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Scripture:Philippians 2

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Behold, the great Creator

Author: Thomas Pestel, 1585-1659 Meter: 8.6.8.6 Appears in 22 hymnals Scripture: Philippians 2:7 First Line: Behold, the great Creator makes Lyrics: 1 Behold, the great Creator makes himself a house of clay, a robe of virgin flesh he takes which he will wear for ay. 2 Hark, heal! the wise eternal Word like a weak infant cries! in form of servant is the Lord, and God in cradle lies. 3 This wonder all the world amazed, it shook the starry frame; squadrons of angels stood and gazed, then down in troops they came. 4 Glad shepherds run to view this sight; a choir of angels sings, and eastern sages with delight adore this King of kings. 5 Join then, all hearts that are not stone, and all our voices prove; to celebrate this Holy One, the God of peace and love. Topics: Christmas; Years A, B, and C Christmas Day Used With Tune: KILMARNOCK
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Beautiful Savior

Author: Joseph A. Seiss, 1823-1904 Meter: 5.5.7.5.5.8 Appears in 141 hymnals Scripture: Philippians 2:9-11 First Line: Beautiful Savior, King of Creation Lyrics: 1 Beautiful Savior, King of Creation, Son of God and Son of Man! Truly I'd love thee, truly I'd serve thee, Light of my soul, my joy, my crown. 2 Fair are the meadows, Fair are the woodlands, Robed in flow'rs of blooming spring; Jesus is fairer, Jesus is purer; He makes our sorr'wing spirit sing. 3 Fair is the sunshine, Fair is the moonlight, Bright the sparkling stars on high; Jesus shines brighter, Jesus shines purer Than all the angels in the sky. 4 Beautiful Savior, Lord of the nations, Son of God and Son of Man! Glory and honor, Praise, adoration, Now and forevermore be thine! Topics: Creation; Devotional; Love for God; Morning Prayer Hymn; Praise; Rites of the Church Exposition of the Holy Eucharist (Including Benediction); The Liturgical Year The Most Sacred Heart of Jesus Used With Tune: ST. ELIZABETH Text Sources: Münster Gesangbuch, 1677

Before the heaven and earth

Author: Brian Colin Black, b. 1926 Meter: 6.6.8.6 Appears in 3 hymnals Scripture: Philippians 2 Topics: Jesus Christ His Life and Ministry Used With Tune: NARENZA Text Sources: The Song of Christ's Glory

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BEATUS VIR

Meter: 8.8.8.8 Appears in 15 hymnals Composer and/or Arranger: Richard Hillert, 1923-2010 Scripture: Philippians 2:1-18 Tune Sources: Slovak Tune Key: D Major Incipit: 11134 32112 34176 Used With Text: Lord of All Nations, Grant Me Grace
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BEACH SPRING

Meter: 8.7.8.7 D Appears in 217 hymnals Composer and/or Arranger: Randall DeBruyn, b. 1947 Scripture: Philippians 2:5-8 Tune Sources: The Sacred Harp, 1844 Tune Key: F Major or modal Incipit: 11213 32161 16561 Used With Text: Lord, Whose Love in Humble Service

BERRY

Meter: Irregular Appears in 3 hymnals Composer and/or Arranger: Cindy Berry Scripture: Philippians 2:10-11 Tune Key: B Flat Major Incipit: 55556 55551 55434 Used With Text: At the Name of Jesus

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Beautiful Savior

Author: Joseph A. Seiss, 1823-1904 Hymnal: Glory and Praise (3rd. ed.) #696 (2015) Meter: 5.5.7.5.5.8 Scripture: Philippians 2:9-11 First Line: Beautiful Savior, King of creation Lyrics: 1 Beautiful Savior, King of Creation, Son of God and Son of Man! Truly I'd love thee, Truly I'd serve thee, Light of my soul, my joy, my crown. 2 Fair are the meadows, Fair are the woodlands, Robed in flow'rs of blooming spring; Jesus is fairer, Jesus is purer; He makes our sorr'wing spirit sing. 3 Fair is the sunshine, Fair is the moonlight, Bright the sparkling stars on high; Jesus shines brighter, Jesus shines purer Than all the angels in the sky. 4 Beautiful Savior, Lord of the nations, Son of God and Son of Man! Glory and honor, Praise, adoration, Now and forevermore be thine! Topics: Creation; Creation; Creation; Devotional; Love for God; Praise; Morning Prayer Hymn; Rites of the Church Exposition of the Holy Eucharist (Including Benediction); The Liturgical Year The Most Sacred Heart of Jesus Languages: English Tune Title: ST. ELIZABETH
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Beautiful Savior

