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Scripture:Romans 7:15-25

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Hymn 115

Author: Isaac Watts Meter: 8.6.8.6 Appears in 129 hymnals Scripture: Romans 7:24 First Line: Lord, how secure my conscience was Lyrics: Lord, how secure my conscience was, And felt no inward dread! I was alive without the law, And thought my sins were dead. My hopes of heav'n were firm and bright, But since the precept came With a convincing power and light, I find how vile I am. [My guilt appeared but small before, Till terribly I saw How perfect, holy, just, and pure, Was thine eternal law. Then felt my soul the heavy load, My sins revived again I had provoked a dreadful God, And all my hopes were slain.] I'm like a helpless captive, sold Under the power of sin I cannot do the good I would, Nor keep my conscience clean. My God, I cry with every breath For some kind power to save, To break the yoke of sin and death, And thus redeem the slave.
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And can it be, that I should gain

Author: Charles Wesley (1707-1788) Meter: 8.8.8.8.8.8 Appears in 291 hymnals Scripture: Romans 7:14-25 Lyrics: 1 And can it be, that I should gain an interest in the Saviour's blood? Died he for me, who caused his pain -- for me, who him to death pursued? Amazing love! how can it be that thou, my God, shouldst die for me? 2 'Tis mystery all: the Immortal dies! Who can explore his strange design? In vain the firstborn seraph tries to sound the depths of love divine. 'Tis mercy all! Let earth adore, let angel minds inquire no more. 3 He left his Father's throne above, -- so free, so infinite his grace -- emptied himself of all but love, and bled for Adam's helpless race: 'tis mercy all, immense and free; for, O my God, it found out me! 4 Long my imprisoned spirit lay fast bound in sin and nature's night; thine eye diffused a quickening ray; I woke, the dungeon flamed with light; my chains fell off, my heart was free, I rose, went forth, and followed thee. 5 No condemnation now I dread; Jesus, and all in him, is mine! Alive in him, my living Head, and clothed in righteousness divine, bold I approach the eternal throne, and claim the crown, through Christ, my own. Topics: Life in Christ Christ Incarnate - Passion and Death Used With Tune: SURREY (CAREY'S)
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Complaining—The Good that I would, I doanot

Meter: 6.6.8.6 Appears in 68 hymnals Scripture: Romans 7:19 First Line: I would, but cannot sing Lyrics: 1 I would, but cannot sing, I would, but cannot pray; For satan meets me when I try, And frights my soul away. 2 I would, but can't repent, Tho' I endeavour oft; This stony heart can ne'er relent Till Jesus makes it soft. 3 I would, but cannot love, Tho' woo'd by love divine; No arguments have pow'r to move A soul so base as mine. 4 I would, but cannot rest In God's most holy will; I know what he appoints is best, Yet murmur at it still. 5 O could I but believe! Then all would easy be; I would but cannot – Lord, relieve: My help must come from thee. 6 But if indeed I would, Tho' I can nothing do; Yet the desire is something good, For which my praise is due. 7 By nature prone to ill, 'Till thine appointed hour, I was as destitute of will, As now I am of power. 8 Wilt thou not crown at length, The work thou hast begun? And with a will, afford me strength, In all thy ways to run. Topics: The Christian; Christian Complaining of sin and inconstancy; Complaint Of inability to do good; Conflict; Inability to God complained of

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NETTLETON

Meter: 8.7.8.7 D Appears in 825 hymnals Scripture: Romans 7:15-25 Tune Sources: A Repository of Sacred Music, Part Second, Harrisburg, 1813 Tune Key: D Major Incipit: 32113 52235 65321 Used With Text: Come, Thou Fount of Every Blessing
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SAGINA

Appears in 132 hymnals Composer and/or Arranger: Thomas Campbell Scripture: Romans 7:14-25 Tune Sources: The Bouquet, 1825; harmonised in Primitive Methodist Hymnal, 1889 Tune Key: G Major Incipit: 11235 46721 34275 Used With Text: And can it be, that I should gain
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ABERYSTWYTH

Meter: 7.7.7.7 D Appears in 258 hymnals Composer and/or Arranger: Joseph Parry, 1841-1903 Scripture: Romans 7:15-25 Tune Key: d minor Incipit: 11234 53213 21712 Used With Text: Jesus, Lover of My Soul

