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Texts

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He leadeth me, he leadeth me

Author: Rev. Joseph H. Gilmore Appears in 1,272 hymnals First Line: He leadeth me, O blessed thought Topics: Christ Leadership of Used With Tune: [He leadeth me, O blessed thought]
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Where he leads me I will follow

Author: Edward W. Blandly Appears in 768 hymnals First Line: Now I hear my Saviour calling Topics: Christ Leadership of Used With Tune: [Now I hear my Saviour calling] Text Sources: V. 2 and 3 anonymous
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My faith looks up to thee

Author: Ray Palmer Appears in 2,207 hymnals Topics: Christ Leadership of Used With Tune: [My faith looks up to thee]

Tunes

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[Saviour, like a shepherd lead us]

Appears in 494 hymnals Composer and/or Arranger: William B. Bradbury Incipit: 33323 45153 23465 Used With Text: Saviour, like a shepherd lead us

ANOINTING FALL ON ME

Meter: Irregular Appears in 6 hymnals Composer and/or Arranger: Donn C. Thomas; Evelyn Simpson-Curenton Tune Key: C Major Incipit: 65313 26531 32561 Used With Text: Anointing Fall on Me
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GIVING

Meter: 7.7.7.4 Appears in 24 hymnals Composer and/or Arranger: John L. Bell Tune Key: D Flat Major Incipit: 35432 12354 32156 Used With Text: Take, O Take Me as I Am

Instances

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Published text-tune combinations (hymns) from specific hymnals

Anointing Fall on Me

Author: Donn C. Thomas Hymnal: Voices Together #645 (2020) Meter: Irregular Topics: Church Leadership; Church Leadership Scripture: Exodus 30:22-33 Tune Title: ANOINTING FALL ON ME

Come to the Banquet

Author: Patricia B. Clark Hymnal: A Taste of Heaven's Joys #13 (2005) Meter: 10.10.10.10 with antiphon First Line: Come to the banquet: the table is set Refrain First Line: Come to the banquet: the table is set Topics: Servant Leadership Scripture: Matthew 20:25-28 Languages: English Tune Title: INVITATION (Thomerson)

God of Power, God of Right

Author: Wallace F. Bennett, 1898–1993 Hymnal: Hymns of the Church of Jesus Christ of Latter-day Saints #20 (1985) Meter: 7.7.7.7 Topics: Leadership Languages: English Tune Title: ELSIE

People

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Authors, composers, editors, etc.

E. W. Blandly

b. 1849 Person Name: Edward W. Blandly Author of "Where he leads me I will follow" in Alleluia Rv Ernest William Blandly (sometimes spelled Blandy) United Kingdom 1849-? He was a British minister that migrated to the USA in 1884 with his wife, Eliza. He became an officer in the Salvation Army and, in 1890, felt called to live in a Manhattan New York slum called “Hell's kitchen” with gangs and low life. He wrote several hymn lyrics. John Perry

Mary Brown

1856 - 1918 Author of "I'll go where you want me to go, dear Lord" in Alleluia From the Norwich Bulletin, Norwich, Connecticut, January 23, 1918: The death of Miss Mary M. Brown at Backus Hospital Tuesday morning saddened a host of friends and the different pupils who have had the benefit of her instruction for so many years. Miss Brown was born in Natick, R. I., May 19, 1856. She was the daughter of Lydia A. Higgins and Joseph R. C. Brown. Her common and high school education was received in Rockport, Mass. At the time there was a normal school in Norwich over twenty years ago, she took the course there and was graduated, after which she taught in the Model School in Norwich. Miss Brown has taught in the Jewett City schools for twenty years. A teacher more faithful to the interests of the scholars and school cannot be found. Her interest in the welfare of her pupils did not cease after they went out from under her care. Her everready pen in poetical compositions for occasions of various kinds was in great demand and the verses were always of a beautiful sentiment, expressed in the best of language. The words for the Christian Endeavor Consecration hymn, "I'll Go Where You Want Me to Go" known and sung wherever sacred music is used, where written by Miss Brown. Her artistic ability was developed in many lines. She was a woman unusually gifted with literary talent. Miss Brown was a member of the Baptist Church. She was one of the original ten members forming Whatsoever Circle of The King's Daughters and has served as its leader. She was a member of the Ladies' Aid Society and Mission Circle, and had been a teacher in the Sunday school. A woman faithful in many things has gone to her reward. She is survived by a sister, Mrs. Nettie Johnson of Jewett City, a brother, E. Frank Brown of Woonsocket, R. I., and niece, Miss Marion H. Johnson of Willimantic. --Submitted to Leonard Ellinwood by Lillian Cathcart, local historian of Norwich, Connecticut. DNAH Archives Excerpt from letter from Julia Bair to Leonard Ellinwood, 22 August 1977: I just talked with Mrs. Samuel Cathcart, our local historian, about Mary Brown. She did live in Jewett City in the late 1800's and wrote that hymn around 1890 as you indicated. However, someone changed one word in her original poem and had it copyrighted. She was never known as Charles Gabriel. She was a teacher here in Jewett City and I talked yesterday with one of her pupils! The music of this hymn (Mary Brown's original) was written by an officer in the Jewett City Savings Bank at that time. --DNAH Archives

John Bacchus Dykes

1823 - 1876 Person Name: Rev. John B. Dykes Composer of "[The King of love my shepherd is]" in Alleluia As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman