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We Give You But Your Own
Author: William Walsham How Meter: 6.6.8.6 Appears in 491 hymnals Scripture: 1 Peter 4:10 Lyrics: 1 We give you but your own
in any gifts we bring:
all that we have is yours alone,
a trust from you, our King.
2 May we your bounties thus
as stewards true receive,
and gladly, Lord, as you bless us,
to you our firstfruits give.
3 To comfort and to bless,
to find a balm for woe,
to tend those lost in loneliness
is angels' work below.
4 The captive to release,
the lost to God to bring,
to teach the way of life and peace
it is a Christlike thing.
5 And we believe your Word,
though dim our faith may be.
Whate'er we do for you, O Lord,
we do it gratefully.
Topics: Comfort & Encouragement; Commitment & Dedication; King, God/Christ as; Dedication and Offering; Comfort & Encouragement; Commitment & Dedication; Justice; Ministry & Service; Offering; Stewardship Used With Tune: SCHUMANN
We Give You But Your Own
Son of God, eternal Saviour
Author: Somerset Corry Lowry (1855-1932) Meter: 8.7.8.7 D Appears in 63 hymnals Scripture: 1 Peter 4:10 Lyrics: 1 Son of God, eternal Saviour,
source of life and truth and grace,
Son of Man, whose birth incarnate
hallows all our human race;
great High Priest who, throned in glory,
for your own will ever plead,
fill us with your love and pity,
heal our wrongs, and help our need.
2 Lord, as you have lived for others,
so may we for others live;
freely have your gifts been granted,
freely may your servants give.
Yours the gold and yours the silver,
yours the wealth of sea and land,
we but stewards of your bounty
held in trust at your command.
3 Come, Lord Jesus, reign among us,
King of Love, and Prince of Peace;
hush the storm of strife and passion,
bid its cruel discords cease.
Yours the prayer, and yours the purpose,
that your people should be one:
grant from heaven, our hope’s fruition:
here on earth your will be done. Topics: Jesus Christ Mediator; Jesus Christ Son of Man; Life in Christ Christ Risen - Reign and Priesthood; Stewardship; Unity of Humanity Used With Tune: BLAENWERN
Son of God, eternal Saviour
Soldiers of Christ, Arise
Author: Charles Wesley Meter: 6.6.8.6 D Appears in 900 hymnals Scripture: 1 Peter 4:1 First Line: Soldiers of Christ arise Lyrics: 1 Soldiers of Christ, arise
and put your armor on,
strong in the strength that God supplies
through his eternal Son;
strong in the Lord of hosts,
and in his mighty power,
who in the strength of Jesus trusts
is more than conqueror.
2 Stand, then, in his great might,
with all his strength endued,
and take, to arm you for the fight,
the weapons of our God;
from strength to strength go on,
wrestle and fight and pray;
tread all the powers of darkness down
and win the well-fought day.
3 Leave no unguarded place,
no weakness of the soul;
take every virtue, every grace,
and fortify the whole;
till, having all things done,
and all your conflicts past,
you overcome through Christ alone
and stand complete at last.
Topics: Conflict, Spirtual; Demons; Church Final Victory; Spiritual Conflict; Demons; Descants Used With Tune: DIADEMATA
Soldiers of Christ, Arise
ST. MAGNUS
Meter: 8.6.8.6 Appears in 307 hymnals Composer and/or Arranger: Jeremiah Clarke, c. 1674-1707 Scripture: 1 Peter 4:16 Tune Sources: The Lutheran Hymnal, 1941 (Setting) Tune Key: G Major Incipit: 51275 12323 13452 Used With Text: The Head That Once Was Crowned with Thorns
ST. MAGNUS
FOUNDATION
Meter: 11.11.11.11 Appears in 440 hymnals Scripture: 1 Peter 4:12 Tune Sources: Traditional American melody; Funk's Genuine Church Music, 1832 Tune Key: G Major Incipit: 56161 51131 35561 Used With Text: How Firm a Foundation
FOUNDATION
How Firm a Foundation (Cuán firme cimiento)
Author: Vicente Mendoza, 1875-1955 Hymnal: Santo, Santo, Santo #291 (2019) Meter: 11.11.11.11 Scripture: 1 Peter 4:12 First Line: How firm a foundation, ye saints of the Lord (Cuán firme cimiento se ha dado a la fe) Lyrics: 1 How firm a foundation, ye saints of the Lord,
Is laid for your faith in God's excellent Word!