Author: Joseph A. Seiss, 1823-1904 Hymnal: Journeysongs (3rd ed.) #841 (2012) Meter: 5.5.7.5.5.8 Scripture: Philippians 2:9-11 First Line: Beautiful Savior, King of Creation Lyrics: 1 Beautiful Savior, King of Creation, Son of God and Son of Man! Truly I'd love thee, truly I'd serve thee, Light of my soul, my joy, my crown. 2 Fair are the meadows, Fair are the woodlands, Robed in flow'rs of blooming spring; Jesus is fairer, Jesus is purer; He makes our sorr'wing spirit sing. 3 Fair is the sunshine, Fair is the moonlight, Bright the sparkling stars on high; Jesus shines brighter, Jesus shines purer Than all the angels in the sky. 4 Beautiful Savior, Lord of the nations, Son of God and Son of Man! Glory and honor, Praise, adoration, Now and forevermore be thine! Topics: Creation; Devotional; Love for God; Morning Prayer Hymn; Praise; Rites of the Church Exposition of the Holy Eucharist (Including Benediction); The Liturgical Year The Most Sacred Heart of Jesus Languages: English Tune Title: ST. ELIZABETH
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Behold, the great Creator makes

Author: Thomas Pestel, 1585-1659 Hymnal: Common Praise #46a (2000) Meter: 8.6.8.6 Scripture: Philippians 2:6-7 Lyrics: 1 Behold, the great Creator makes himself a house of clay, a robe of virgin flesh he takes which he will wear for aye. 2 Hark, hark! the wise eternal Word like a weak infant cries; in form of servant is the Lord, and God in cradle lies. 3 This wonder struck the world amazed, it shook the starry frame; squadrons of spirits stood and gazed, then down in troops they came. 4 Glad shepherds ran to view this sight; a choir of angels sings, and eastern sages with delight adore this King of kings. 5 Join then, all hearts that are not stone, and all our voices prove, to celebrate this Holy One, the God of peace and love. Topics: Christmas II Languages: English Tune Title: THIS ENDRIS NYGHT

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John L. Bell

b. 1949 Person Name: John L. Bell, 1949- Scripture: Philippians 2:9-11 Author of "God beyond glory" in Together in Song John Bell (b. 1949) was born in the Scottish town of Kilmarnock in Ayrshire, intending to be a music teacher when he felt the call to the ministry. But in frustration with his classes, he did volunteer work in a deprived neighborhood in London for a time and also served for two years as an associate pastor at the English Reformed Church in Amsterdam. After graduating he worked for five years as a youth pastor for the Church of Scotland, serving a large region that included about 500 churches. He then took a similar position with the Iona Community, and with his colleague Graham Maule, began to broaden the youth ministry to focus on renewal of the church’s worship. His approach soon turned to composing songs within the identifiable traditions of hymnody that began to address concerns missing from the current Scottish hymnal: "I discovered that seldom did our hymns represent the plight of poor people to God. There was nothing that dealt with unemployment, nothing that dealt with living in a multicultural society and feeling disenfranchised. There was nothing about child abuse…,that reflected concern for the developing world, nothing that helped see ourselves as brothers and sisters to those who are suffering from poverty or persecution." [from an interview in Reformed Worship (March 1993)] That concern not only led to writing many songs, but increasingly to introducing them internationally in many conferences, while also gathering songs from around the world. He was convener for the fourth edition of the Church of Scotland’s Church Hymnary (2005), a very different collection from the previous 1973 edition. His books, The Singing Thing and The Singing Thing Too, as well as the many collections of songs and worship resources produced by John Bell—some together with other members of the Iona Community’s “Wild Goose Resource Group,” —are available in North America from GIA Publications. Emily Brink

