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Psalm 138
Author: Isaac Watts Meter: 8.8.8.8 Appears in 201 hymnals Scripture: Psalm 138 First Line: With all my powers of heart and tongue Lyrics:
[With all my powers of heart and tongue
I'll praise my Maker in my song:
Angels shall hear the notes I raise,
Approve the song, and join the praise.
Angels that make thy church their care
Shall witness my devotions there,
While holy zeal directs my eyes
To thy fair temple in the skies.]
I'll sing thy truth and mercy, Lord,
I'll sing the wonders of thy word;
Not all thy works and names below
So much thy power and glory show.
To God I cried when troubles rose;
He heard me, and subdued my foes;
He did my rising fears control,
And strength diffused through all my soul.
The God of heav'n maintains his state,
Frowns on the proud, and scorns the great;
But from his throne descends to see
The sons of humble poverty.
Amidst a thousand snares I stand,
Upheld and guarded by thy hand;
Thy words my fainting soul revive,
And keep my dying faith alive.
Grace will complete what grace begins,
To save from sorrows or from sins
The work that wisdom undertakes
Eternal mercy ne'er forsakes.
Topics: Restoring grace; Perseverance; God our preserver; Angels present in churches; Assistance from God; Grace preserving and restoring; Preserving grace; Strength of grace
Psalm 138
With Grateful Heart My Thanks I Bring
Meter: 8.8.8.8.8.8 Appears in 15 hymnals Scripture: Psalm 138 Lyrics: 1 With grateful heart my thanks I bring,
before the great your praise I sing.
I worship in your holy place
and praise you for your truth and grace;
for truth and grace together shine
in your most holy Word divine,
in your most holy Word divine.
2 I cried to you, and you did save;
your word of grace new courage gave.
The kings of earth shall thank you, LORD,
for they have heard your wondrous word;
yes, they shall come with songs of praise,
for great and glorious are your ways,
for great and glorious are your ways.
3 O LORD, enthroned in glory bright,
you reign alone in heavenly height;
the proud in vain your favor seek,
but you have mercy for the meek.
Through trouble though my pathway be,
you will revive and strengthen me,
you will revive and strengthen me.
4 You will stretch forth your mighty arm
to save me when my foes alarm.
The work you have for me begun
shall by your grace be fully done.
Your love forever will endure:
your mercy, LORD, is ever sure;
your mercy, LORD, is ever sure.
Topics: Praise & Adoration; Grace; Mercy; Praise & Adoration; Redemption; Refuge; Thanksgiving & Gratitude; Word of God Used With Tune: SOLID ROCK Text Sources: Psalter, 1912, alt.
With Grateful Heart My Thanks I Bring
Delante de los ángeles (In the sight of the angels)
Appears in 13 hymnals Scripture: Psalm 138 Topics: 5th Sunday in Ordinary Time C; 5º Domingo del Tiempo Ordinario C Used With Tune: [Delante de ángeles]
Delante de los ángeles (In the sight of the angels)
SOLID ROCK
Meter: 8.8.8.8.8.8 Appears in 508 hymnals Composer and/or Arranger: William B. Bradbury Scripture: Psalm 138 Tune Key: F Major Incipit: 51353 32234 44217 Used With Text: With Grateful Heart My Thanks I Bring
SOLID ROCK
GENEVAN 138
Meter: 8.9.8.9 D Appears in 20 hymnals Composer and/or Arranger: Dale Grotenhuis; Claude Goudimel Scripture: Psalm 138 Tune Key: D Major Incipit: 13451 76556 53343 Used With Text: With All My Heart I Thank You, LORD
GENEVAN 138
All Hail the Power of Jesus' Name
Author: Edward Perronet (1726-1792) Hymnal: Common Praise (1998) #321 (1998) Meter: 8.6.8.6 D Scripture: Psalm 138 Lyrics: 1 All hail the power of Jesus' name!
Let angels prostrate fall;
bring forth the royal diadem
and crown him Lord of all;
bring forth the royal diadem
and crown him Lord of all.
2 Hail him, the heir of David's line,
whom David Lord did call,
the God incarnate, life divine,
and crown him Lord of all;
the God incarnate, life divine,
and crown him Lord of all.
3 Crown him, you martyrs of your God,
who from his altar call;
praise him whose way of pain you trod,
and crown him Lord of all;
praise him whose way of pain you trod,
and crown him Lord of all.
4 Sinners, whose love can ne'er forget
the wormwood and the gall,
go, spread your trophies at his feet,
and crown him Lord of all;
go, spread your trophies at his feet,
and crown him Lord of all.
5 Let every tongue and every tribe,
delivered from the fall,
to Christ all majesty ascribe,
and crown him Lord of all;
to Christ all majesty ascribe,
and crown him Lord of all.
6 O that, with heaven's sacred throng,
we at his feet may fall,
lift high the universal song,
and crown him Lord of all;
lift high the universal song,
and crown him Lord of all.
