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Psalm 45 Part 2
Author: Isaac Watts Meter: 8.8.8.8 Appears in 86 hymnals Scripture: Psalm 45 First Line: The King of saints, how fair his face Lyrics:
The King of saints, how fair his face,
Adorned with majesty and grace!
He comes with blessings from above,
And wins the nations to his love.
At his right hand our eyes behold
The queen arrayed in purest gold;
The world admires her heav'nly dress,
Her robe of joy and righteousness.
He forms her beauties like his own;
He calls and seats her near his throne:
Fair stranger, let thine heart forget
The idols of thy native state.
So shall the King the more rejoice
In thee, the favorite of his choice;
Let him be loved, and yet adored,
For he's thy Maker and thy Lord.
O happy hour, when thou shalt rise
To his fair palace in the skies,
And all thy sons (a numerous train)
Each like a prince in glory reign!
Let endless honors crown his head;
Let every age his praises spread;
While we with cheerful songs approve
The condescensions of his love.
Topics: Glorification and condescension of Christ; Gospel its glory and success; Personal glories of Christ; Christ his personal glories and government; Christ the King, and the church his spouse; Church its beauty; Church of the Gentiles; Church the spouse of Christ; Gentiles church; Government of Christ; Marriage, mystical; Perseverance; Praise to Jesus Christ; Spouse of Christ, the King is the church
Psalm 45 Part 2
Psalm 45 Part 1
Author: Isaac Watts Meter: 8.8.8.8 Appears in 131 hymnals Scripture: Psalm 45 First Line: Now be my heart inspired to sing Lyrics:
Now be my heart inspired to sing
The glories of my Savior King,
Jesus the Lord; how heav'nly fair
His form! how bright his beauties are!
O'er all the sons of human race
He shines with a superior grace;
Love from his lips divinely flows,
And blessings all his state compose.
Dress thee in arms, most mighty Lord,
Gird on the terror of thy sword,
In majesty and glory ride,
With truth and meekness at thy side.
Thine anger, like a pointed dart,
Shall pierce the foes of stubborn heart;
Or words of mercy, kind and sweet,
Shall melt the rebels at thy feet.
Thy throne, O God, for ever stands,
Grace is the sceptre in thy hands;
Thy laws and works are just and right,
Justice and grace are thy delight.
God, thine own God, has richly shed
His oil of gladness on thy head,
And with his sacred Spirit blest
His first-born Son above the rest.
Topics: Glorification and condescension of Christ; Gospel its glory and success; Personal glories of Christ; Christ his personal glories and government; Christ the King, and the church his spouse; Church its beauty; Church of the Gentiles; Church the spouse of Christ; Gentiles church; Government of Christ; Marriage, mystical; Perseverance; Praise to Jesus Christ; Spouse of Christ, the King is the church
Psalm 45 Part 1
Psalm 45
Author: Isaac Watts Meter: 6.6.8.6 Appears in 75 hymnals Scripture: Psalm 45 First Line: My Savior and my King Lyrics:
My Savior and my King,
Thy beauties are divine;
Thy lips with blessings overflow,
And every grace is thine.
Now make thy glory known,
Gird on thy dreadful sword,
And ride in majesty to spread
The conquests of thy word.
Strike through thy stubborn foes,
Or melt their hearts t' obey,
While justice, meekness, grace, and truth,
Attend thy glorious way.
Thy laws, O God, are right;
Thy throne shall ever stand;
And thy victorious gospel proves
A sceptre in thy hand.
[Thy Father and thy God
Hath without measure shed
His Spirit, like a joyful oil,
T' anoint thy sacred head.]
[Behold, at thy right hand
The Gentile church is seen,
Like a fair bride in rich attire,
And princes guard the queen.]
Fair bride, receive his love,
Forget thy father's house;
Forsake thy gods, thy idol gods,
And pay thy Lord thy vows.
O let thy God and King
Thy sweetest thoughts employ;
Thy children shall his honors sing
In palaces of joy.
Topics: Glorification and condescension of Christ; Gospel its glory and success; Personal glories of Christ; Christ his personal glories and government; Christ the King, and the church his spouse; Church its beauty; Church of the Gentiles; Church the spouse of Christ; Gentiles church; Government of Christ; Marriage, mystical; Perseverance; Praise to Jesus Christ; Spouse of Christ, the King is the church
Psalm 45
[Take, O take me as I am]
Appears in 24 hymnals Composer and/or Arranger: John L. Bell, b. 1949 Scripture: Psalm 45 Tune Key: D Major Incipit: 35432 12354 32156 Used With Text: Psalm 45 (A Responsorial Setting)
[Take, O take me as I am]
LEOMINSTER
Meter: 6.6.8.6 D Appears in 170 hymnals Composer and/or Arranger: George William Martin; Arthur S. Sullivan Scripture: Psalm 45:1-10 Tune Key: D Major Incipit: 33333 44222 32233 Used With Text: My Heart Does Overflow
LEOMINSTER
O Worship the King
Author: Robert Grant Hymnal: Songs of the Kingdom #138 (1896) Scripture: Psalm 45:11 First Line: O worship the King, all glorious above Topics: Worship Languages: English Tune Title: [O worship the King, all glorious above]
O Worship the King
A Mighty Fortress Is Our God
Author: Martin Luther, 1483-1546; Frederick H. Hedge, 1805-1890 Hymnal: Worship and Rejoice #507 (2003) Meter: 8.7.8.7.6.6.6.6.7 Scripture: Psalm 45 Lyrics: 1 A mighty fortress is our God,
a bulwark never failing;
our helper he, amid the flood
of mortal ills prevailing.
