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Isaiah the Prophet Has Written of Old
Author: Joy F. Patterson, 1931- Meter: 11.8.11.8 D Appears in 14 hymnals Scripture: Isaiah 65:25 Lyrics: 1 Isaiah the prophet has written of old
how God's new creation shall come.
Instead of the thorn tree, the fir tree shall grow;
the wolf shall lie down with the lamb.
The mountains and hills shall break forth into song,
the peoples be led forth in peace,
for the earth shall be filled with the knowledge of God
as the waters cover the seas.
2 Yet nations still prey on the meek of the world,
and conflict turns parent from child.
Your people despoil all the sweetness of earth,
the brier and the thorn tree grow wild.
God, bring to fruition your will for the earth,
that no one shall hurt or destroy,
when wisdom and justice shall reign in the land
and your people shall go forth in joy.
Used With Tune: SAMANTHRA
Isaiah the Prophet Has Written of Old
O Day of Peace
Author: Carl P. Daw, Jr. Meter: 8.8.8.8 Appears in 22 hymnals Scripture: Isaiah 65:25 First Line: O day of peace that dimly shines Lyrics: 1 O day of peace that dimly shines
Through all our hopes and prayers and dreams,
Guide us to justice, truth, and love,
Delivered from our selfish schemes.
May swords of hate fall from our hands,
Our hearts from envy find release,
Till by God's grace our warring world
Shall see Christ's promised reign of peace.
2 Then shall the wolf dwell with the lamb,
Nor shall the fierce devour the small;
As beasts and cattle calmly graze,
A little child shall lead them all.
Then enemies shall learn to love,
All creatures find their true accord;
The hope of peace shall be fulfilled,
For all the earth shall know the Lord. Used With Tune: JERUSALEM
O Day of Peace
Songs of praise the angels sang
Author: Montgomery Meter: 7.7.7.7 Appears in 545 hymnals Scripture: Isaiah 65:17 Lyrics: 1 Songs of praise the angels sang,
Heaven with hallelujahs rang,
When Jehovah's work begun,
When he spake, and it was done.
2 Songs of praise awoke the morn
When the Prince of Peace was born;
Songs of praise arose when he
Captive led captivity.
3 Heaven and earth must pass away--
Songs of praise shall crown that day;
God will make new heavens and earth--
Songs of praise shall hail their birth.
4 And shall man alone be dumb,
Till that glorious kingdom come?
No; the Church delights to raise
Psalms and hymns and songs of praise.
5 Saints below, with heart and voice,
Still in songs of praise rejoice;
Learning here, by faith and love,
Songs of praise to sing above.
6 Borne upon their latest breath,
Songs of praise shall conquer death;
Then, amid eternal joy,
Songs of praise their powers employ.
Topics: General Praise; Incentives to Praise
Songs of praise the angels sang
[There is a Rock in a weary land]
Appears in 41 hymnals Composer and/or Arranger: W. E. Penn Scripture: Isaiah 65:10 Tune Key: A Major Incipit: 51113 21651 22212 Used With Text: The Sheltering Rock
[There is a Rock in a weary land]
Joy to the World
Author: Isaac Watts (1674-1748) Hymnal: Common Praise (1998) #154 (1998) Meter: 8.6.8.6 D Scripture: Isaiah 65:17-25 First Line: Joy to the world! The Lord is come Lyrics: 1 Joy to the world! The Lord is come:
let earth receive the King;
let every heart prepare him room,
and heaven and nature sing,
and heaven and nature sing,
and heaven, and heaven and nature sing.
2 Joy to the world! The Saviour reigns:
let us glad songs employ,
while fields and floods, rocks, hills, and plains
repeat the sounding joy,
repeat the sounding joy,
repeat, repeat the sounding joy.
3 No more let wrongs and sorrows grow,
nor thorns infest the ground;
he comes to make his blessings flow
far as our sin is found,
far as our sin is found,
far as, far as our sin is found.