Topics: Praise of God; Name of Jesus; Martyrs; Reign of Christ Languages: English Tune Title: CORONATION
All Hail the Power of Jesus' Name
All Hail the Power of Jesus' Name
Author: Edward Perronet (1726-1792) Hymnal: Common Praise (1998) #322 (1998) Meter: 8.6.8 with repeat Scripture: Psalm 138 Lyrics: 1 All hail the power of Jesus' name!
Let angels prostrate fall;
bring forth the royal diadem
and crown him, crown him,
crown him, crown him Lord of all.
2 Hail him, the heir of David's line,
whom David Lord did call,
the God incarnate, life divine,
and crown him, crown him,
crown him, crown him Lord of all.
3 Crown him, you martyrs of your God,
who from his altar call;
praise him whose way of pain you trod,
and crown him, crown him,
crown him, crown him Lord of all.
4 Sinners, whose love can ne'er forget
the wormwood and the gall,
go, spread your trophies at his feet,
and crown him, crown him,
crown him, crown him Lord of all.
5 Let every tongue and every tribe,
delivered from the fall,
to Christ all majesty ascribe,
and crown him, crown him,
crown him, crown him Lord of all.
6 O that, with heaven's sacred throng,
we at his feet may fall,
lift high the universal song,
and crown him, crown him,
crown him, crown him Lord of all.
Topics: Praise of God; Name of Jesus; Martyrs; Reign of Christ Languages: English Tune Title: MILES LANE
All Hail the Power of Jesus' Name
Gracis, Señor
Hymnal: Celebremos Su Gloria #484 (1992) Scripture: Psalm 138:1 First Line: De día, mandará el Señor su misericordia Topics: Acción de Gracias; Thanksgiving; Cantar Cristiano; Singing; Oración e Intercesión; Prayer and Intercession Languages: Spanish
Gracis, Señor
Isaac Watts
1674 - 1748 Scripture: Psalm 138 Author of "Psalm 138" in Psalms and Hymns of Isaac Watts, The Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit.
The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred.
Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.)
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
=================================
Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693.
Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution.
Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey.
His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.]
A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken.
(l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736.
454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time.
--Excerpts from John Julian, Dictionary of Hymnology (1907)
==================================
Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
=================
Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin.
i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:—
On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202.
ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:—
On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441.
iii. Additional not noted in the revision:—
1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place."
2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719.
3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719.
A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
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See also in:
Hymn Writers of the Church
Isaac Watts
William B. Bradbury
1816 - 1868 Scripture: Psalm 138 Composer of "SOLID ROCK" in Psalter Hymnal (Gray) William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life.
John Perry
William B. Bradbury
Elizabeth Rundle Charles
1828 - 1896 Person Name: Elizabeth R. Charles Scripture: Psalm 138:2 Author of "Praise Ye the Father!" in Trinity Hymnal (Rev. ed.) Charles, Elizabeth, née Rundle, is the author of numerous and very popular works intended to popularize the history of early Christian life in Great Britain; of Luther and his times; of Wesley and his work; the struggles of English civil wars; and kindred subjects as embodied in the Chronicles of the Schönherg-Cotta Family, the Diary of Kitty Trevelyan, &c, was born at Tavistock, Devonshire, Her father was John Rundle, M.P., and her husband, Andrew Paton Charles, Barrister-at-Law. Mrs. Charles has made some valuable contributions to hymnology, including original hymns and translations from the Latin and German. These were given in her:—
(1) The Voice of Christian Life in Song; or, Hymns and Hymn-writers of Many Lands and Ages, 1858; (2) The Three Wakings, and other Poems, 1859; and (3) The Chronicles of the Schönberg-Cotta Family; (4) Poems, New York, 1867. This has some additional pieces.
Her hymn on the Annunciation, "Age after age shall call thee [her] blessed," appeared in her Three Wakings, &c., 1859.
--John Julian, Dictionary of Hymnology (1907)
=========================
Charles, Elizabeth, née Rundle. Mrs. Charles has assumed the name of "Rundle-Charles," as given in the 1890 edition of the Hymnal Companion. Other hymns in common use are:—
1. Around a Table, not a tomb. Holy Communion. Dated Oct. 1862. In her Poems, 1868, in 6 stanzas of 4 lines.
2. Come, and rejoice with me. Joy in Christ. Some-times dated 1846. From her Three Wakings, 1859, p. 146, in 7 stanzas of 4 lines, and headed "Eureka."
3. Jesus, what once Thou wast. Jesus the Unchangeable One. In Mrs. Brock's Children's Hymn Book, 1881.
4. Never further than Thy Cross. Passiontide. In The Family Treasury, Feb. 1860.
5. What marks the dawning of the Year? New Year. From her Three Wakings, 1859, p. 155.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
======================
Charles, Elizabeth, née Rundle, pp. 218, ii.; 1556, i. Mrs. Rundle-Charles was born Jan. 2, 1828, married in 1851, and died March 28, 1896. Her hymn, "The little birds fill all the air with their glee" (Thankfulness), was published in her Three Waitings, 1859, p. 165, as a "Song for an Infant School." It is found in The Sunday School Hymnary, 1905, and others. [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Elizabeth Rundle Charles