What more can be said than to you God hath said,
To you who for refuge to Jesus have fled?
2 "Fear not, I am with thee, O be not dismayed,
For I am thy God, and will still give thee aid;
I'll strengthen thee, help thee, and cause thee to stand,
Upheld by my righteous, omnipotent hand.
3 "When through the deep waters I call thee to go,
The rivers of sorrow shall not overflow;
For I will be near thee, thy troubles to bless,
And sanctify to thee thy deepest distress.
4 "The soul that on Jesus hath leaned for repose,
I will not, I will not desert to its foes;
That soul, though all hell should endeavor to shake,
I'll never, no never, no never forsake!"
---
1 ¡Cuán firme cimiento se ha dado a la fe,
de Dios en su eterna Palabra de amor!
¿Qué más él pudiera en su libro añadir
si todo a sus fieles lo ha dicho el Señor?
2 "No temas por nada, contigo estoy;
tu Dios yo soy solo, tu ayuda seré.
Tu fuerza y firmeza en mi diestra estarán,
y en ella sostén y poder te daré.
3 "No habrán de anegarte las ondas del mar,
si en aguas profundas te ordeno salir.
Pues siempre contigo en angustia estaré,
y todas tus penas podré bendecir.
4 "Al alma que anhele la paz que hay en mí,
jamás en sus luchas la habré de dejar.
Si todo el infierno la quiere perder,
¡yo nunca, no, nunca la puedo olvidar!" Topics: Dificultades; Trouble; Dios Protección y Refugio; God Protection and Refuge; Palabra de Dios; Word of God; Providence; Providencia; Victory; Victoria Languages: English; Spanish Tune Title: FOUNDATION
How Firm a Foundation (Cuán firme cimiento)
How Firm a Foundation
Hymnal: Worship and Rejoice #411 (2003) Meter: 11.11.11.11 Scripture: 1 Peter 4:12 First Line: How firm a foundation, you saints of the Lord Lyrics: 1 How firm a foundation, you saints of the Lord,
is laid for your faith in his excellent Word!
What more can he say than to you he has said,
to you who for refuge to Jesus have fled?
2 "Fear not, I am with you, O be not dismayed,
for I am your God, and will still give you aid;
I'll strengthen you, help you, and cause you to stand,
upheld by my righteous, omnipotent hand.
3 "When through the deep waters I call you to go,
the rivers of sorrow shall not overflow;
for I will be with you in trouble to bless,
and sanctify to you your deepest distress.
4 "When through fiery trials your pathway shall lie,
my grace, all sufficient, shall be your supply;
the flame shall not hurt you, I only design
your dross to consume, and your gold to refine.
5 "The soul that on Jesus still leans for repose,
I will not, I will not desert to its foes;
that soul, though all hell should endeavor to shake,
I'll never, no, never, no, never forsake!" Topics: Promise & Hope Languages: English Tune Title: FOUNDATION
How Firm a Foundation
How Firm a Foundation
Author: "K" Hymnal: Glory to God #463 (2013) Meter: 11.11.11.11 Scripture: 1 Peter 4:12 First Line: How firm a foundation, ye saints of the Lord Lyrics: 1 How firm a foundation, ye saints of the Lord,
is laid for your faith in God's excellent Word!
What more can be said than to you God hath said,
to you who for refuge to Jesus have fled?
