenwriting project. They had no children. In 1930, after years leading the NAACP, he became professor of creative literature and writing at Fisk University ( a historically black university), Nashville, TN, where he lectured on a wide range of issues. In 1934 he was the first African-American professor hired at New York University, where he taught several classes in literature and culture. He published four works: “Autobiography of an Ex-colored man” (1920) “The book of American negro poetry” (1922/1931), “God’s trombones” (1927), and “Along this way” (1933). In 1938 he supported efforts by Ignatz Waghalter, a Polish-Jewish composer who had escaped the Nazis in Germany, to establish a classical orchestra of African-American musicians. He perished at Wiscasset, ME, while on vacation when the car his wife was driving was hit by a train. She was severely injured, but recovered. More than 2000 people attended his funeral. Several universities named buildings or departments in his honor, as is a community library in St. Petersburg, FL. In 1988 a U.S, postage stamp was printed in his honor. John Perry

Miguel Oliva

Translator of "Forte Rocha" in The Cyber Hymnal

Richard Massie

1800 - 1887 Translator (from German) of "Dear Christians, One and All, Rejoice" in The Cyber Hymnal Massie, Richard, eldest son of the Rev. R. Massie, of Goddington, Cheshire, and Rector of Eccleston, was born at Chester, June 18, 1800, and resides at Pulford Hall, Coddington. Mr. Massie published a translation of Martin Luther’s Spiritual Songs, London, 1854. His Lyra Domestica, 1st series, London, 1860, contains translations of the 1st Series of Spitta's Psalter und Harfe. In 1864 he published vol. ii., containing translations of Spitta's 2nd Series, together with an Appendix of translations of German hymns by various authors. He also contributed many translations of German hymns to Mercer's Church Psalter & Hymn Book; to Reid's British Herald; to the Day of Rest, &c. He died Mar. 11,1887. -- John Julian, Dictionary of Hymnology (1907)

