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All:prepare ye the way of the lord

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Texts

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Prepare ye the way of the Lord

Appears in 1 hymnal First Line: O praise ye the Lord, all his people proclaim
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Prepare Ye the Way of the Lord

Appears in 3 hymnals First Line: Make straight in the desert a highway for our God Lyrics: Refrain: Prepare ye the way of the Lord. Prepare ye the way of the Lord. 1 Make straight in the desert a highway for our ... Topics: Advent Scripture: Isaiah 40:3-9 Used With Tune: [Make straight in the desert a highway for our God]

Prepare Ye the Way of the Lord

Author: James E Moore Appears in 1 hymnal First Line: [Prepare Ye the Way of the Lord] Scripture: Isaiah 40:4 Text Sources: Lead Me Guide Me (G.I.A. Publications, 1987)

Tunes

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[Prepare ye the way of the Lord]

Appears in 1 hymnal Composer and/or Arranger: F. A. F. Incipit: 13212 17234 54565 Used With Text: Prepare Ye the Way
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PSALM 42

Meter: 8.7.8.7.7.7.8.8 Appears in 303 hymnals Composer and/or Arranger: Claude Goudimel, 1514-1572 Tune Key: F Major Incipit: 12321 76512 34321 Used With Text: Comfort, comfort ye my people

PREPARE YE THE WAY

Meter: 8.8.8.8 Appears in 1 hymnal Composer and/or Arranger: Stephen Schwartz Tune Key: B Flat Major Incipit: 32142 43132 32142 Used With Text: Prepare Ye the Way of the Lord

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Prepare Ye the Way of the Lord

Author: A. Judson Arrick Hymnal: Hymns for His Praise #22 (1906) First Line: "Prepare ye the way of the Lord" Refrain First Line: Yes, Jesus is coming again Languages: English Tune Title: ["Prepare ye the way of the Lord"]
Text

Prepare Ye the Way of the Lord

Hymnal: Voices Together #219 (2020) Meter: 8.8.8.8 Lyrics: Prepare ye the way of the Lord, prepare ye the way of the Lord. Topics: John the Baptist; Prophets Scripture: Isaiah 40:3-5 Tune Title: PREPARE YE THE WAY
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Prepare Ye the Way

Hymnal: Grateful Praise #16 (1884) First Line: Prepare ye the way of the Lord Languages: English Tune Title: [Prepare ye the way of the Lord]

People

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Authors, composers, editors, etc.

Joseph Barnby

1838 - 1896 Person Name: Joseph Barnby, 1838 - 96 Composer of "LONGWOOD" in Service Book and Hymnal of the Lutheran Church in America Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

Adoniram J. Gordon

1836 - 1895 Person Name: Adoniram Judson Gordon Composer of "GORDON" in The Cyber Hymnal Adoniram J. Gordon (b. New Hampton, NH, 1836; d. Boston, MA, 1895) was educated at Brown University, Providence, Rhode Island, and Newton Theological Seminary, Newton, Massachusetts. After being ordained in 1863, he served the Baptist Church in Jamaica Plain, Massachusetts, and the Clarendon Street Baptist Church, Boston. A close friend of Dwight L. Moody, he promoted evangelism and edited The Service of Song for Baptist Churches (1871) as well as The Vestry Hymn and Tune Book (1872). Both Gordon College and Gordon-Conwell Theological Seminary are named after Gordon. Bert Polman ================== Gordon, Adoniram Judson, D.D., born at New Hampton, N.H., Apr. 19, 1836. Graduated at Brown University, 1860; entered the Baptist ministry; Pastor of Clarendon Street Baptist Church, Boston, 1869; and died in 1895. He published The Vestry Hymn and Tune Book, 1872; and was one of the editors of the Service of Song for Baptist Churches, 1871. His hymns in common use include:— 1. O blessed Paraclete. [Holy Spirit .] Given in Sursum Corda, 1898, as having been written in 1890. 2. O Spirit's anointing, for service appointing . [Foreign Missions.] This hymn was "written in the summer of 1886, at Northfield School for Bible Study, organised by Mr. Moody. More than one hundred college students connected with this school gave themselves to the work of foreign missions during their stay at Northfield. Four of their number were chosen to visit the colleges in different parts of the country, and endeavour to awaken a deeper interest in missions during the succeeding academic year. At their request Dr. Gordon” wrote this hymn. Baptist Hymns and Hymn Writers. 3. Where art thou, soul! I hear God say. [Divine Chiding.] Published in social meeting edition of The Service of Song, 1881. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Henry A. Bruinsma

1916 - 1991 Arranger of "THIRSTING" in Trinity Hymnal (Rev. ed.) It was in Bruinsma's musical compositions that his brilliance was most displayed. “Henry’s personality was … embodied in his music: colorful, radiating charisma, magnetic in a nonverbal way,” niece Jane DeGroot said. Bruinsma displayed musical potential even before he was considered old enough to take music lessons, said his wife, Grace Hekman Bruinsma. The preschooler would eavesdrop on his older brother’s piano lessons. After the teacher left, Bruinsma would climb onto the piano bench to practice his brother’s lesson assignment. Later on, he chose to attend Ottawa Hills High School in Grand Rapids, Mich., for its music program. Following high school graduation in 1933, Bruinsma attended the University of Michigan for a degree in music. He stayed on to complete a Ph.D. in musicology, becoming the first musicologist to graduate from the University of Michigan. It was during his graduate work that Bruinsma wrote Scherzo on a Dutch Nursery Song. “He never lost his love for Dutch history or Dutch Reformed music,” Grace Bruinsma said. It was also during his time at U of M that Bruinsma began taking Grace to music concerts, and in 1939 they were married. Bruinsma began his time as a professor of music at Calvin College (1946-55). In addition to his teaching duties at the college, Bruinsma taught the first music and theology course at Calvin Seminary. He also chaired the first Conference on Liturgy of Music. However, not long after his time at Calvin, Bruinsma decided he was being called to move from teaching to education administration. Of note is his time at Ohio State University (1959-64), where he served as the director of the School of Music. He also held the position of executive committee member of the College of Education. Next, Bruinsma moved to what is now Arizona State University (1964-79), another notable mark in his education administration career. During that time, he served first as chair of the School of Music, then as founding dean of the College of Fine Arts. He is also known to have started the first religious studies program at Arizona State as part of the university’s interdisciplinary studies program. Due to the amount of time he spent in education administration, much of Bruinsma’s musical compositions were never published. After his death, Grace Bruinsma contacted Gerry Bouma of Morningside College in Sioux City, Iowa. Bouma and Henry Bruinsma had met in 1969 at a Grand Rapids Christian High School concert in Chicago. “For whatever reason, Henry and Grace treated us like we were their kids,” Bouma said. Grace asked Bouma to catalog and publish the 10,000 pages of Henry’s material. Taking a semester sabbatical, Bouma began his work. Bouma’s catalog of Bruinsma’s work can be found in the Heritage Hall Archives at the Hekman Library, Calvin College. The Archives also hosts additional works from Bruinsma’s time at Calvin. --Excerpted from Calvin Spark, Spring 2006 issue