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Hymnal, Number:dismin

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Hymnals

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Published hymn books and other collections

Discipleship Ministries Collection

Publisher: Discipleship Ministries of the United Methodist Church

Texts

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Text authorities
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Musical Responses to the Great Thanksgiving (Amen)

Appears in 983 hymnals First Line: Amen, amen, amen, amen Topics: Communion Used With Tune: SLANE

Prayer of Great Thanksgiving for Ordinary Time, Part 1

Author: Nick Campbell Appears in 2 hymnals First Line: The Lord be with you Topics: Communion Used With Tune: ITALIAN HYMN

Come to the Light of Hope

Author: F. Richard Garland Meter: 6.6.4.6.6.6.4 Appears in 1 hymnal Topics: Advent Used With Tune: ITALIAN HYMN

Tunes

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Tune authorities
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HE LEADETH ME

Meter: 8.8.8.9 with refrain Appears in 583 hymnals Composer and/or Arranger: William B. Bradbury Tune Key: D Major Incipit: 53215 64465 33213 Used With Text: The Chief of Sinners
Audio

LLANFAIR

Appears in 232 hymnals Tune Key: G Major Incipit: 11335 43254 34321 Used With Text: Prayer of Great Thanksgiving for Easter Season
Audio

BUNESSAN

Meter: 5.5.5.4 D Appears in 261 hymnals Tune Sources: Trad. Gaelic melody Tune Key: C Major Incipit: 13512 76565 12356 Used With Text: Come With Rejoicing

Instances

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Published text-tune combinations (hymns) from specific hymnals

O Jesus, You Were Born To Be

Author: Carolyn Winfrey Gillette Hymnal: DISMIN #1 Meter: 8.8.8.8 Topics: Lent; Holy Week Languages: English Tune Title: TRURO

In our end is our beginning

Author: Andrew Pratt Hymnal: DISMIN #2 Meter: 8.7.8.7 Topics: Easter; Lent; Holy Week; Matthew; Mystery; Resurrection Languages: English Tune Title: SHREWSBURY

Mercy on Us, Lord

Author: Nickolas J. Campbell Hymnal: DISMIN #3 Meter: 8.6.8.5 with refrain First Line: Jesus, oh, so poor and lowly Refrain First Line: Mercy, mercy, mercy on us, Lord! Topics: Holy Week; Good Friday; Cross; Betrayal; Arrest; Trial; Crucifixion; Mercy Scripture: Isaiah 53 Languages: English Tune Title: PASS ME NOT

People

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Authors, composers, editors, etc.

Frederick C. Maker

1844 - 1927 Hymnal Number: 140 Composer of "REST" in Discipleship Ministries Collection Frederick C. Maker (b. Bristol, England, August 6, 1844; d. January 1, 1927) received his early musical training as a chorister at Bristol Cathedral, England. He pursued a career as organist and choirmaster—most of it spent in Methodist and Congregational churches in Bristol. His longest tenure was at Redland Park Congregational Church, where he was organist from 1882-1910. Maker also conducted the Bristol Free Church Choir Association and was a long-time visiting professor of music at Clifton College. He wrote hymn tunes, anthems, and a cantata, Moses in the Bulrushes. Bert Polman

H. W. Baker

1821 - 1877 Person Name: Henry W. Baker, 1821-1877 Hymnal Number: 120 Author of "Give Peace, O God" in Discipleship Ministries Collection Baker, Sir Henry Williams, Bart., eldest son of Admiral Sir Henry Loraine Baker, born in London, May 27, 1821, and educated at Trinity College, Cambridge, where he graduated, B.A. 1844, M.A. 1847. Taking Holy Orders in 1844, he became, in 1851, Vicar of Monkland, Herefordshire. This benefice he held to his death, on Monday, Feb. 12, 1877. He succeeded to the Baronetcy in 1851. Sir Henry's name is intimately associated with hymnody. One of his earliest compositions was the very beautiful hymn, "Oh! what if we are Christ's," which he contributed to Murray's Hymnal for the Use of the English Church, 1852. His hymns, including metrical litanies and translations, number in the revised edition of Hymns Ancient & Modern, 33 in all. These were contributed at various times to Murray's Hymnal, Hymns Ancient & Modern and the London Mission Hymn Book, 1876-7. The last contains his three latest hymns. These are not included in Hymns Ancient & Modern. Of his hymns four only are in the highest strains of jubilation, another four are bright and cheerful, and the remainder are very tender, but exceedingly plaintive, sometimes even to sadness. Even those which at first seem bright and cheerful have an undertone of plaintiveness, and leave a dreamy sadness upon the spirit of the singer. Poetical figures, far-fetched illustrations, and difficult compound words, he entirely eschewed. In his simplicity of language, smoothness of rhythm, and earnestness of utterance, he reminds one forcibly of the saintly Lyte. In common with Lyte also, if a subject presented itself to his mind with striking contrasts of lights and shadows, he almost invariably sought shelter in the shadows. The last audible words which lingered on his dying lips were the third stanza of his exquisite rendering of the 23rd Psalm, "The King of Love, my Shepherd is:"— Perverse and foolish, oft I strayed, But yet in love He sought me, And on His Shoulder gently laid, And home, rejoicing, brought me." This tender sadness, brightened by a soft calm peace, was an epitome of his poetical life. Sir Henry's labours as the Editor of Hymns Ancient & Modern were very arduous. The trial copy was distributed amongst a few friends in 1859; first ed. published 1861, and the Appendix, in 1868; the trial copy of the revised ed. was issued in 1874, and the publication followed in 1875. In addition he edited Hymns for the London Mission, 1874, and Hymns for Mission Services, n.d., c. 1876-7. He also published Daily Prayers for those who work hard; a Daily Text Book, &c. In Hymns Ancient & Modern there are also four tunes (33, 211, 254, 472) the melodies of which are by Sir Henry, and the harmonies by Dr. Monk. He died Feb. 12, 1877. --John Julian, Dictionary of Hymnology (1907)

Richard Redhead

1820 - 1901 Person Name: Richard Redhead, 1820-1901 Hymnal Number: 160 Harmonizer of "ORIENTIS PARTIBUS" in Discipleship Ministries Collection Richard Redhead (b. Harrow, Middlesex, England, 1820; d. Hellingley, Sussex, England, 1901) was a chorister at Magdalen College, Oxford. At age nineteen he was invited to become organist at Margaret Chapel (later All Saints Church), London. Greatly influencing the musical tradition of the church, he remained in that position for twenty-five years as organist and an excellent trainer of the boys' choirs. Redhead and the church's rector, Frederick Oakeley, were strongly committed to the Oxford Movement, which favored the introduction of Roman elements into Anglican worship. Together they produced the first Anglican plainsong psalter, Laudes Diurnae (1843). Redhead spent the latter part of his career as organist at St. Mary Magdalene Church in Paddington (1864-1894). Bert Polman