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Hymnal, Number:jw1878

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Joy to the World

Publication Date: 1879 Publisher: Hitchcock & Walden Publication Place: Cincinnati Editors: Hitchcock & Walden; T. C. O'Kane; C. C. M'Cabe; Jno. R. Sweney

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The Church

Appears in 1,333 hymnals First Line: I love thy kingdom, Lord Lyrics: 1 I love thy king, Lord, The house of thine abode-- The Church our blest Redeemer saved With his own precious blood. 2 I love thy Church, O God! Her walls before thee stand Dear as the apple of thine eye, And graven on thy hand. 3 For her my tears shall fall; For her my prayers ascend; To her my cares and toils be given, Till toils and cares shall end. 4 Sure as thy truth shall last, To Zion shall be given The brightest glories earth can yield, And brighter bliss of heaven. Used With Tune: ST. THOMAS
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Beautiful Day

Author: E. M. Bruce Appears in 18 hymnals First Line: Beautiful day, lovely thy light Refrain First Line: Beautiful, beautiful day Lyrics: 1 Beautiful day, lovely thy light; Holy each ray, nothing like night: Cloudless thy sky; peaceful my stay Here in the sunlight of beautiful day. Chorus: Beautiful, beautiful day, Evermore shine on my way, Savior, I pray, keep me alway, Safe in this beautiful day. 2 Beautiful day, calm was thy dawn; Joyous the lay, blessed the morn, When in my heart, over my way, First shone the noontide of beautiful day. [Chorus] 3 Beautiful day, perfectly bright; Jesus alway, boundless delight. Bliss all around, heav'n by the way. Shining in fullness, oh, beautiful day. [Chorus] 4 Beautiful day, haven of rest; Every one may come and be blest; Glory to God, naught can dismay; Christ is the light of this beautiful day. [Chorus] Used With Tune: [Beautiful day, lovely thy light]
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Persevere

Appears in 21 hymnals First Line: Toil on, teachers! toil on, boldly Lyrics: 1 Toil on, teachers! toil on, boldly, Labor on, and watch and pray; Men may scoff and treat you coldly; Heed them not, go on your way. Jesus is a loving master; Cease not, then, this work to do; Cleave to him still closer, faster, He will own and honor you. 2 Toil on, teachers! earnest, steady, Sowing well the seeds of truth; Always willing, cheerful, ready, Watching, praying, for your youth. Patient, firm, and persevering, Leaning on the promise sure; Prayer will surely gain a hearing, Faithful to the end endure. Used With Tune: MEMORY

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[And can it be that I should gain]

Appears in 71 hymnals Tune Key: F Major or modal Incipit: 13212 32123 55565 Used With Text: And can it Be?
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[Vain, delusive world, adieu]

Appears in 58 hymnals Composer and/or Arranger: W. H. Oakley Tune Key: B Flat Major Incipit: 15321 17655 66571 Used With Text: Only Jesus Crucified
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[Holy Spirit, faithful Guide]

Appears in 501 hymnals Composer and/or Arranger: M. M. Wells Tune Key: G Major or modal Incipit: 55113 21233 517 Used With Text: Guide

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The Lord is Come

Author: Watts Hymnal: JW1878 #1 (1879) First Line: Joy to the world! the Lord is come Lyrics: 1 Joy to the world! the Lord is come, Let earth receive her king: Let every heart prepare him room, And heaven and nature sing, And heaven and nature sing, And heaven, And heaven and nature sing. 2 Joy to the world! the Saviour reigns; Let men their songs employ; While fields and floods, rocks, hills and plains, Repeat the sounding joy. 3 No more let sin and sorrow grow, Nor thorns infest the ground; He comes to make his blessings flow, Far as the curse is found. Languages: English Tune Title: [Joy to the world! the Lord is come]
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Cleft for Me

