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Veni Sancte Spiritus
Author: Taizé Community Appears in 13 hymnals Scripture: Acts 2:1-11 First Line: Come, Holy Spirit from heaven shine forth Refrain First Line: Veni Sancte Spirtus Topics: Affirmation of Baptism; Holy Spirit; Light; Ministry; Pentecost Used With Tune: [Veni, Sancte Spiritus] Text Sources: Verses drawn from the Pentecost Sequence
Veni Sancte Spiritus
Veni Sancte Spiritus
Author: Taizé Community Appears in 9 hymnals Scripture: Acts 2:1-11 Topics: Pentecost; Pentecost; Confirmation; Children's Hymns; Light; Word of God Used With Tune: [Veni Sancte Spiritus] Text Sources: Verses drawn from the Pentecost Sequence
Veni Sancte Spiritus
Veni, Creator Spiritus (Creator, Spirit, Lord of Grace)
Author: Rabanus Maurus, 776-856; James Quinn, SJ, 1919-2010; Glenn CJ Byer, b. 1961 Meter: 8.8.8.8 Appears in 5 hymnals Scripture: Acts 2:1-13 First Line: Veni Creator Spiritus (Creator Spirit, Lord of grace) Topics: Holy Spirit; Musical Style Chant; Rites of the Church Confirmation; Rites of the Church Holy Orders; Rites of the Church Rite of Christian Initiation of Adults: Rites of Initiation, Confirmation; The Liturgical Year Pentecost Sunday Used With Tune: VENI CREATOR SPIRITUS Text Sources: Graduale Romanum, 1974
Veni, Creator Spiritus (Creator, Spirit, Lord of Grace)
VENI CREATOR SPIRITUS (MECHLIN)
Meter: 8.8.8.8 Appears in 148 hymnals Composer and/or Arranger: Andrew Moore Scripture: Acts 2:1-4 Tune Sources: "Proper Sarum Melody" Tune Key: b minor Incipit: 56545 65122 11561 Used With Text: Come, Holy Ghost, our souls inspire
VENI CREATOR SPIRITUS (MECHLIN)
[Veni, Sancte Spiritus]
Appears in 23 hymnals Composer and/or Arranger: Jacques Berthier, b. 1923 Scripture: Acts 2:1-11 Tune Key: c minor Incipit: 13212 66113 21633 Used With Text: Veni Sancte Spiritus
[Veni, Sancte Spiritus]
VINEYARD HAVEN
Meter: 6.6.8.6.6.6 Appears in 27 hymnals Composer and/or Arranger: Richard Dirksen, 1921-2003 Scripture: Acts 2 Tune Key: c minor or modal Incipit: 13454 33423 456 Used With Text: When God the Spirit Came
VINEYARD HAVEN
Veni Sancte Spíritus
Author: Taizé Community Hymnal: Lead Me, Guide Me (2nd ed.) #326 (2012) Scripture: Acts 2:1-11 First Line: Come, Holy Spirit, from heaven shine forth Topics: Pentecost Sunday; Confirmation Sacraments; Confirmation Sacraments; Holy Spirit; Light Languages: English; Latin Tune Title: [Come, Holy Spirit, from heaven shine forth]
Veni Sancte Spíritus
Veni Sancte Spiritus
Hymnal: Voices Together #370 (2020) Meter: Irregular Scripture: Acts 2:1-13 Lyrics: Veni Sancte Spiritus.
Translation: Come, Holy Spirit Topics: Heritage Before 1500; Invocation; Pentecost; Praying Short Prayer Responses Languages: Latin Tune Title: VENI SANCTE SPIRITUS
Veni Sancte Spiritus
Veni Sancte Spiritus
Author: Taize Community Hymnal: Gather Comprehensive #463 (1994) Scripture: Acts 2:1-11 First Line: Come, Holy Spirit, from heaven shine forth Languages: English; Latin Tune Title: [Come, Holy Spirit, from heaven shine forth]
Veni Sancte Spiritus
Ralph Vaughan Williams
1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Scripture: Acts 2:1-4 Adapter of "SUSSEX " in Complete Anglican Hymns Old and New Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
Melchior Vulpius
1570 - 1615 Scripture: Acts 2:1 Composer of "GELOBT SE! GOTT" in Trinity Hymnal (Rev. ed.) Born into a poor family named Fuchs, Melchior Vulpius (b. Wasungen, Henneberg, Germany, c. 1570; d. Weimar, Germany, 1615) had only limited educational opportunities and did not attend the university. He taught Latin in the school in Schleusingen, where he Latinized his surname, and from 1596 until his death served as a Lutheran cantor and teacher in Weimar. A distinguished composer, Vulpius wrote a St. Matthew Passion (1613), nearly two hundred motets in German and Latin, and over four hundred hymn tunes, many of which became popular in Lutheran churches, and some of which introduced the lively Italian balletto rhythms into the German hymn tunes. His music was published in Cantiones Sacrae (1602, 1604), Kirchengesangund Geistliche Lieder (1604, enlarged as Ein schon geistlich Gesanglmch, 1609), and posthumously in Cantionale Sacrum (1646).
Bert Polman
Melchior Vulpius
