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Meter:8.6.8.6.8.8.6

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Thank God That Towards Eternity

Author: August H. Francke; Catherine Winkworth, 1827-1878 Meter: 8.6.8.6.8.8.6 Appears in 3 hymnals Lyrics: 1 Thank God that towards eternity Another step is won! Oh, longing turns my heart to Thee As time flows slowly on, Thou Fountain whence my life is born, Whence those rich streams of grace are drawn That through my being run! 2 I count the hours, the days, the years, That stretch in tedious line, Until, O Life, that hour appears, When, at Thy touch divine, Whate’er is mortal now in me Shall be consumed for aye in Thee, And deathless life be mine. 3 So glows Thy love within this frame, That, touched with keenest fire, My whole soul kindles in the flame Of one intense desire, To be in Thee, and Thou in me, And e’en while yet on earth to be Still pressing closer, nigher! 4 Oh that I soon might Thee behold! I count the moments o’er; Ah come, ere yet my heart grows cold And cannot call Thee more! Come in Thy glory, for Thy bride Hath girt her for the holy-tide, And waiteth at the door. 5 And since Thy Spirit sheds abroad The oil of grace in me, And Thou art inly near me, Lord, And I am lost in Thee, So shines in me the living Light, And steadfast burns my lamp and bright, To greet Thee joyously. 6 Come! is the voice, then, of Thy bride, She loudly prays Thee come! With faithful heart she long hath cried, Come quickly, Jesus, come! Come, O my Bridegroom, Lamb of God, Thou knowest I am Thine, my Lord; Come down and take me home. 7 Yet be the hour that none can tell Left wholly to Thy choice, Although I know Thou lov’st it well, That I with heart and voice Should bid Thee come, and from this day Care but to meet Thee on Thy way, And at Thy sight rejoice! 8 I joy that from Thy love divine No power can part me now, That I may dare to call Thee mine, My friend, my Lord, avow, That I, O Prince of Life, shall be Made wholly one in Heav’n with Thee, My portion, Lord, art Thou! 9 And therefore do my thanks o’erflow, That one more year is gone, And of this time, so poor, so slow, Another step is won; And, with a heart that may not wait, Toward yonder distant golden gate I journey gladly on. 10 And when the wearied hands grow weak, And wearied knees give way, To sinking faith, oh quickly speak, And make Thine arm my stay; That so my heart drink in new strength, And I speed on, nor feel the length Nor steepness of the way. 11 Then on, my soul, with fearless faith, Let nought thy terror move; Nor aught that earthly pleasure saith E’er tempt thy steps to rove; If slow thy course seem o’er the waste, Mount upwards with the eagles’ haste, On wings of tireless love. 12 O Jesus, all my soul hath flown Already up to Thee, For Thou, in whom is love alone, Hast wholly conquered me. Farewell ye phantoms, day and year, Eternity is round me here, Since, Lord, I live in Thee. Used With Tune: GOMA Text Sources: Schrifftmässige Anweisung Rcht und Gott Wlgefällig zu Beten (Halle, Germany, 1695); Tr.: Lyra Germanica, second series (London: Longman, Brown, Green, Longmans & Roberts,1858)

You Weary Pilgrims Roaming Here

Author: Compiler Meter: 8.6.8.6.8.8.6 Appears in 1 hymnal Topics: Book Four: Occasional Selections, Gospel Songs and Hymns; The Church Pilgrimage and Perseverance Scripture: 1 Thessalonians 1:10 Used With Tune: WEARY PILGRIMS Text Sources: Hymn of the Old Order River Brethren
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In Heaven Above, In Heaven Above

Author: Wm. Maccall; Johan Astrom Meter: 8.6.8.6.8.8.6 Appears in 36 hymnals First Line: In heav'n above, in heav'n above Lyrics: 1 In heav’n above, in heav’n above, Where God our Father dwells: How boundless there the blessedness! No tongue its greatness tells: There face to face, and full and free, We evermore our God shall see, Our God, the Lord of hosts! 2 In heav’n above, in heav’n above, What glory wondrous bright! The splendor of the noonday sun Grows pale before its light: The mighty sun that ne’er goes down, Athwart whose beams clouds never frown, Is God, the Lord of hosts. 3 In heav’n above, in heav’n above, No tears of pain are shed; There nothing e'er shall fade or die; Life’s fullness round is spread. There, like an ocean, joy o’erflows, And with immortal mercy glows Our God, the Lord of hosts. 4 In heav’n above, in heav’n above, God hath a joy prepared, Which mortal ear hath never heard Nor mortal vision shared, Which never entered mortal breast, By mortal lips was ne'er expressed, O God, the Lord of hosts! Topics: The Christian Life Heaven Used With Tune: CELESTE

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I HIMMELEN

Meter: 8.6.8.6.8.8.6 Appears in 15 hymnals Tune Sources: Traditional Norse melody Tune Key: A Flat Major Incipit: 51357 21654 31321 Used With Text: In Heaven Above
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GOMA

