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Hymns of the Christian Life
Publication Date: 1929 Publisher: A. S. Barnes and Company Publication Place: New York Editors: Milton S. Littlefield
Hymns of the Christian Life
O Master, let me walk with Thee
Author: Washington Gladden Meter: 8.8.8.8 Appears in 575 hymnals Used With Tune: MARYTON
O Master, let me walk with Thee
A charge to keep I have, A God to glorify
Author: Charles Wesley, 1707-1788 Appears in 1,358 hymnals
A charge to keep I have, A God to glorify
All hail the power of Jesus' name, Let angels prostrate fall
Author: John Rippon; Edward Perronet Appears in 3,443 hymnals
All hail the power of Jesus' name, Let angels prostrate fall
A charge to keep I have, A God to glorify
Author: Charles Wesley, 1707-1788 Hymnal: HoCL1928 #d1 (1929) Languages: English
A charge to keep I have, A God to glorify
A mighty fortress is our God
Author: Frederic Henry Hedge; Martin Luther Hymnal: HoCL1928 #d2 (1929) Languages: English
A mighty fortress is our God
A parting hymn we sing Around Thy table, Lord
Author: Lowell Mason; Aaron R. Wolfe Hymnal: HoCL1928 #d3 (1929) Languages: English
A parting hymn we sing Around Thy table, Lord
Washington Gladden
1836 - 1918 Hymnal Number: d303 Author of "O Master, let me walk with Thee" in Hymns of the Christian Life Washington Gladden (1836-1918) was called to the First Congregational Church in Columbus, OH in 1882 and remained there for 32 years. In 1883-84 he was known for his success in fighting the corrupt Tweed Ring, for arbitrating the Telegraphers' Strike and the Hocking Valley Coal Strike. He attacked John D. Rockefeller, Sr. for giving $100,000 of "tainted money" to the Congregational Church's Foreign Missions program. Throughout his ministry he emphasized applying the gospel to life in America. He wrote "O Master, let me walk with thee" in 1879.
Mary Louise VanDyke
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Gladden, Washington, was born at Pottsgrove, Pennsylvania, Feb. 11, 1836; was educated at Williams College: and entered the Congregational Ministry. He was for some time editor of the New York Independent, and of the Sunday Afternoon. In the Sunday Afternoon, his hymn, "O Master, let me walk with Thee" (Walking with God), appeared in 3 stanzas of 8 lines, in March 1879. Of these stanzas i. and iii. are in Laudes Domini, 1884, and others.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
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Gladden, W., p. 1565, ii. Dr. Gladden has been Pastor of the First Congregational Church, Columbus, Ohio, since 1882. His hymn-writing has not been extensive. The most popular of his hymns is "0 Master, let me walk with Thee," noted on p. 1565, ii. It has come into somewhat extensive use during the last ten years. Additional hymns in common use include:—
1. Behold a Sower from afar. [The Kingdom of God.] In the Boston Pilgrim Hymnal, 1904, this is dated 1897.
2. Forgive, 0 Lord, the doubts that break Thy promises to me. [Doubting repented of.] Dated 1879, in The Pilgrim Hymnal, 1904.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Washington Gladden
Charles Wesley
1707 - 1788 Person Name: Charles Wesley, 1707-1788 Hymnal Number: d1 Author of "A charge to keep I have, A God to glorify" in Hymns of the Christian Life Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
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Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
John Rippon
1751 - 1836 Hymnal Number: d10 Author of "All hail the power of Jesus' name, Let angels prostrate fall" in Hymns of the Christian Life Rippon, John, D.D., was born at Tiverton, Devon, April 29, 1751, and was educated for the ministry at the Baptist College, Bristol. In 1773 he became Pastor of the Baptist church in Carter Lane, Tooley Street (afterwards removed to New Park Street), London, and over this church he continued to preside until his death, on Dec. 17, 1836. The degree of D.D. was conferred on him in 1792 by the Baptist College, Providence, Rhode Island. Dr. Rippon was one of the most popular and influential Dissenting ministers of his time. From 1790 to 1802 he issued the Baptist Annual Register, a periodical containing an account of the most important events in the history of the Baptist Denomination in Great Britain and America during that period, and very valuable now as a book of reference. But his most famous work is his Selection of hymns for public worship, which appeared in 1787. The full title of the first edition is A selection of Hymns from the best authors, intended as an Appendix to Dr. Watts's Psalms and Hymns. In 1791 he published a Selection of Psalm and Hymn Tunes from the Best Authors, adapted to Dr. Watts's Psalms and Hymns, and to his own Selection, and from that time the names of tunes were prefixed to the hymns in the successive editions of his hymn-book. In 1800 he published the 10th ed. of his Selections, containing more than sixty additional hymns.
In 1827 it was still further enlarged, and in 1844, after his death, appeared The Comprehensive Edition, commonly known as The Comprehensive Rippon, containing most of the additional hymns, with about 400 then first added, making in all upwards of 1170, in 100 metres. A rival to the Comprehensive was also afterwards published under the old title, somewhat enlarged. In the preparation of the original book, and its subsequent improvement, Dr. Rippon performed an important service to Baptist Hymnody, and also, it is said, gained for himself "an estate" through its immense sale. In the preface to the tenth edition lie claims for himself the authorship of some of the hymns, but as he refrained from affixing his name to any of the hymns it is impossible now to say with certainty which ought to be ascribed to him. There can, however, be no reasonable doubt that hymn 535, 3rd part, "The day has dawned, Jehovah comes" (q.v.), is one of his compositions. Other hymns, probably by him, are, "Amid the splendours of Thy state" (Love of God), 1800; and "There is joy in heaven, and joy on earth" (Joy over the Repenting Sinner), 1787. He also altered the texts of and made additions to several of the older hymns. Some of these altered texts are still in common use. In 1830 the additions given in the 27th ed., 1827, of Rippon's Selections were reprinted, with notes by Dr. Slater, as:—
Hymns Original and Selected; interspersed in the Twenty-seventh edition of the Selection, with Numerous Doxologies, in the Usual, the Peculiar, and in the less Common metres. By John Rippon, D.D.
A second edition of this pamphlet of 82 hymns and doxologies appeared in 1832. [Rev. W. R. Stevenson, M.A.]
--John Julian, Dictionary of Hymnology (1907)
John Rippon