Josiah Conder

1789 - 1855 Author of "How shall I follow Him I serve?" in Christian Chorals Josiah Conder was born in London, in 1789. He became a publisher, and in 1814 became proprietor of "The Eclectic Review." Subsequently to 1824, he composed a series of descriptive works, called the "Modern Traveller," which appeared in thirty volumes. He also published several volumes of poems and hymns. He was the author of the first "Congregational Hymn Book" (1836). He died in 1855. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ========================== Conder, Josiah, fourth son of Thomas Conder, engraver and bookseller, and grandson of the Rev. John Conder, D.D., first Theological Tutor of Homerton College, was born in Falcon Street (City); London, Sept. 17, 1789, and died Dec. 27, 1855. As author, editor and publisher he was widely known. For some years he was the proprietor and editor of the Eclectic Review, and also editor of the Patriot newspaper. His prose works were numerous, and include:— The Modern Traveller, 1830; Italy, 1831; Dictionary of Ancient and Modern Geography, 1834; Life of Bunyan, 1835; Protestant Nonconformity, 1818-19; The Law of the Sabbath, 1830; Epistle to the Hebrews (a translation), 1834; Literary History of the New Testament, 1845, Harmony of History with Prophecy, 1849, and others. His poetical works are:— (1) The Withered Oak,1805; this appeared in the Athenceum. (2) The Reverie, 1811. (3) Star in the East, 1824. (4) Sacred Poems, Domestic Poems, and Miscellaneous Poems, 1824. (5) The Choir and the Oratory; or, Praise and Prayer, 1837. Preface dated Nov. 8, 1836. (6) Hymns of Praise, Prayer, and Devout Meditation, 1856. This last work was in the press at the time of his death, and was revised and published by his son, the Rev. E. R. Conder, M.A. He also contributed many pieces to the magazines and to the Associated Minstrels, 1810, under the signature of " C." In 1838, selections from The Choir and Oratory were published with music by Edgar Sanderson, as Harmonia Sacra. A second volume was added in 1839. To Dr. Collyer’s (q.v.) Hymns, &c, he contributed 3 pieces signed "C"; and to Dr. Leifchild's Original Hymns, 1843, 8 hymns. As a hymn-book editor he was also well known. In 1836 he edited The Congregational Hymn Book: a Supplement to Dr. Watts’s Psalms and Hymns (2nd ed. 1844). To this collection he contributed fifty-six of his own hymns, some of which had previously appeared in The Star in the East, &c. He also published in 1851 a revised edition of Dr. Watts's Psalms and Hymns, and in the game year a special paper on Dr. Watte as The Poet of the Sanctuary, which was read before the Congregational Union at Southampton. The value of his work as Editor of the Congregational Hymn Book is seen in the fact that eight out of every ten of the hymns in that collection are still in use either in Great Britain or America. As a hymn writer Conder ranks with some of the best of the first half of the present century. His finest hymns are marked by much elevation of thought expressed in language combining both force and beauty. They generally excel in unity, and in some the gradual unfolding of the leading idea is masterly. The outcome of a deeply spiritual mind, they deal chiefly with the enduring elements of religion. Their variety in metre, in style, and in treatment saves them from the monotonous mannerism which mars the work of many hymn writers. Their theology, though decidedly Evangelical, is yet of a broad and liberal kind. Doubtless Conder's intercourse with many phases of theological thought as Editor of the Eclectic Review did much to produce this catholicity, which was strikingly shewn by his embodying many of the collects of the Book of Common Prayer, rendered into verse, in his Choir and Oratory. Of his versions of the Psalms the most popular are "How honoured, how dear" (84th), and "O be joyful in the Lord" (100th). His hymns in most extensive use are," Bread of heaven, on Thee I feed; " “Beyond, beyond that boundless sea;" "The Lord is King, lift up thy voice" (this last is one of his best); "Day by day the manna fell;" "How shall I follow him I serve;" "Heavenly Father, to whose eye" (all good specimens of his subdued and pathetic style); and "O shew me not my Saviour dying." This last is full of lyric feeling, and expresses the too often forgotten fact that the Church has a living though once crucified Lord. The popularity of Conder's hymns may be gathered from the fact that at the present time more of them are in common use in Great Britain and America than those of any other writer of the Congregational body, Watts and Doddridge alone excepted. [Rev. W. Garrett Horder] In addition to the hymns named above and others which are annotated under their respective first lines, the following, including two already named (4,16), are also in common use:— i. From Dr. Collyer's Hymns, &c, 1812. 1. When in the hours of lonely woe. Lent. ii. From The Star in the East, &c, 1824. 2. Be merciful, O God of grace. Ps. lxvii. 3. For ever will I bless the Lord. Ps. xxxiv. 4. How honoured, how dear. Ps. lxxxiv. 5. Now with angels round the throne. Doxology. 6. O Thou God, Who hearest prayer. Lent. Dated Sept. 1820. Usually abbreviated. iii. From The Congregational Hymn Book, 1836. 7. Blessed be God, He is not strict. Longsuffering of God. 8. Followers of Christ of every name. Communion of Saints. 9. Grant me, heavenly Lord, to feel. Zeal in Missions desired. 10. Grant, 0 Saviour, to our prayers. Collect 5th S. after Trinity. 11. Head of the Church, our risen Lord. Church Meetings. 12. Holy, holy, holy Lord, in the highest heaven, &c. Praise to the Father. 13. Jehovah's praise sublime. Praise. 14. Leave us not comfortless. Holy Communion. 15. Lord, for Thv Name's sake! such the plea. In National Danger. 16. O be joyful in the Lord. Ps. c. 17. 0 breathe upon this languid frame. Baptism of Holy Spirit desired. 18. 0 give thanks to Him Who made. Thanksgiving for Daily Mercies. 19. 0 God, Protector of the lowly. New Year. 20. 0 God, to whom the happy dead. Burial. 21. 0 God, Who didst an equal mate. Holy Matrimony. 22. 0 God, Who didst Thy will unfold. Holy Scriptures. 23. 0 God, Who dost Thy sovereign might. Prayer Meetings. 24. 0 how shall feeble flesh and blood. Salvation through Christ. 25. 0 how should those be clean who bear. Purity desired for God's Ministers. 26. 0 say not, think not in thy heart. Pressing Onward. 27. 0 Thou divine High Priest. Holy Communion. 28. 0 Thou Who givest all their food. Harvest. 29. 0 Thou Whose covenant is sure. Holy Baptism. 30. Praise on Thee, in Zion-gates. Sunday. 31. Praise the God of all creation. Doxology 32. See the ransomed millions stand. Praise to Christ. 33. The heavens declare His glory. Ps. xix. 34. Thou art the Everlasting Word. Praise to Christ. 35. Thy hands have made and fashioned me. Thanks for Daily Mercies. 36. To all Thy faithful people, Lord. For Pardon. 37. To His own world He came. Ascension. 38. To our God loud praises give. Ps. cxxxvi. 39. Upon a world of guilt and night. Purification of B.V.M. 40. Welcome, welcome, sinner, hear. Invitation to Christ. 41. Wheresoever two or three. Continued Presence of Christ desired. iv. From The Choir and the Oratory, 1837. 42. Baptised into our Saviour's death. Holy Baptism. 43. In the day of my [thy] distress. Ps. xx. 44. 0 comfort to the dreary. Christ the Comforter. v. From Leifchild's Original Hymns, 1843. 45. I am Thy workmanship, 0 Lord. God the Maker and Guardian. 46. 0 Lord, hadst Thou been here! But when. The Resurrection of Lazarus. 47. 'Tis not that I did choose Thee. Chosen of God. This is altered in the Church Praise Book, N. Y., 1882, to “Lord, 'tis not that I did choose Thee," thereby changing the metre from 7.6 to 8.5. vi. From Hymns of Praise, Prayer, &c, 1856. 48. Comrades of the heavenly calling. The Christian race. When to these 48 hymns those annotated under their respective first lines are added, Conder’s hymns in common use number about 60 in all. --John Julian, Dictionary of Hymnology (1907) =================== Conder, Josiah, p. 256, i. Other hymns are:— 1. O love beyond the reach of thought. The love of God. 2. O Thou, our Head, enthroned on high. Missions. 3. Son of David, throned in light. Divine Enlightenment desired. 4. Thou Lamb of God for sinners slain. Christ the Head of the Church. From "Substantial Truth, 0 Christ, Thou art." These hymns are all from his Hymns of Praise, &c, 1856. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)