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George Washington Doane

1799 - 1859 Person Name: Rt. Rev. George Washington Doane, D. D., alt. Author of "Uplift the banner! Let it float Skyward and seaward" in The Evangelical Hymnal with Tunes Doane, George Washington, D.D. Bishop Doane was born at Trenton, New Jersey, May 27, 1799, and graduated at Union College, Schenectady, New York. Ordained in 1821, he was Assistant Minister at Trinity Church, New York, till 1824. In 1824 he became a Professor at Trinity College, Hartford, Conn.; in 1828 Rector of Trinity Church, Boston; and, in 1832, Bishop of New Jersey. He founded St. Mary's Hall, Burlington, 1837, and Burlington College, Burlington, 1846. Died April 27, 1859. Bishop Doane's exceptional talents, learning, and force of character, made him one of the great prelates of his time. His warmth of heart secured devoted friends, who still cherish his memory with revering affection. He passed through many and severe troubles, which left their mark upon his later verse. He was no mean poet, and a few of his lyrics are among our best. His Works, in 4 volumes with Memoir by his son, were published in 1860. He issued in 1824 Songs by the Way, a small volume of great merit and interest. This edition is now rare. A second edition, much enlarged, appeared after his death, in 1859, and a third, in small 4to, in 1875. These include much matter of a private nature, such as he would not himself have given to the world, and by no means equal to his graver and more careful lyrics, on which alone his poetic fame must rest.The edition of 1824 contains several important hymns, some of which have often circulated without his name. Two of these are universally known as his, having been adopted by the American Prayer Book Collection, 1826:-- 1. Softly now the light of day. Evening. This, in addition to its use in American hymnals, is also found in the English Collections, including Snepp's Songs of Grace & Glory. Written in 1824. 2. Thou art the way, to Thee alone. Christ the Way. This, in the judgment of many, is the first of American hymns, and one of the most admirable and useful in the English language. In the United States its use is most extensive, and since its introduction into the English Collections by Bickersteth in 1833, Hall in his Mitre, in 1836, and others, it has grown in favour until it ranks with the most popular of the great English hymns. Near in merit to the foregoing stands a companion piece in the same work, which deserves to be better known :— 3. Lord, should we leave Thy hallowed feet. The next three have been overlooked at home, but have obtained considerable circulation in English Collections. 4. Father of mercies hear, Thy pardon we implore. Ash Wednesday or Lent. A translation of "Audi, benigne Conditor" q.v.), published in his Songs by the Way, 1824, together with several other translations, thus anticipating by twelve years the great English movement in that direction. Original translation in his Songs by the Way, 1875Miller (S. & S., p. 12) attributes this translation to Dr. Neale in error. 5. Return and come to God. Invitation. In his Songs, &c, 1824. It is found in Hall’s Mitre, 1836; the Baptist Hymnal, 1879, and several others. 6. To thee, 0 Lord, with dawning light. Morning. This hymn is attributed to Heber by Miller (S. & S. , p. 381) in error. It is included in the Society for Promoting Christian Knowledge Hymns, 1852; in Windle and others. It is from the Songs, &c, 1824. His later hymns, the dates of which are generally preserved in the last edition of his Songs by the Way, include the following, which are more or less in use :— 7. Beloved, it is well. All well in Christ. This is entitled "To my wife"; is dated Mar. 12, 1833, and was written in a copy of Dr. Bedell's "It is well." It is given in Kennedy, 1863. 8. Broken-hearted, weep no more. Assurance of Peace. The date of this hymn is not preserved. It is found as early as 1829, when it appeared in the 2nd edition of Cleland's (Baptist) Hymns. 9. Fling out the banner, let it float. Missions, Home & Foreign. This hymn, sometimes dated 1824 in error, was written at Riverside, 2nd Sunday in Advent, 1848, and is one of the author's latest effusions. It is in extensive use both in Great Britain and America. 10. He came not with His heavenly crown. The two Advents. In his Songs by the Way, edition 1875, this poem is dated Dec. 1827. In Dale's English Hymnbook, 1879, it is given with the omission of stanza iii., and in the American Protestant Episcopal Hymnal, 1871, it begins with stanza iv., "Once more, O Lord, Thy sign shall be." Full text in Lyra Sac. Amer., p. 92. 11. Lift not thou the wailing voice. Burial. A funeral hymn, adopted by the Anglican Hymnbook, but dated 1826 in error, for 1830. 12. What is that, mother? The lark, my child. This is not a hymn, but a familiar and long popular song. 13. "When darkness erst [once] at God's command. Israel in Egypt. In Kennedy, 1863, No. 722. 14. Young and happy while thou art. Youth for Christ. A favourite piece in many juvenile collections. It is dated Sept., 1827, and is given in Songs by the Way, 1875. The Lyra Sacra Americana also contains the following:— 15. Brightness of the Father's glory. Morning. A tr. of "Consors Paterni luminis " (q.v.). It is from the Songs, &c, 1824. 16. Child that kneelest meekly there. Child at Prayer. Suggested by a cast from a piece of sculpture by Greenough representing a child at prayer. 17. Grant me, Lord, Thy graces three. Faith, Hope, and Charity desired. 18. Perfect through suffering may it be. Uses of suffering. Dated in Songs by the Way, "The Breakers, June 1, 1853." 19. Yes, it is a faithful saying. Redemption. In his Songs, &c, 1824. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)