4 He rules the world with truth and grace,
and makes the nations prove
the glories of his righteousness
and wonders of his love,
and wonders of his love,
and wonders, wonders of his love. Topics: Christmas; Reign of Christ; Epiphany Languages: English Tune Title: ANTIOCH
Joy to the World
The morning light
Author: S. F. Smith Hymnal: Psalms and Hymns and Spiritual Songs #1139 (1875) Scripture: Isaiah 65:8 First Line: The morning light is breaking Topics: Church Missions and Progress of; Missions Tune Title: WEBB
The morning light
Savior, Savior, hear my humble cry
Author: Fanny J. Crosby, 1820-1915 Hymnal: The Hymnal #97 (1956) Scripture: Isaiah 65:1 First Line: Pass me not, O gentle Savior Topics: Contrition; Forgiveness; God as Guide; Grace; Healing; Mercy; Repentance; Trial; Adoration and Praise Prayer Service Tune Title: PASS ME NOT
Savior, Savior, hear my humble cry
Joy F. Patterson
b. 1931 Person Name: Joy F. Patterson, 1931- Scripture: Isaiah 65:25 Author of "Isaiah the Prophet Has Written of Old" in Worship and Rejoice Joy F. Patterson (b. 1931), of Wassau, Wisconsin, is an elder in the Presbyterian Church who has written many texts and tunes; twenty-nine are collected in Come, You People of the Promise (Hope Publishing, Co., 1994); another collection, Teach Our Eyes New Ways of Seeing, was published in 2005 (Selah). Patterson has enjoyed a varied career as a French professor, homemaker, and claim representative for the Social Security Administration.
Sing! A New Creation
Joy F. Patterson
C. Hubert H. Parry
1848 - 1918 Scripture: Isaiah 65:25 Composer of "JERUSALEM" in The Presbyterian Hymnal Charles Hubert Hastings Parry KnBch/Brnt BMus United Kingdom 1848-1918. Born at Richmond Hill, Bournemouth, England, son of a wealthy director of the East India Company (also a painter, piano and horn musician, and art collector). His mother died of consumption shortly after his birth. His father remarried when he was three, and his stepmother favored her own children over her stepchildren, so he and two siblings were sometimes left out. He attended a preparatory school in Malvern, then at Twyford in Hampshire. He studied music from 1856-58 and became a pianist and composer. His musical interest was encouraged by the headmaster and by two organists. He gained an enduring love for Bach’s music from S S Wesley and took piano and harmony lessons from Edward Brind, who also took him to the ‘Three Choirs Festival in Hereford in 1861, where Mendelssohn, Mozart, Handel, and Beethoven works were performed. That left a great impression on Hubert. It also sparked the beginning of a lifelong association with the festival. That year, his brother was disgraced at Oxford for drug and alcohol use, and his sister, Lucy, died of consumption as well. Both events saddened Hubert. However, he began study at Eton College and distinguished himself at both sport and music. He also began having heart trouble, that would plague him the rest of his life. Eton was not known for its music program, and although some others had interest in music, there were no teachers there that could help Hubert much. He turned to George Elvey, organist of St George’s Chapel, Windsor Castle, and started studying with him in 1863. Hubert eventually wrote some anthems for the choir of St George’s Chapel, and eventually earned his music degree. While still at Eton, Hubert sat for the Oxford Bachelor of Music exam, the youngest person ever to have done so. His exam exercise, a cantata: “O Lord, Thou hast cast us out” astonished the Heather Professor of Music, Sir Frederick Ouseley, and was triumphantly performed and published in 1867. In 1867 he left Eton and went to Exeter College, Oxford. He did not study music there, his music concerns taking second place, but read law and modern history. However, he did go to Stuttgart, Germany, at the urging of Henry Hugh Pierson, to learn re-orchestration, leaving him much more critical of Mendelssohn’s works. When he left Exeter College, at his father’s behest, he felt obliged to try insurance work, as his father considered music only a pastime (too uncertain as a profession). He became an underwriter at Lloyd’s of London, 1870-77, but