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Jesus, Lover of My Soul

Author: Charles Wesley Hymnal: Glory to God #440 (2013) Meter: 7.7.7.7 D Scripture: Romans 7:15-25 Lyrics: 1 Jesus, lover of my soul, let me to thy bosom fly, while the nearer waters roll, while the tempest still is high. Hide me, O my Savior, hide, till the storm of life is past. Safe into the haven guide. O receive my soul at last! 2 Other refuge have I none; hangs my helpless soul on thee. Leave, ah! leave me not alone; still support and comfort me. All my trust on thee is stayed; all my help from thee I bring. Cover my defenseless head with the shadow of thy wing. 3 Thou, O Christ, art all I want; more than all in thee I find. Raise the fallen, cheer the faint, heal the sick, and lead the blind. Just and holy is thy name; I am all unrighteousness. False and full of sin I am; thou art full of truth and grace. 4 Plenteous grace with thee is found, grace to cover all my sin. Let the healing streams abound; make and keep me pure within. Thou of life the fountain art; freely let me take of thee. Spring thou up within my heart. Rise to all eternity. Topics: Comfort; Forgiveness; Grace; Living in Christ Languages: English Tune Title: ABERYSTWYTH
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Jesus, Lover of My Soul

Author: Charles Wesley, 1707-1788 Hymnal: Common Praise (1998) #533 (1998) Meter: 7.7.7.7 D Scripture: Romans 7:15-25 Topics: Healing; Salvation/Redemption; Trust Languages: English Tune Title: ABERYSTWYTH
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Come, Thou Fount of Every Blessing

Author: Robert Robinson (1735-1790) Hymnal: Common Praise (1998) #354 (1998) Meter: 8.7.8.7 D Scripture: Romans 7:15-25 Lyrics: 1 Come, thou Fount of every blessing, tune my heart to sing thy grace; streams of mercy, never ceasing, call for songs of loudest praise. Teach me some melodious measure, sung by flaming tongues above; O the vast, the boundless treasure of my God's unchanging love. 2 Here I make faith's affirmation: thus far by thy help I've come, and I hope, by thy good pleasure, safely to arrive at home. Jesus sought me when a stranger, wandering from the fold of God; he, to rescue me from danger, interposed his precious blood. 3 O to grace how great a debtor daily I'm constrained to be! Let thy goodness, like a fetter, bind my wandering heart to thee. Prone to wander, Lord, I feel it, prone to leave the God I love; take my heart, O take and seal it, seal it for thy courts above. Topics: Lent (season); Praise of God; Salvation/Redemption Languages: English Tune Title: NETTLETON

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Charles Wesley

1707 - 1788 Person Name: C. Wesley Scripture: Romans 7:24 Author of "Oh, that my load of sin were gone" in The Voice of Praise Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.

David Evans

1874 - 1948 Person Name: David Evans (1874-1948) Scripture: Romans 7:14-25 Harmonizer of "SURREY (CAREY'S)" in Church Hymnary (4th ed.) David Evans (b. Resolven, Glamorganshire, Wales, 1874; d. Rosllannerchrugog, Denbighshire, Wales, 1948) was an important leader in Welsh church music. Educated at Arnold College, Swansea, and at University College, Cardiff, he received a doctorate in music from Oxford University. His longest professional post was as professor of music at University College in Cardiff (1903-1939), where he organized a large music department. He was also a well-known and respected judge at Welsh hymn-singing festivals and a composer of many orchestral and choral works, anthems, service music, and hymn tunes. Bert Polman