St. Bernard of Clairvaux

1090 - 1153 Person Name: Bernard of Clairvaux, 1091-1153 Scripture: Philippians 2:8 Author (attributed to) of "O Sacred Head, Surrounded" in Glory and Praise (3rd. ed.) Bernard of Clairvaux, saint, abbot, and doctor, fills one of the most conspicuous positions in the history of the middle ages. His father, Tecelin, or Tesselin, a knight of great bravery, was the friend and vassal of the Duke of Burgundy. Bernard was born at his father's castle on the eminence of Les Fontaines, near Dijon, in Burgundy, in 1091. He was educated at Chatillon, where he was distinguished for his studious and meditative habits. The world, it would be thought, would have had overpowering attractions for a youth who, like Bernard, had all the advantages that high birth, great personal beauty, graceful manners, and irresistible influence could give, but, strengthened in the resolve by night visions of his mother (who had died in 1105), he chose a life of asceticism, and became a monk. In company with an uncle and two of his brothers, who had been won over by his entreaties, he entered the monastery of Citeaux, the first Cistercian foundation, in 1113. Two years later he was sent forth, at the head of twelve monks, from the rapidly increasing and overcrowded abbey, to found a daughter institution, which in spite of difficulties and privations which would have daunted less determined men, they succeeded in doing, in the Valley of Wormwood, about four miles from the Abbey of La Ferté—itself an earlier swarm from the same parent hive—on the Aube. On the death of Pope Honorius II., in 1130, the Sacred College was rent by factions, one of which elected Gregory of St. Angelo, who took the title of Innocent II., while another elected Peter Leonis, under that of Anacletua II. Innocent fled to France, and the question as to whom the allegiance of the King, Louie VI., and the French bishops was due was left by them for Bernard to decide. At a council held at Etampes, Bernard gave judgment in favour of Innocent. Throwing himself into the question with all the ardour of a vehement partisan, he won over both Henry I., the English king, and Lothair, the German emperor, to support the same cause, and then, in 1133, accompanied Innocent II., who was supported by Lothair and his army, to Italy and to Rome. When Lothair withdrew, Innocent retired to Pisa, and Bernard for awhile to his abbey of Clairvaux. It was not until after the death of Anacletus, the antipope, in January, 1138, and the resignation of his successor, the cardinal-priest Gregory, Victor II., that Innocent II., who had returned to Rome with Bernard, was universally acknowledged Pope, a result to which no one had so greatly contributed as the Abbot of Clairvaux. The influence of the latter now became paramount in the Church, as was proved at the Lateran Council of 1139, the largest council ever collected together, where the decrees in every line displayed the work of his master-hand. After having devoted four years to the service of the Pope, Bernard, early in 1135, returned to Clairvaux. In 1137 he was again at Rome, impetuous and determined as ever, denouncing the election of a Cluniac instead of a Clairvaux monk to the see of Langres in France, and in high controversy in consequence with Peter, the gentle Abbot of Cluny, and the Archbishop of Lyons. The question was settled by the deposition by the Pope of the Cluniac and the elevation of a Clairvaux monk (Godfrey, a kinsman of St. Bernard) into his place. In 1143, Bernard raised an almost similar question as to the election of St. William to the see of York, which was settled much after the same fashion, the deposition, after a time, if only for a time, of William, and the intrusion of another Clairvaux monk, Henry Murdac, or Murduch, into the archiepiccopal see. Meantime between these two dates—in 1140—the condemnation of Peter Abilaid and his tenets, in which matter Bernard appeared personally as prosecutor, took place at a council held at Sens. Abelard, condemned at Sens, appealed to Rome, and, resting awhile on his way thither, at Cluny, where Peter still presided as Abbot, died there in 1142. St. Bernard was next called upon to exercise his unrivalled powers of persuasion in a very different cause. Controversy over, he preached a crusade. The summer of 1146 was spent by him in traversing France to rouse the people to engage in the second crusade; the autumn with a like object in Germany. In both countries the effect of his appearance and eloquence was marvellous, almost miraculous. The population seemed to rise en masse, and take up the cross. In 1147 the expedition started, a vast horde, of which probably not a tenth ever reached Palestine. It proved a complete failure, and a miserable remnant shared the flight of their leaders, the Emperor Conrad, and Louis, King of France, and returned home, defeated and disgraced. The blame was thrown upon Bernard, and his apology for his part in the matter is extant. He was not, however, for long to bear up against reproach; he died in the 63rd year of his age, in 1153, weary of the world and glad to be at rest. With the works of St. Bernard, the best ed. of which was pub. by Mabillon at Paris in the early part of the 18th cent. (1719), we are not concerned here, except as regards his contributions, few and far between as they are, to the stores of Latin hymnology. There has been so much doubt thrown upon the authorship of the hymns which usually go by his name,—notably by his editor, Mabillon himself,—that it is impossible to claim any of them as having been certainly written by him; but Archbishop Trench, than whom we have no greater modern authority on such a point, is satisfied that the attribution of them all, except the "Cur mundus militat," to St. Bernard is correct. "If he did not write," the Archbishop says, "it is not easy to guess who could have written them; and indeed they bear profoundly the stamp of his mind, being only inferior in beauty to his prose." The hymns by which St. Bernard is best known as a writer of sacred poetry are: (1.) "Jesu duicis memoria," a long poem on the " Name of Jesus"—known as the "Jubilus of St. Bernard," and among mediaeval writers as the " Rosy Hymn." It is, perhaps, the best specimen of what Neale describes as the "subjective loveliness " of its author's compositions. (2.) "Salve mundi Salutore," an address to the various limbs of Christ on the cross. It consists of 350 lines, 50 lines being addressed to each. (3.) "Laetabundus, exultet fidelis chorus: Alleluia." This sequence was in use all over Europe. (4.) "Cum sit omnis homo foenum." (5.) " Ut jucundas cervus undas." A poem of 68 lines, and well known, is claimed for St. Bernard by Hommey in his Supplementum Patrum, Paris, 1686, p. 165, but on what Archbishop Trench, who quotes it at length, (Sac. Lat. Poetry, p. 242,) deems " grounds entirely insufficient." (6.) " Eheu, Eheu, mundi vita," or " Heu, Heu, mala mundi vita." A poem of nearly 400 lines, is sometimes claimed for St. Bernard, but according to Trench, “on no authority whatever." (7.) “O miranda vanitas." This is included in Mabillon's ed. of St. Bernard's Works. It is also attributed to him by Rambach, vol. i. p. 279. Many other hymns and sequences are attributed to St. Bernard. Trench speaks of a " general ascription to him of any poems of merit belonging to that period whereof the authorship was uncertain." Hymns, translated from, or founded on, St. Bernard's, will be found in almost every hymnal of the day, details of which, together with many others not in common use, will be found under the foregoing Latin first lines. -John Julian, Dictionary of Hymnology (1907) See also in: Hymn Writers of the Church