John Baptiste Calkin

1827 - 1905 Person Name: John Baptiste Calkin, (1827- ) Composer of "WALTHAM" in The Sunday School Hymnal John Baptiste Calkin United Kingdom 1827-1905. Born in London, he was reared in a musical atmosphere. Studying music under his father, and with three brothers, he became a composer, organist, and music teacher. At 19, he was appointed organist, precenter, and choirmaster at St. Columbia's College, Dublin, Ireland, 1846 to 1853. From 1853 to 1863 we was organist and choirmaster at Woburn Chapel, London. From 1863 to 1868, he was organist of Camden Road Chapel. From 1870 to 1884 he was organist at St. Thomas's Church, Camden Town. In 1883 he became professor at Guildhall School of Music and concentrated on teaching and composing. He was also a professor of music and on the council of Trinity College, London, and a member of the Philharmonic Society (1862). In 1893 he was a fellow of the College of Organists. John and wife, Victoire, had four sons, each following a musical carer. He wrote much music for organ and scored string arrangements, sonatas, duos, etc. He died at Hornsey Rise Gardens. John Perry

J. W. Elliott

1833 - 1915 Person Name: James W. Elliott Composer of "BROMPTON" in Hymni Ecclesiae J.W. Elliott was a popular composer of the Victorian period, and is best known for his nursery rhyme music and for his work on hymnals in the 1870s. He was born James William Elliott, in Warwick, England, on February 13, 1833. As a child, he sang as a chorister in the Leamington Parish Church. In those days, choristers were given lessons in all facets of church music, including organ lessons, counterpoint studies, and more in exchange for providing an extraordinary level of service to their parish church (services throughout the week, all holidays, extra services, etc.). The result is that most choristers who completed their studies received an excellent music education, and James was no exception. After starting his career as an organist and choirmaster for a countryside church, his talent became obvious. He moved to London, where he assisted Sir Arthur Sullivan (of Gilbert and Sullivan fame) in editing Church Hymns. In addition, James worked for a music publisher. His compositions include two operettas, numerous anthems, service music, works for instruments including the very popular harmonium, and most particularly for Nursery Rhymes and Nursery Songs, his children’s music score that sets many of the Nursery Rhymes to delightful music. Several of his hymn tunes are still in use today in many hymnals, most notably his hymn tune “Day of Rest.” He was heavily involved in the preparation of the musical edition of Church Hymns in 1874, the Choral Service Book of 1892, and transcriptions of hymn tunes using harmonies different than the traditional ones found in hymnals. He died in St. Marylebone, London, on February 5, 1915. --www.nursery-songs.com/

