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Lord, Be Glorified
Author: Bob Kilpatrick, b. 1952 Appears in 35 hymnals Scripture: 2 Thessalonians 1 First Line: In our lives, Lord, be glorified Topics: Praise and Adoration Used With Tune: [In our lives, Lord, be glorified]
Lord, Be Glorified
Lo, He Comes with Clouds Descending
Author: Charles Wesley; John Cennick Meter: 8.7.8.7.4.4.4.7 Appears in 768 hymnals Scripture: 2 Thessalonians 1:7-10 Lyrics: 1 Lo, he comes with clouds descending,
once for our salvation slain;
thousand, thousand saints attending
join to sing the glad refrain:
Alleluia,
alleluia,
alleluia!
Christ the Lord returns to reign.
2 Now redemption, long expected,
comes in solemn splendor near;
all the saints this world rejected
thrill the trumpet sound to hear:
Alleluia,
alleluia,
alleluia!
See the day of God appear!
3 Yea, amen, let all adore thee,
high on thine eternal throne;
Savior, take the power and glory;
claim the kingdom as thine own.
Come, Lord Jesus;
come, Lord Jesus;
come, Lord Jesus.
Thou shalt reign, and thou alone! Topics: Adoration; Christ's Return and Judgment; Jesus Christ Advent; Redemption; Salvation Used With Tune: HELMSLEY
Lo, He Comes with Clouds Descending
The Lord shall come! the earth shall quake
Meter: 8.8.8.8 Appears in 187 hymnals Scripture: 2 Thessalonians 1:7 Topics: Judgment; Advent of Christ To Judgment
The Lord shall come! the earth shall quake
[In our lives, Lord, be glorified]
Appears in 33 hymnals Composer and/or Arranger: Bob Kilpatrick, b. 1952 Scripture: 2 Thessalonians 1 Tune Key: C Major Incipit: 35354 34243 42353 Used With Text: Lord, Be Glorified
[In our lives, Lord, be glorified]
How Sweet the Name of Jesus Sounds
Author: John Newton, 1725-1807 Hymnal: Common Praise (1998) #620 (1998) Meter: 8.6.8.6 Scripture: 2 Thessalonians 1:1-4 Topics: Healing; Jesus, the Way, the Truth, the Life; Name of Jesus Languages: English Tune Title: ST. PETER
How Sweet the Name of Jesus Sounds
A Charge to Keep I Have
Author: Charles Wesley, 1707-1788 Hymnal: Worship and Rejoice #588 (2003) Meter: 6.6.8.6 Scripture: 2 Thessalonians 1:11 Lyrics: 1 A charge to keep I have,
a God to glorify,
a never-dying soul to save,
and fit it for the sky.
2 To serve the present age,
my calling to fulfill,
O may it all my powers engage
to do my Master's will!
3 Arm me with watchful care
as in thy sight to live,
and now thy servant, Lord,
prepare a strict account to give!
4 Help me to watch and pray,
and still on thee rely,
O let me not my trust betray,
but press to realms on high.
Languages: English Tune Title: BOYLSTON
A Charge to Keep I Have
A Charge to Keep I Have
Author: Charles Wesley Hymnal: The Worshiping Church #659 (1990) Meter: 6.6.8.6 Scripture: 2 Thessalonians 1:11 Lyrics: 1 A charge to keep I have,
a God to glorify,
a never-dying soul to save,
and fit it for the sky.
2 To serve the present age,
my calling to fulfill,
O may it all my powers engage
to do my Master's will!
3 Arm me with watchful care
as in thy sight to live,
and oh, thy servant, Lord,
prepare a strict account to give!
4 Help me to watch and pray,
and still on thee rely,
O let me not my trust betray,
but press to realms on high. Topics: Commissioning Service; Conscience; Challenge; Commissioning Service; Conscience; Holiness of Life; Lenten Season; Ordination; Prayer; Christian Service Languages: English Tune Title: BOYLSTON
A Charge to Keep I Have
Charles Wesley
1707 - 1788 Scripture: 2 Thessalonians 1:11 Author of "A Charge to Keep I Have" in The Worshiping Church Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
==================
Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
Bob Kilpatrick
b. 1952 Person Name: Bob Kilpatrick, b. 1952 Scripture: 2 Thessalonians 1 Author of "Lord, Be Glorified" in Sing! A New Creation Bob Kilpatrick is a Scottish-American singer/songwriter/producer/broadcaster, born in Louisville, Kentucky.
He is best known for composing the gospel standard "In My Life Lord Be Glorified", being the driving force behind Fair Oaks Records in Sacramento, CA and for presenting a regular Time Out With Bob Kilpatrick on the K-Love Radio Network.
His live musical output is a mix of folk, gospel and progressive rock. Beginning in the early 70’s with his wife Cindy (similar in style to Richard & Linda Thompson) and touring through much of the 1980s and 1990s predominantly as a solo artist. His self-effacing live demeanor could be likened to a "born-again" Loudon Wainwright III. The remainder of the 1990s and the start of the following decade saw him develop into an eminent Christian music producer, working with the likes of Randy Stonehill, Phil Keaggy, Sara Groves and Noel Stookey.
In 2006, Kilpatrick released his most innovative project to date entitled This Changes Everything. This was inspired by the passing of one of his spiritual mentors and also contains direct and powerful references to his Christian faith. In many ways the thematic scope of This Changes Everything is reminiscent of the Larry Norman album So Long Ago the Garden or the Jackie Leven comeback release The Mystery of Love Is Greater Than the Mystery of Death.
As a songwriter, he has garnered critical and popular acclaim for his work. Beginning with "In My Life Lord Be Glorified" and following up with other favorites such as "Won By One," "I Will Not Be Ashamed," "Here Am I" and "Tell Me the Story." His 2003 compilation album Think Pray Groove documents his many musical influences that are highlighted with a live version of "In My Life Lord, Be Glorified" (he sends up his own song by performing it in the style of Frank Sinatra, Elvis Presley and The Beatles).
When he is not either playing, writing or producing, Bob Kilpatrick is a national spokesman for the Colorado-based children's charity Compassion International, he travels extensively for musical and Christian ministry purposes (Kilpatrick is also an ordained minister) and is a regular contributor to the Christian musician Summits that occur in the Pacific Northwest.
--en.wikipedia.org/wiki
Bob Kilpatrick
Ralph Vaughan Williams
1872 - 1958 Person Name: Ralph Vaughan Williams (1872-1958) Scripture: 2 Thessalonians 1:4 Adapter of "MONK'S GATE" in Church Hymnary (4th ed.) Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