The Venerable Bede

673 - 735 Person Name: Bede, 673-735 Scripture: Philippians 2:9-11 Author of "A Hymn of Glory Let Us Sing" in Lift Up Your Hearts Bede (b. circa 672-673; d. May 26, 735), also known as Saint Bede or the Venerable Bede, was an English monk at Northumbrian monastery at Monkwearmouth (now Jarrow). Sent to the monastery at the young age of seven, he became deacon very early on, and then a priest at the age of thirty. An author and scholar, he is particularly known for his Ecclesiastical History of the English People, which gained him the title “Father of English History.” He also wrote many scientific and theological works, as well as poetry and music. Bede is the only native of Great Britain to have ever been made a Doctor of the Church. He died on Ascension Day, May 26, 735, and was buried in Durham Cathedral. Laura de Jong ========================== Bede, Beda, or Baeda, the Venerable. This eminent and early scholar, grammarian, philosopher, poet, biographer, historian, and divine, was born in 673, near the place where, shortly afterwards, Benedict Biscop founded the sister monasteries of Wearmouth and Jarrow, on an estate conferred upon him by Ecgfrith, or Ecgfrid, king of Northumbria, possibly, as the Rev. S. Baring-Gould, Lives of the Saints (May), p. 399, suggests, "in the parish of Monkton, which appears to have been one of the earliest endowments of the monastery." His education was carried on at one or other of the monasteries under the care of Benedict Biscop until his death, and then of Ceolfrith, Benedict's successor, to such effect that at the early age of nineteen he was deemed worthy, for his learning and piety's sake, to be ordained deacon by St. John of Beverley, who was then bishop of Hexham, in 691 or 692. From the same prelate he received priest's orders ten years afterwards, in or about 702. The whole of his after-life he spent in study, dividing his time between the two monasteries, which were the only home he was ever to know, and in one of which (that of Jarrow) he died on May 26th, 735, and where his remains reposed until the 11th century, when they were removed to Durham, and re-interred in the same coffin as those of St. Cuthbett, where they were discovered in 1104. He was a voluminous author upon almost every subject, and as an historian his contribution to English history in the shape of his Historia Ecclesiastica is invaluable. But it is with him as a hymnist that we have to do here. I. In the list of his works, which Bede gives at the end of his Ecclesiastical History, he enumerates a Liber Hymnorum, containing hymns in “several sorts of metre or rhyme." The extant editions of this work are:— (1) Edited by Cassander, and published at Cologne, 1556; (2) in Wernsdorf's Poetae Latin Min., vol. ii. pp.239-244. II. Bede's contributions to the stores of hymnology were not large, consisting principally of 11 or at most 12 hymns; his authorship of some of these even is questioned by many good authorities. While we cannot look for the refined and mellifluous beauty of later Latin hymnists in the works of one who, like the Venerable Bede, lived in the infancy of ecclesiastical poetry; and while we must acknowledge the loss that such poetry sustains by the absence of rhyme from so many of the hymns, and the presence in some of what Dr. Neale calls such "frigid conceits" as the epanalepsis (as grammarians term it) where the first line of each stanza, as in "Hymnum canentes Martyrum," is repeated as the last; still the hymns with which we are dealing are not without their peculiar attractions. They are full of Scripture, and Bede was very fond of introducing the actual words of Scripture as part of his own composition, and often with great effect. That Bede was not free from the superstition of his time is certain, not only from his prose writings, but from such poems as his elegiac "Hymn on Virginity," written in praise and honour of Queen Etheldrida, the wife of King Ecgfrith, and inserted in his Ecclesiastical History, bk. iv., cap. xx. [Rev. Digby S. Wrangham, M.A.] -- Excerpts from John Julian, Dictionary of Hymnology (1907)