For still our ancient foe
doth seek to work us woe;
his craft and power are great,
and, armed with cruel hate,
on earth is not his equal.
2 Did we in our own strength confide,
our striving would be losing,
were not the right man on our side,
the man of God’s own choosing.
Dost ask who that may be?
Christ Jesus, it is he;
Lord Sabaoth his name,
from age to age the same,
and he must win the battle.
3 And though this world, with devils filled,
should threaten to undo us,
we will not fear, for God hath willed
his truth to triumph through us.
The Prince of Darkness grim,
we tremble not for him;
his rage we can endure,
for lo, his doom is sure;
one little word shall fell him.
4 That word above all earthly powers,
no thanks to them, abideth;
the Spirit and the gifts are ours
thro' him who with us sideth.
Let goods and kindred go,
this mortal life also;
the body they may kill:
God’s truth abideth still;
his kingdom is forever. Topics: Conflict Spiritual; Conflict & Victory Languages: English Tune Title: EIN' FESTE BURG
A Mighty Fortress Is Our God
A Mighty Fortress Is Our God
Author: Martin Luther, 1483-1546 Hymnal: Gather Comprehensive, Second Edition #594 (2004) Meter: 8.7.8.7.6.6.6.6.7 Scripture: Psalm 45 Languages: English Tune Title: EIN’ FESTE BURG
A Mighty Fortress Is Our God
Isaac Watts
1674 - 1748 Scripture: Psalm 45 Author of "Psalm 45" in Psalms and Hymns of Isaac Watts, The Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit.
The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred.
Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.)
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
=================================
Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693.
Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution.
Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey.
His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.]
A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken.
(l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736.
454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time.
--Excerpts from John Julian, Dictionary of Hymnology (1907)
==================================
Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
=================
Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin.
i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:—
On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202.
ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:—
On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441.
iii. Additional not noted in the revision:—
1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place."
2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719.
3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719.
A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
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See also in:
Hymn Writers of the Church
Isaac Watts
John L. Bell
b. 1949 Person Name: John L. Bell, b. 1949 Scripture: Psalm 45 Author of "Psalm 45 (A Responsorial Setting)" in Psalms for All Seasons John Bell (b. 1949) was born in the Scottish town of Kilmarnock in Ayrshire, intending to be a music teacher when he felt the call to the ministry. But in frustration with his classes, he did volunteer work in a deprived neighborhood in London for a time and also served for two years as an associate pastor at the English Reformed Church in Amsterdam. After graduating he worked for five years as a youth pastor for the Church of Scotland, serving a large region that included about 500 churches. He then took a similar position with the Iona Community, and with his colleague Graham Maule, began to broaden the youth ministry to focus on renewal of the church’s worship. His approach soon turned to composing songs within the identifiable traditions of hymnody that began to address concerns missing from the current Scottish hymnal:
"I discovered that seldom did our hymns represent the plight of poor people to God. There was nothing that dealt with unemployment, nothing that dealt with living in a multicultural society and feeling disenfranchised. There was nothing about child abuse…,that reflected concern for the developing world, nothing that helped see ourselves as brothers and sisters to those who are suffering from poverty or persecution." [from an interview in Reformed Worship (March 1993)]
That concern not only led to writing many songs, but increasingly to introducing them internationally in many conferences, while also gathering songs from around the world. He was convener for the fourth edition of the Church of Scotland’s Church Hymnary (2005), a very different collection from the previous 1973 edition. His books, The Singing Thing and The Singing Thing Too, as well as the many collections of songs and worship resources produced by John Bell—some together with other members of the Iona Community’s “Wild Goose Resource Group,” —are available in North America from GIA Publications.
Emily Brink
John L. Bell
G. W. Martin
1825 - 1881 Person Name: George William Martin Scripture: Psalm 45:1-10 Composer of "LEOMINSTER" in Trinity Hymnal (Rev. ed.) George William Martin United Kingdom 1825-1881. Born in London, he became a chorister at St. Paul’s Cathedral under William Hawes, and also at Westminstwer Abbey at the coronation of Queen Victoria. He became a professor of music at the Normal College for Army Schoolmasters, and was from 1845-1853 resident music-master at St. John’s Training College, Battersea, and was the first organist of Christ Church, Battersea in 1849. In 1860 he established the National Choral Society which he maintained for some years at Exeter Hall, having an admirable series of oratorio performances. He edited and published cheap editions of these and other works not readily available to the public. He organized a 1000-voice choir at the 300th anniversary of Shakespeare’s birth. He had an aptitude for training children and conducted the National Schools Choral Festival at the Crystal Palace in 1859. As a composer his genius was in directing madrigal and part song, and in 1845 his prize glee “Is she not beautiful?” was published. Due to intemperance he sank from a position that gave him notoriety in the elements of musical force in the metropolis. He composed tunes, canticles, and motets. He died destitute in a hospital at Wandsworth, London. No information found regarding family.
John Perry
G. W. Martin
