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Hymnal, Number:la1997

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Hymnals

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Published hymn books and other collections
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Love + Anger

Publication Date: 1997 Publisher: GIA Publications, Inc. Publication Place: Chicago Editors: John L. Bell; Graham Maule

Texts

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Text authorities

How can we stand together?

Appears in 1 hymnal First Line: How can we stand together if we don't agree to meet? Used With Tune: EDWIN

Goodness is stronger than evil

Author: Desmond Tutu Appears in 15 hymnals Used With Tune: GOODNESS IS STRONGER

Inspired by love and anger

Appears in 9 hymnals First Line: Inspired by love and anger, disturbed by need and pain Used With Tune: SALLEY GARDENS

Tunes

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Tune authorities

[Unzima lomthwala]

Appears in 1 hymnal Composer and/or Arranger: JLB Tune Sources: South African traditional Tune Key: F Major or modal Incipit: 53555 45254 43313 Used With Text: Our burden is heavy (Unzima)
FlexScore

[Oh when the world is silent]

Appears in 22 hymnals Composer and/or Arranger: JLB Tune Sources: African American spiritual Tune Key: f sharp minor Incipit: 11131 13322 11112 Used With Text: Over my head

EDWIN

Appears in 1 hymnal Composer and/or Arranger: JLB Tune Sources: English trad. Tune Key: a minor or modal Incipit: 51324 31715 45715 Used With Text: How can we stand together?

Instances

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Published text-tune combinations (hymns) from specific hymnals

Sing out gladly (Munezero)

Author: Leonidas Ntibimenya Hymnal: LA1997 #12 (1997) First Line: Munezero! Munezero! (Sing out gladly! Sing out gladly!) Refrain First Line: Munezero! (Sing out gladly!) Languages: English; Rwandan Tune Title: [Munezero! Munezero]

The love of God comes close

Hymnal: LA1997 #14 (1997) Languages: English Tune Title: MELANIE

Amen, amen, it shall be so!

Hymnal: LA1997 #18 (1997) First Line: Blest are the poor in spirit Scripture: Matthew 5 Languages: English Tune Title: AMEN, AMEN

People

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Authors, composers, editors, etc.

Graham Maule

1958 - 2019 Editor of "" in Love + Anger

John L. Bell

b. 1949 Person Name: JLB Hymnal Number: 70 Arranger of "[Oh when the world is silent]" in Love + Anger John Bell (b. 1949) was born in the Scottish town of Kilmarnock in Ayrshire, intending to be a music teacher when he felt the call to the ministry. But in frustration with his classes, he did volunteer work in a deprived neighborhood in London for a time and also served for two years as an associate pastor at the English Reformed Church in Amsterdam. After graduating he worked for five years as a youth pastor for the Church of Scotland, serving a large region that included about 500 churches. He then took a similar position with the Iona Community, and with his colleague Graham Maule, began to broaden the youth ministry to focus on renewal of the church’s worship. His approach soon turned to composing songs within the identifiable traditions of hymnody that began to address concerns missing from the current Scottish hymnal: "I discovered that seldom did our hymns represent the plight of poor people to God. There was nothing that dealt with unemployment, nothing that dealt with living in a multicultural society and feeling disenfranchised. There was nothing about child abuse…,that reflected concern for the developing world, nothing that helped see ourselves as brothers and sisters to those who are suffering from poverty or persecution." [from an interview in Reformed Worship (March 1993)] That concern not only led to writing many songs, but increasingly to introducing them internationally in many conferences, while also gathering songs from around the world. He was convener for the fourth edition of the Church of Scotland’s Church Hymnary (2005), a very different collection from the previous 1973 edition. His books, The Singing Thing and The Singing Thing Too, as well as the many collections of songs and worship resources produced by John Bell—some together with other members of the Iona Community’s “Wild Goose Resource Group,” —are available in North America from GIA Publications. Emily Brink

Anonymous

Hymnal Number: 58 Author of "God bless to us our bread (Bendice, Señor, nuestro pan)" in Love + Anger In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.