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Henry J. Gauntlett
1805 - 1876 Person Name: H. J. Gauntlett, Mus. Doc. Composer of "[We come, Lord, to Thy feet]" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extended the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844).
Bert Polman
Henry J. Gauntlett
C. Warwick Jordan
1840 - 1909 Person Name: C. Warwick Jordan, Mus. Doc. Composer of "[We come, Lord, to Thy feet]" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 Born: January 27, 1841, Bristol, Gloucester, England.
Died: August 30, 1909, Hayward’s Heath, Sussex, England.
Cremated: Golders Green, London, England.
Jordan began his musical career as a chorister, first at Bristol Cathedral and later at St. Paul’s Cathedral. He was educated at Oxford (BMus 1869), and received the Lambeth degree of Doctor of Music in 1886.
A champion of plainsong, he was an honorary organist of the London Gregorian Association, where he took a prominent part in the annual festivals at St. Paul’s Cathedral. He was a professor of organ and harmony at the Guildhall School of Music, and an honorary fellow, examiner and treasurer of the Royal College of Organists.
Jordan held organist positions at St. Paul’s, Bunhill Row (1857); St. Luke’s Holloway (1860); and from 1866 until his death at St. Stephen’s Church, Lewisham (where he was also choir master). His works include:
One Hundred and Fifty Harmonies (London: Novello, Ewer & Company, 1880)
--www.hymntime.com/tch
C. Warwick Jordan
Peter Abelard
1079 - 1142 Person Name: P. Abelard Composer (attributed to) of "GILDAS" in The Church Hymnal Abelard, Peter, born at Pailais, in Brittany, 1079. Designed for the military profession, he followed those of philosophy and theology. His life was one of strange chances and changes, brought about mainly through his love for Heloise, the niece of one Fulbert, a Canon of the Cathedral of Paris, and by his rationalistic views. Although a priest, he married Heloise privately. He was condemned for heresy by the Council of Soissons, 1121, and again by that of Sens, 1140; died at St. Marcel, near Chalons-sur-Saône, April 21, 1142. For a long time, although his poetry had been referred to both by himself and by Heloise, little of any moment was known except the Advent hymn, Mittit ad Virginem, (q.v.). In 1838 Greith published in his Spicihgium Vaticanum, pp. 123-131, six poems which had been discovered in the Vatican. Later on, ninety-seven hymns were found in the Royal Library at Brussels, and pub. in the complete edition of Abelard's works, by Cousin, Petri Abelardi Opp., Paris, 1849. In that work is one of his best-known hymns, Tuba Domini, Paule, maxima (q.v.). Trench in his Sacra Latina Poetry, 1864, gives his Ornarunt terram germina (one of a series of poems on the successive days' work of the Creation), from Du Meril's Poesies Popul. Lat. du Moyen Age, 1847, p. 444.
-John Julian, Dictionary of Hymnology (1907)
Peter Abelard
Anonymous
Person Name: Unknown Author of "We come, Lord, to Thy feet" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