2 "Fear not, I am with thee, O be not dismayed,
for I am thy God, and will still give thee aid;
I'll strengthen thee, help thee, and cause thee to stand,
upheld by my righteous, omnipotent hand.
3 "When through the deep waters I call thee to go,
the rivers of sorrow shall not overflow;
for I will be near thee, thy troubles to bless,
and sanctify to thee thy deepest distress.
4 "When through fiery trials thy pathway shall lie,
my grace, all sufficient, shall be thy supply;
the flame shall not hurt thee; I only design
thy dross to consume, and thy gold to refine.
5 "The soul that on Jesus hath leaned for repose,
I will not, I will not desert to its foes;
that soul, though all hell should endeavor to shake,
I'll never, no, never, no, never forsake."
Topics: Assurance; Comfort; Community in Christ; Faith; Grace; Scripture; The Word; Trusting in the Promises of God Languages: English Tune Title: FOUNDATION
How Firm a Foundation
Charles Wesley
1707 - 1788 Scripture: 1 Peter 4:1 Author of "Soldiers of Christ, Arise" in The Worshiping Church Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
==================
Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
William Walsham How
1823 - 1897 Scripture: 1 Peter 4:10 Author of "We Give You But Your Own" in Psalter Hymnal (Gray) William W. How (b. Shrewsbury, Shropshire, England, 1823; d. Leenane, County Mayo, Ireland, 1897) studied at Wadham College, Oxford, and Durham University and was ordained in the Church of England in 1847. He served various congregations and became Suffragan Bishop in east London in 1879 and Bishop of Wakefield in 1888. Called both the "poor man's bishop" and "the children's bishop," How was known for his work among the destitute in the London slums and among the factory workers in west Yorkshire. He wrote a number of theological works about controversies surrounding the Oxford Movement and attempted to reconcile biblical creation with the theory of evolution. He was joint editor of Psalms and Hymns (1854) and Church Hymns (1871). While rector in Whittington, How wrote some sixty hymns, including many for children. His collected Poems and Hymns were published in 1886.
Bert Polman
===============
How, William Walsham, D.D., son of William Wybergh How, Solicitor, Shrewsbury, was born Dec. 13, 1823, at Shrewsbury, and educated at Shrewsbury School and Wadham College, Oxford (B.A. 1845). Taking Holy Orders in 1846, he became successively Curate of St. George's, Kidderminster, 1846; and of Holy Cross, Shrewsbury, 1848. In 1851 he was preferred to the Rectory of Whittington, Diocese of St. Asaph, becoming Rural Dean in 1853, and Hon. Canon of the Cathedral in 1860. In 1879 he was appointed Rector of St. Andrew's Undershaft, London, and was consecrated Suffragan Bishop for East London, under the title of the Bishop of Bedford, and in 1888 Bishop of Wakefield. Bishop How is the author of the Society for Promoting Christian Knowledge Commentary on the Four Gospels; Plain Words , Four Series; Plain Words for Children; Pastor in Parochia; Lectures on Pastoral Work; Three All Saints Summers, and Other Poems , and numerous Sermons , &c. In 1854 was published Psalms and Hymns, Compiled by the Rev. Thomas Baker Morrell, M.A., . . . and the Rev. William Walsham How, M.A. This was republished in an enlarged form in 1864, and to it was added a Supplement in 1867. To this collection Bishop How contributed several hymns, and also to the S. P. C. K. Church Hymns , of which he was joint editor, in 1871. The Bishop's hymns in common use amount in all to nearly sixty.