Robert Robinson

1735 - 1790 Person Name: Robert Robinson (1735-1790) Scripture: Romans 7:15-25 Author of "Come, Thou Fount of Every Blessing" in Common Praise (1998) Robert Robinson was born at Swaffham, Norfolk, in 1735. In 1749, he was apprenticed to a hairdresser, in Crutched Friars, London. Hearing a discourse preached by Whitefield on "The Wrath to Come," in 1752, he was deeply impressed, and after a period of much disquietude, he gave himself to a religious life. His own peculiar account of this change of life is as follows:--"Robertus Michaelis Marineque Robinson filius. Natus Swaffhami, comitatu Norfolciae, Saturni die Sept. 27, 1735. Renatus Sabbati die, Maii 24, 1752, per predicationem potentem Georgii Whitefield. Et gustatis doloribus renovationis duos annos mensesque septem, absolutionem plenam gratuitamque, per sanguinem pretiosum i secula seculorum. Amen." He soon after began to preach, and ministered for some time in connection with the Calvinistic Methodists. He subsequently joined the Independents, but after a short period preferred the Baptist connection. In 1761, he became pastor of a Baptist congregation at Cambridge. About the year 1780, he began to incline towards Unitarianism, and at length his people deemed it essential to procure his resignation. While arrangements for this purpose were in progress he died suddenly at Bingham, in June 1790. He wrote and published a good many works of ability. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ============================= Robinson, Robert, the author of "Come, Thou fount of every blessing," and "Mighty God, while angels bless Thee," was born at Swaffham, in Norfolk, on Sept. 27, 1735 (usually misgiven, spite of his own authority, as Jan. 8), of lowly parentage. Whilst in his eighth year the family migrated to Scarning, in the same county. He lost his father a few years after this removal. His widowed mother was left in sore straits. The universal testimony is that she was a godly woman, and far above her circumstances. Her ambition was to see her son a clergyman of the Church of England, but poverty forbade, and the boy (in his 15th year) was indentured in 1749 to a barber and hairdresser in London. It was an uncongenial position for a bookish and thoughtful lad. His master found him more given to reading than to his profession. Still he appears to have nearly completed his apprenticeship when he was released from his indentures. In 1752 came an epoch-marking event. Out on a frolic one Sunday with like-minded companions, he joined with them in sportively rendering a fortune-telling old woman drunk and incapable, that they might hear and laugh at her predictions concerning them. The poor creature told Robinson that he would live to see his children and grandchildren. This set him a-thinking, and he resolved more than ever to "give himself to reading”. Coincidently he went to hear George Whitefield. The text was St. Matthew iii. 7, and the great evangelist's searching sermon on "the wrath to come" haunted him blessedly. He wrote to the preacher six years later penitently and pathetically. For well nigh three years he walked in darkness and fear, but in his 20th year found "peace by believing." Hidden away on a blank leaf of one of his books is the following record of his spiritual experience, the Latin doubtless having been used to hold it modestly private:— "Robertus, Michaelis Mariseque Robinson filius. Natus Swaffhami, comitatu Norfolciae, Saturni die Sept. 27, 1735. Renatus Sabbati die, Maii 24,1752, per predicationem potentem Georgii Whitefield. Et gustatis doloribus renovationis duos annosque septem absolutionem plenam gratuitamque, per sanguinem pretiosum Jesu Christi, inveni (Tuesday, December 10, 1755) cui sit honor et gloria in secula seculorum. Amen." Robinson remained in London until 1758, attending assiduously on the ministry of Gill, Wesley, and other evangelical preachers. Early in this year he was invited as a Calvinistic Methodist to the oversight of a chapel at Mildenhall, Norfolk. Thence he removed within the year to Norwich, where he was settled over an Independent congregation. In 1759, having been invited by a Baptist Church at Cambridge (afterwards made historically famous by Robert Hall, John Foster, and others) he accepted the call, and preached his first sermon there on Jan. 8, 1759, having been previously baptized by immersion. The "call" was simply "to supply the pulpit," but he soon won such regard and popularity that the congregation again and again requested him to accept the full pastoral charge. This he acceded to in 1761, alter persuading the people to "open communion." In 1770 he commenced his abundant authorship by publishing a translation from Saurin's sermons, afterwards completed. In 1774 appeared his masculine and unanswerable Arcana, or the Principles of the Late Petitioners to Parliament for Relief in the matter of Subscription. In 1776 was published A Plea for the Divinity of our Lord Jesus Christ in a Pastoral Letter to a Congregation of Protestant Dissenters at Cambridge. Dignitaries and divines of the Church of England united with Nonconformists in lauding this exceptionally able, scholarly, and pungently written book. In 1777 followed his History and Mystery of Good Friday. The former work brought him urgent invitations to enter the ministry of the Church of England, but he never faltered in his Nonconformity. In 1781 he was asked by the Baptists of London to prepare a history of their branch of the Christian Church. This resulted, in 1790, in his History of Baptism and Baptists, and in 1792, in his Ecclesiastical Researches. Other theological works are included in the several collective editions of his writings. He was prematurely worn out. He retired in 1790 to Birmingham, where he was somehow brought into contact with Dr. Priestley, and Unitarians have made much of this, on exceedingly slender grounds. He died June 9, 1790. His Life has been fully written by Dyer and by William Robinson respectively, both with a bias against orthodoxy. His three changes of ecclesiastical relationship show that he was somewhat unstable and impulsive. His hymns are terse yet melodious, evangelical but not sentimental, and on the whole well wrought. His prose has all…that vehement and enthusiastic glow of passion that belongs to the orator. (Cf. Dyer and Robinson as above, and Gadsby's Memoirs of Hymn-Writers(3rd ed., 1861); Belcher's Historical Sketches of Hymns; Millers Singers and Songs of the Church; Flower's Robinson's Miscellaneous Works; Annual Review, 1805, p. 464; Eclectic Review, Sept. 1861. [Rev. A. B. Grosart, D.D., LL.D.] --John Julian, Dictionary of Hymnology (1907)