Ira David Sankey

1840 - 1908 Person Name: Ira D. Sankey Composer of "[Uplift the banner! let it float]" in Winnowed Songs for Sunday Schools Sankey, Ira David, was born in Edinburgh, Pennsylvania, in 1840, of Methodist parents. About 1856 he removed with his parents to New Castle, Pennsylvania, where he became a member of the Methodist Episcopal Church. Four years afterwards he became the Superintendent of a large Sunday School in which he commenced his career of singing sacred songs and solos. Mr. Moody met with him and heard him sing at the International Convention of the Young Men's Christian Association, at Indianapolis, and through Mr. Moody's persuasion he joined him in his work at Chicago. After some two or three years' work in Chicago, they sailed for England on June 7, 1872, and held their first meeting at York a short time afterwards, only eight persons being present. Their subsequent work in Great Britain and America is well known. Mr. Sankey's special duty was the singing of sacred songs and solos at religious gatherings, a practice which was in use in America for some time before he adopted it. His volume of Sacred Songs and Solos is a compilation from various sources, mainly American and mostly in use before. Although known as Sankey and Moody’s Songs, only one song, "Home at last, thy labour done" is by Mr. Sankey, and not one is by Mr. Moody. Mr. Sankey supplied several of the melodies. The English edition of the Sacred Songs & Solos has had an enormous sale; and the work as a whole is very popular for Home Mission services. The Songs have been translated into several languages. --John Julian, Dictionary of Hymnology (1907) Pseudonymns: Harry S. Lower Rian A. Dykes ==================== Sankey, I. D., p. 994, i. During the past fifteen years Mr. Sankey's Sacred Songs and Solos have had a very large sale, which has justified him in increasing the number of songs and hymns, including " New Hymns and Solos," to 1200. In 1906 he published My Life and Sacred Songs (London : Morgan & Scott). In addition to the "Story of his Own Life," the work contains an account of the most popular of his solos, with interesting reminiscences of the spiritual awakening of many who were influenced through his singing of them in public. In this respect it corresponds in some measure with G. J. Stevenson's Methodist Hymn Book, &c, 1883 (p. 1094, i.). It is an addition to the Sacred Songs and Solos, which will be held in esteem by many. In addition to his hymn, noted on p. 994, ii., Mr. Sankey gives details of the following:— 1. Out of the shadow-land into the sunshine. [Heaven Anticipated.] Mr. Sankey's account of this hymn is:— "I wrote this hymn specially for the memorial service held for Mr. Moody in Carnegie Hall, where 1 also sang it as a solo. It is the last sacred song of which I wrote both the words and music. The idea was suggested by Mr. Moody's last words, 'Earth recedes; heaven opens before me . . . God is calling me, and I must go.' On account of its peculiar association with my fellow-labourer in the Gospel for so many years, the words are here given in full." The hymn follows on p. 185, in 3 stanzas of 4 lines and a chorus. 2. Rejoice! Rejoice! our King is coming, [Advent.] Mr. Sankey writes concerning this hymn:— "During one of my trips to Great Britain on the SS. City of Rome a storm raged on the sea. The wind was howling through the rigging, and waves like mountains of foam were breaking over the bow of the vessel. A great fear had fallen upon the passengers. When the storm was at its worst, we all thought we might soon go to the bottom of the sea. The conviction came to me that the Lord would be with us iu the trying hour, and sitting down in the reading room, I composed this hymn. Before reaching England the tune had formed itself in my mind, and on arriving in London I wrote it out, and had it published in Sacred Songs and Solos, where it is No. 524 in the edition. of 1888. From Mr. Sankey's autobiographical sketch we gather that he was born at Edinburgh, in Western Pennsylvania, Aug. 28, 1840, joined Mr. Moody in 1871, and visited England for the first time in 1873. The original of the Sacred Songs, &c, of 23 pieces only, was offered as a gift to the London publishers of P. Phillips's Hallowed Song, and declined by them. It was subsequently accepted by Mr. K. O. Morgan, of Morgan & Scott, and is now a volume of 1200 hymns. From a return kindly sent us by Messrs. Morgan & Scott, we find that the various issues of the Sacred Songs and Solos were:— In 1873, 24 pp.; 1874, 72 pp. ; 1876, 153 hymns; 1877, 271 hymns; 1881, 441 hymns; 1888, 750 hymns; 1903, 1200 hymns. In addition, The Christian Choir, which is generally associated with the Sacred Songs and Solos, was issued in 1884 with 75 hymns, and in 1896 with 281. The New Hymns & Solos, by the same firm, were published in 1888. --John Julian, Dictionary of Hymnology, New Supplement (1907)