Combining pure rhythm with great directness and simplicity, Bishop How's compositions arrest attention more through a comprehensive grasp of the subject and the unexpected light thrown upon and warmth infused into facia and details usually shunned by the poet, than through glowing imagery and impassioned rhetoric. He has painted lovely images woven with tender thoughts, but these are few, and found in his least appreciated work. Those compositions which have laid the firmest hold upon the Church, are simple, unadorned, but enthusiastically practical hymns, the most popular of which, "O Jesu, Thou art standing"; "For all the Saints who from their labours rest," and "We give Thee but Thine own," have attained to a foremost rank. His adaptations from other writers as in the case from Bishop Ken, "Behold, the Master passeth by," are good, and his Children's hymns are useful and popular. Without any claims to rank as a poet, in the sense in which Cowper and Montgomery were poets, he has sung us songs which will probably outlive all his other literary works.
The more important of Bishop How's hymns, including those already named, and "Lord, Thy children guide and keep"; "O Word of God Incarnate"; "This day at Thy creating word"; "Who is this so weak and helpless"; and others which have some special history or feature of interest, are annotated under their respective first lines. The following are also in common use:—
i. From Psalms & Hymns, 1854.
1. Before Thine awful presence, Lord. Confirmation.
2. Jesus, Name of wondrous love [priceless worth]. Circumcision. The Name Jesus .
3. Lord Jesus, when we stand afar. Passiontide.
4. O blessing rich, for sons of men. Members of Christ.
5. 0 Lord of Hosts, the earth is Thine. In time of War.
6. O Lord, Who in Thy wondrous love. Advent.
ii. From Psalms & Hymns, enlarged, 1864.
7. Lord, this day Thy children meet. Sunday School Anniversary.
iii. From Supplement to the Psalms & Hymns, 1867.
8. Hope of hopes and joy of joys. Resurrection.
9. 0 daughters blest of Galilee. For Associations of Women.
10. O happy feet that tread. Public Worship.
11. With trembling awe the chosen three. Transfiguration.
iv. From Parish Magazine, 1871, and Church Hymns, 1871.
12. O Jesu, crucified for man. Friday.
13. Yesterday, with worship blest. Monday.
v. From the S. P. C. K. Church Hymns. 1871.
14. Bowed low in supplication. For the Parish.
15. Great Gabriel sped on wings of light. Annunciation, of the Blessed Virgin Mary.
16. O blest was he, whose earlier skill. St. Luke.
17. O God, enshrined in dazzling light. Omnipresence. Divine Worship .
18. O heavenly Fount of Light and Love. Witsuntide.
19. O Lord, it is a blessed thing. Weekdays.
20. 0 One with God the Father. Epiphany.
21. O Thou through suffering perfect made. Hospitals.
22. Rejoice, ye sons of men. Purification of the B. V. M.
23. Summer suns are glowing. Summer.
24. The year is swiftly waning. Autumn.
25. Thou art the Christ, O Lord. St. Peter.
26. To Thee our God we fly. National Hymn.
27. Upon the holy Mount they stood. Transfiguration and Church Guilds.
28. We praise Thy grace, 0 Saviour. St. Mark.
vi. From the S. P. C. K. Children's Hymns, 1872.
29. Behold a little child. Jesus the Child's Example.
30. Come, praise your Lord and Saviour. Children's Praises.
31. It is a thing most wonderful. Sunday School Anniversary.
32. On wings of living light. Easter.
Bishop How's hymns and sacred and secular pieces were collected and published as Poems and Hymns, 1886. The Hymns, 54 in all, are also published separately. He d. Aug. 10, 1897.
--John Julian, Dictionary of Hymnology (1907)
===================
How, W. W., p. 540, i. He died Aug. 10, 1897. His Memoir, by F. D. How, was published in 1898.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
William Walsham How
Lowell Mason
1792 - 1872 Person Name: Lowell Mason, 1792-1872 Scripture: 1 Peter 4:10 Arranger of "RIPLEY" in The Covenant Hymnal Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man.
Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit.
The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank.
In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious.
Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them."
The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging.
Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage.
Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals.
As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 1869. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced.
Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College.
--Hall, J. H. (c1914). Biography of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.
Lowell Mason