Author: Fanny Crosby Hymnal: JW1878 #2 (1879) First Line: Mighty Rock, whose towering form Refrain First Line: Unto Thee, unto Thee Lyrics: 1 Mighty Rock, whose towering form Looks above the frowning storm: Rock amid the desert waste, To thy shadow now I haste. Refrain: Unto Thee, unto Thee, Precious Savior, now I flee; "Rock of Ages, cleft for me, Let me hide myself in Thee." 2 Of the springs that from thee burst Let me drink and quench my thirst; Weary, fainting, toil-oppressed, In thy shadow let me rest. [Refrain] 3 Mighty Rock, the pilgrim's home, Refuge from the billow's foam, Rock, by countless millions blest, In thy shadow let me rest. [Refrain] 4 When I hear the stream of death, When I feel its chilly breath, Rock, where all my hopes abide, In thy shadow let me hide. [Refrain] Languages: English Tune Title: [Mighty Rock, whose towering form]
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Go to Jesus

Author: Fanny Crosby Hymnal: JW1878 #3 (1879) First Line: Would'st thou find a friend to love thee Refrain First Line: Go, in trusting faith believing Lyrics: 1 Would'st thou find a friend to love thee More than human hearts can love, One who knows thy every trial? Such a friend thou hast above. Chorus: Go, in trusting faith believing, Cast thy burden on the Lord, He has promised to receive thee Take thy Savior at his word. 2 Would'st thou find the blessed fountain, Flowing at the cross so free? Go to Jesus; he will guide thee; Cleansed by him thy soul shall be. [Chorus] 3 Would'st thou find a friend to teach thee How thy soul by faith may live, How to reach those heights of rapture Earthly joy can never give? [Chorus] 4 Would'st thou find a friend to shield thee, When with clouds thy sky is dim? Go to Jesus; ask his mercy; Lo, he calls thee, go to him. [Chorus] Languages: English Tune Title: [Would'st thou find a friend to love thee]

People

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Authors, composers, editors, etc.

Edgar Page

1836 - 1921 Hymnal Number: 14 Author of "Beulah Land" in Joy to the World Real name Edgar Page Stites. Used Edgar Page ====================== Page, Edgar, is set forth in I. D. Sankey's Sacred Songs & Solos, 1878-81, as the author of (1) "I've reached the land of corn and wine" (Peace with God); (2) ”Simply trusting every day" (Trust in Jesus). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ===================== Page, Edgar, p. 1585, i. In his Sacred Songs, &c, Mr. Sankey attributes the hymns "I've reached the land of corn and wine," and "Simply trusting every day," to "Edgar Page," as stated on p. 1585, i.; but in his My Life and Sacred Songs, 1906, he gives both to "E. P. Stites," together with some details concerning them, but without any reference to the change in his ascription of authorship. --John Julian, Dictionary of Hymnology, New Supplement (1907)

John R. Sweney

1837 - 1899 Person Name: Jno. R. Sweney Hymnal Number: 11 Composer of "[Will you come, will you come, with your poor broken heart]" in Joy to the World John R. Sweney (1837-1899) was born in West Chester, Pennsylvania, and exhibited musical abilities at an early age. At nineteen he was studying with a German music teacher, leading a choir and glee club, and performing at children’s entertainments. By twenty-two he was teaching at a school in Dover, Delaware. Soon thereafter, he was put in charge of the band of the Third Delaware Regiment of the Union Army for the duration of the Civil War. After the war, he became Professor of Music at the Pennsylvania Military Academy, and director of Sweney’s Cornet Band. He eventually earned Bachelor and Doctor of Music degrees at the Academy. Sweney began composing church music in 1871 and became well-known as a leader of large congregations. His appreciators stated “Sweney knows how to make a congregation sing” and “He had great power in arousing multitudes.” He also became director of music for a large Sunday school at the Bethany Presbyterian Church in Philadelphia of which John Wanamaker was superintendent (Wanamaker was the founder of the first major department store in Philadelphia). In addition to his prolific output of hymn melodies and other compositions, Sweney edited or co-edited about sixty song collections, many in collaboration with William J. Kirkpatrick. Sweney died on April 10, 1899, and his memorial was widely attended and included a eulogy by Wanamaker. Joe Hickerson from "Joe's Jottings #9" used by permission

Charles Wesley

1707 - 1788 Person Name: Wesley Hymnal Number: 121 Author of "Only Jesus Crucified" in Joy to the World Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.