Meter: 8.6.8.6.8.8.6 Appears in 173 hymnals Composer and/or Arranger: Lowell Mason ; Richard W. Adams Tune Key: B Flat Major Incipit: 51113 25555 34235 Used With Text: Thank God That Towards Eternity

WEARY PILGRIMS

Meter: 8.6.8.6.8.8.6 Appears in 1 hymnal Tune Sources: Hymn tune of the Old Order River Brethren Tune Key: A Flat Major Incipit: 51116 67771 2

Instances

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Published text-tune combinations (hymns) from specific hymnals

Another year hath fled; renew

Hymnal: A Church of England Hymn Book #123 (1880) Meter: 8.6.8.6.8.8.6 Languages: English
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In heaven above, in heaven above

Author: William Maccall, 1812 - 88; Johan Astrom, 1767 - 1844; Laurentius Laurentii Laurinus, 1573 - 1655 Hymnal: Service Book and Hymnal of the Lutheran Church in America #146a (1958) Meter: 8.6.8.6.8.8.6 Lyrics: 1 In heaven above, in heaven above, Where God our Father dwells, How boundless there the blessedness! No tongue its greatness tells; There face to face, and full and free, Ever and evermore we see-- We see the Lord of hosts! 2 In heaven above, in heaven above, What glory deep and bright! The splendor of the noonday sun Grows pale before its light; That mighty Sun that ne'er goes down, Before whose face clouds never frown, Is God the Lord of hosts. 3 In heaven above, in heaven above, No tears of pain are shed; For nothing e'er shall fade or die; Life’s fullness round is spread, And, like an ocean, joy o’erflows, And with immortal mercy glows Our God the Lord of hosts. 4 In heaven above, in heaven above, God hath a joy prepared, Which mortal ear hath never heard, Nor mortal vision shared, Which never entered mortal breast, By mortal lips was ne'er expressed, 'Tis God, the Lord of Hosts! Topics: The Church Year Saints' Days - Minor Festivals; The Life In Christ Comfort and Rest; The Life In Christ Life Everlasting Languages: English Tune Title: LAURINUS
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In heaven above, in heaven above

Author: William Maccall, 1812 - 88; Johan Astrom, 1767 - 1844; Laurentius Laurentii Laurinus, 1573 - 1655 Hymnal: Service Book and Hymnal of the Lutheran Church in America #146b (1958) Meter: 8.6.8.6.8.8.6 Lyrics: 1 In heaven above, in heaven above, Where God our Father dwells, How boundless there the blessedness! No tongue its greatness tells; There face to face, and full and free, Ever and evermore we see-- We see the Lord of hosts! 2 In heaven above, in heaven above, What glory deep and bright! The splendor of the noonday sun Grows pale before its light; That mighty Sun that ne'er goes down, Before whose face clouds never frown, Is God the Lord of hosts. 3 In heaven above, in heaven above, No tears of pain are shed; There nothing e'er shall fade or die; Life’s fullness round is spread, And, like an ocean, joy o’erflows, And with immortal mercy glows Our God the Lord of hosts. 4 In heaven above, in heaven above, God hath a joy prepared, Which mortal ear hath never heard, Nor mortal vision shared, Which never entered mortal breast, By mortal lips was ne'er expressed, 'Tis God, the Lord of hosts! Topics: The Church Year Saints' Days - Minor Festivals; The Life In Christ Comfort and Rest; The Life In Christ Life Everlasting Languages: English Tune Title: HAUGE

People

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Authors, composers, editors, etc.

John J. Overholt

1918 - 2000 Person Name: Compiler Meter: 8.6.8.6.8.8.6 Alterer of "You Weary Pilgrims Roaming Here" in The Christian Hymnary. Bks. 1-4 John J. Overholt was born to an Amish family of limited means in the state of Ohio in 1918. As a child he was soon introduced to his father's personal collection of gospel songs and hymns, which was to have a marked influence on his later life. With his twin brother Joe, he early was exposed to the Amish-Mennonite tradition hymn-singing and praising worship. An early career in Christian service led to a two-year period of relief work in the country of Poland following World War II. During that interim he began to gather many European songs and hymns as a personal hobby, not realizing that these selections would become invaluable to The Christian Hymnary which was begun in 1960 and completed twelve years later in 1972, with a compilation of 1000 songs, hymns and chorales. (The largest Menn. hymnal). A second hymnal was begun simultaneously in the German language entitled Erweckungs Lieder Nr.1 which was brought to completion in 1986. This hymnal has a total of 200 selections with a small addendum of English hymns. Mr. Overholt married in 1965 to an accomplished soprano Vera Marie Sommers, who was not to be outdone by her husband's creativity and compiled a hymnal of 156 selections entitled Be Glad and Sing, directed to children and youth and first printed in 1986. During this later career of hymn publishing, Mr. Overholt also found time for Gospel team work throughout Europe. At this writing he is preparing for a 5th consecutive tour which he arranges and guides. The countries visited will be Belgium, Switzerland, France, Germany, Poland, USSR and Romania. Mr. Overholt was called to the Christian ministry in 1957 and resides at Sarasota, Florida where he is co-minister of a Beachy Amish-Mennonite Church. Five children were born to this family and all enjoy worship in song. --Letter from Hannah Joanna Overholt to Mary Louise VanDyke, 10 October 1990, DNAH Archives. Photo enclosed.