he found the work unappealing to his interests and inclinations. In 1872 he married Elizabeth Maude Herbert, and they had two daughters: Dorothea and Gwendolen. His in-laws agreed with his father that a conventional career was best, but it did not suit him. He began studying advanced piano with W S Bennett, but found it insufficient. He then took lessons with Edward Dannreuther, a wise and sympathetic teacher, who taught him of Wagner’s music. At the same time as Hubert’s compositions were coming to public notice (1875), he became a scholar of George Grove and soon an assistant editor for his new “Dictionary of Music and Musicians”. He contributed 123 articles to it. His own first work appeared in 1880. In 1883 he became professor of composition and musical history at the Royal College of Music (of which Grove was the head). In 1895 Parry succeeded Grove as head of the college, remaining in the post the remainder of his life. He also succeeded John Stainer as Heather Professor of Music at the University of Oxford (1900-1908). His academic duties were considerable and likely prevented him from composing as much as he might have. However, he was rated a very fine composer, nontheless, of orchestrations, overtures, symphonies, and other music. He only attempted one opera, deemed unsuccessful. Edward Elgar learned much of his craft from Parry’s articles in Grove’s Dictionary, and from those who studied under Parry at the Royal College, including Ralph Vaughn Williams, Gustav Holst, Frank Bridge, and John Ireland. Parry had the ability when teaching music to ascertain a student’s potential for creativity and direct it positively. In 1902 he was created a Baronet of Highnam Court in Gloucester. Parry was also an avid sailor and owned several yachts, becoming a member of the Royal Yacht Squadron in 1908, the only composer so honored. He was a Darwinian and a humanist. His daughter reiterated his liberal, non-conventional thinking. On medical advice he resigned his Oxford appointment in 1908 and produced some of his best known works. He and his wife were taken up with the ‘Suffrage Movement’ in 1916. He hated to see the WW1 ravage young potential musical talent from England and Germany. In 1918 he contracted Spanish flu during the global pandemic and died at Knightsscroft, Rustington, West Sussex. In 2015 they found 70 unpublished works of Parry’s hidden away in a family archive. It is thought some may never have been performed in public. The documents were sold at auction for a large sum. Other works he wrote include: “Studies of great composers” (1886), “The art of music” (1893), “The evolution of the art of music” (1896), “The music of the 17th century” (1902). His best known work is probably his 1909 study of “Johann Sebastian Bach”.
John Perry
C. Hubert H. Parry
Carl P. Daw Jr.
b. 1944 Person Name: Carl P. Daw, Jr. Scripture: Isaiah 65:25 Author of "O Day of Peace" in The Presbyterian Hymnal Carl P. Daw, Jr. (b. Louisville, KY, 1944) is the son of a Baptist minister. He holds a PhD degree in English (University of Virginia) and taught English from 1970-1979 at the College of William and Mary, Williamsburg, Virginia. As an Episcopal priest (MDiv, 1981, University of the South, Sewanee, Tennesee) he served several congregations in Virginia, Connecticut and Pennsylvania. From 1996-2009 he served as the Executive Director of The Hymn Society in the United States and Canada. Carl Daw began to write hymns as a consultant member of the Text committee for The Hymnal 1982, and his many texts often appeared first in several small collections, including A Year of Grace: Hymns for the Church Year (1990); To Sing God’s Praise (1992), New Psalms and Hymns and Spiritual Songs (1996), Gathered for Worship (2006). Other publications include A Hymntune Psalter (2 volumes, 1988-1989) and Breaking the Word: Essays on the Liturgical Dimensions of Preaching (1994, for which he served as editor and contributed two essays. In 2002 a collection of 25 of his hymns in Japanese was published by the United Church of Christ in Japan. He wrote Glory to God: A Companion (2016) for the 2013 hymnal of the Presbyterian Church (U.S.A.).
Emily Brink
Carl P. Daw Jr.