Laurentius Laurenti

1660 - 1722 Person Name: Laurentius L. Laurenti Meter: 8.6.8.6.8.8.6 Author of "In Heav'n Above" in The Cyber Hymnal Laurenti, Laurentius, son of Herr Lorenz, or Laurenti, a burgess of Husum, in Schleswig, was born at Husum, June 8, 1660. He entered the University of Rostock in 1681, and after a year and a half spent there, went to Kiel to study music. In 1684 he was appointed cantor and director of the music at the cathedral church at Bremen. He died at Bremen, May 29, 1722 (Koch, iv. 281; Rotermund's continuation of Jöcher's Gelehrten-Lexicon, iii. 1405, &c). Laurenti was one of the best hymn-writers of the Pietistic school. His hymns are founded on the Gospels for Sundays and Festivals, and they draw out the bearing on the Christian life of the leading thoughts therein contained. They are of noble simplicity; are Scriptural, fervent, and often of genuine poetical worth. In Freylinghausen's Gesang-Buch, 1704 and 1714, no less than 34 are included, and many of these, with others by him, are still in extensive German use. They appeared in his:— Evangelia Melodica, das ist: Geistliche Lieder,und Lobgesange, nach den Sinn der ordentlichen Sonn-und Festages Evangelien, &c. Bremen, 1700 [Royal Library, Berlin], with 148 hymns on the Gospels, and two others. Of his hymns those which have passed into English are:—— i. Du wesentliches Wort. Christmas. Founded on St. John i. 1-12. In his Evangelia Melodica, 1700, p. 30, in 8 stanzas of 8 lines, entitled, "For the Third Day of Christmas." Included in Freylinghausen's Gesang-Buch, 1704, No. 20; and, recently, as No. 83, in the Berlin Geistliche Lieder, 1863. The translations in common use are:— 1. 0 Thou essential Word, Who from. A good translation, omitting st. iii., v., by Miss Winkworth, in her Lyra Germanica, first Ser., 1855, p. 15 (2nd edition, 1856, considerably altered); and repeated, abridged, in Flett's Collection, Paisley, 1871. Varying centos, beginning with st. i., 1. 5, altered to "O Saviour of our race," are found in America, as in Boardman's Selections, Philadelphia, 1861; the Pennsylvania Lutheran Church Book, 1868; and the Dutch Ref. Hymns of the Church, 1869. 2. 0 Thou essential Word, Who wast. By Miss Winkworth, in her Chorale Book for England, 1863, No. 54. This is her 1856 version (as above) rewritten to the original metre. Repeated, in full, in Dr. Thomas's Augustine Hymn Book, 1866, and the Ohio Lutheran Hymnal, 1880; and, abridged, in the English Presbyterian Psalms & Hymns, 1867, and Laudes Domini, N. Y., 1884. ii. Ermuntert euch, ihr Frommen. Second Advent. This is his finest hymn. In his Evangelia Melodica, 1700, p. 353, in 10 stanzas of 8 lines, entitled, "For the 27th Sunday after Trinity." It is founded on St. Matt. xxv. 1-13; and unites the imagery of the parable of the Ten Virgins with that of Rev. xx., xxi. Included, as No. 578, in Freylinghausen's Gesang-Buch, 1704; and, recently, as No. 1519, in the Berlin Geistliche Lieder, ed. 1863. The translation in common use is:— Rejoice, all ye believers. By Mrs. Findlater, in Hymns from the Land of Luther, 1st Ser., 1854, p. 61 (1884, p. 62), a good translation of st. i.-iii., vii., viii., x. In full, but altered to the original metre, in Schaff’s Christ in Song, 1869 and 1870. This version is found in a large number of English and American hymnals, under the following forms:— (1) Rejoice, all ye believers (st. i.). Varying centos are found in Mercer, 1864, Hymnal Companion, 1876, &c.; and in America in Hatfield's Church Hymn Book, 1872, Evangelical Hymnal, N. Y., 1880, and others. (2)

Lowell Mason

1792 - 1872 Person Name: Lowell Mason Meter: 8.6.8.6.8.8.6 Composer of "GOMA" in The Cyber Hymnal Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man. Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit. The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank. In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious. Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them." The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging. Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage. Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals. As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 1869. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced. Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College. --Hall, J. H. (c1914). Biography of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.

Hymnals

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Published hymn books and other collections

Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Meter: 8.6.8.6.8.8.6