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Text Identifier:"^ala_jabeeni_almuftadi$"

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على جبين المفتدي

Appears in 8 hymnals Matching Instances: 8 Lyrics: 1 على جبينِ المفتدي يبدو سنا الجمالْ ورأسُه مُكلَّلٌ بالمجدِ والجلالْ 2 وفيضُ نعمةٍ يُرى في ثغرِهِ المنيرْ فما له بين الورى أو في السما نظيرْ 3 لما رأى الإنسانَ في بحرِ الردى قد غاصْ دنا إليه مسرعاً بنعمةِ الخلاصْ 4 قد صار عني فديةً مُخلصي الحبيبْ إذ مات عني رافعاً إثمي على الصليبْ 5 شكراً لمن يُحيي الورى ومصدرِ النصرِ إذ حُزتُ منسوباً له نصراً على القبرِ 6 يُمناهُ تهديني إلى منازلِ المجدِ أُهديهِ مهجتي إذاً وكلَّ ما عندي Used With Tune: ORTONVILLE

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CHRISTMAS

Appears in 619 hymnals Matching Instances: 3 Incipit: 34517 65123 34555 Used With Text: على جبين المفتدي
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ORTONVILLE

Appears in 726 hymnals Matching Instances: 1 Incipit: 51122 32156 61655 Used With Text: على جبين المفتدي
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ESTES PSALTER

Appears in 312 hymnals Matching Instances: 1 Incipit: 13321 44323 55453 Used With Text: على جبين المفتدي

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على جبين المفتدي

Hymnal: نظم المرامير #341 (1987) Lyrics: 1 على جبينِ المفتدي يبدو سنا الجمالْ ورأسُهُ مكلَّلٌ بالمجدِ والجلالْ 2 وفيضُ نعمةٍ يُرى في ثغرِهِ المنيرْ فما له بين الورى أو في السما نظيرْ 3 لما رأى الإنسانَ في بحرِ الردى قد غاصْ دنا إليه مسرعاً بنعمةِ الخلاصْ 4 قد صار عني فديةً مُخلصي الحبيبْ إذ مات عني رافعاً إثمي على الصليبْ 5 شكراً لمحيي عبدِهِ ومصدرِ النصرِ إذ حُزتُ مِن نعمتِهِ نصراً على القبرِ 6 يُمناهُ تهديني إلى منازلِ المجدِ فمُهجتي أُهدي لهُ وكلَّ ما عندي Languages: Arabic Tune Title: CHRISTMAS
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على جبين المفتدي

Hymnal: تطريب الآذان في صناعة الألحان #208 (1878) Lyrics: 1 على جبينِ المفتدي يبدو سنا الجمالْ ورأسُه مُكلَّلٌ بالمجدِ والجلالْ 2 وفيضُ نعمةٍ يُرى في ثغرِهِ المنيرْ فما له بين الورى أو في السما نظيرْ 3 لما رأى الإنسانَ في بحرِ الردى قد غاصْ دنا إليه مسرعاً بنعمةِ الخلاصْ 4 قد صار عني فديةً مُخلصي الحبيبْ إذ مات عني رافعاً إثمي على الصليبْ 5 شكراً لمن يُحيي الورى ومصدرِ النصرِ إذ حُزتُ منسوباً له نصراً على القبرِ 6 يُمناهُ تهديني إلى منازلِ المجدِ أُهديهِ مهجتي إذاً وكلَّ ما عندي Languages: Arabic Tune Title: ORTONVILLE
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على جبين المفتدي

Author: اسعد الشدودي Hymnal: كتاب الترانيم الروحية للكنائس الإنجيلية #158a (1965) Lyrics: 1 على جبينِ المفتدي يبدو سنا الجمالْ عيناهُ بحرُ رحمه ورأسُهُ مكللٌ بالمجدِ والجلالْ 2 وفيضُ نعمةٍ يُرى في ثغرِهِ المنيرْ فما له بين الورى أو في السما نظيرْ 3 لما رأى الإنسانَ في بحرِ الردى قد غاصْ دنا إليه مسرعاً بنعمةِ الخلاصْ 4 قد صار عني فديةً مُخلصي الحبيبْ إذ مات عني رافعاً إثمي على الصليبْ 5 شكراً لمحيي عبدِهِ ومصدرِ النصرِ إذ حُزتُ مِن نعمتِهِ نصراً على القبرِ 6 يُمناهُ تهديني إلى منازلِ المجدِ فمُهجتي أُهدي لهُ وكلَّ ما عندي Languages: Arabic Tune Title: CHRISTMAS

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Shududi, As'ad

1826 - 1906 Person Name: اسعد الشدودي Author of "على جبين المفتدي" in كتاب الترانيم الروحية للكنائس الإنجيلية Asaad Ibrahim alShdudi, 1826-1906 A Lebanese-born Mathematician, who studied and later worked at the American University of Beirut. أسعد إبراهيم الشدودي

Samuel Stennett

1727 - 1795 Author of "على جبين المفتدي" Samuel Stennett was born at Exeter, in 1727. His father was pastor of a Baptist congregation in that city; afterwards of the Baptist Chapel, Little Wild Street, London. In this latter pastorate the son succeeded the father in 1758. He died in 1795. Dr. Stennett was the author of several doctrinal works, and a few hymns. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ====================== Stennett, Samuel, D.D., grandson of Joseph Stennett, named above, and son of the Rev. Joseph Stennett, D.D., was born most pro;bably in 1727, at Exeter, where his father was at that time a Baptist minister. When quite young he removed to London, his father having become pastor of the Baptist Church in Little Wild Street, Lincoln's Inn Fields. In 1748, Samuel Stennett became assistant to his father in the ministry, and in 1758 succeeded him in the pastoral office at Little Wild Street. From that time until his death, on Aug. 24, 1795, he held a very prominent position among the Dissenting ministers of London. He was much respected by some of the statesmen of the time, and used his influence with them in support of the principles of religious freedom. The celebrated John Howard was a member of his congregation and an attached friend. In 1763, the University of Aberdeen conferred on him the degree of D.D. Dr. S. Stennett's prose publications consist of volumes of sermons, and pamphlets on Baptism and on Nonconformist Disabilities. He wrote one or two short poems, and contributed 38 hymns to the collection of his friend, Dr. Rippon (1787). His poetical genius was not of the highest order, and his best hymns have neither the originality nor the vigour of some of his grandfather's. The following, however, are pleasing in sentiment and expression, and are in common use more especially in Baptist congregations:— 1. And have I, Christ, no love for Thee? Love for Christ desired. 2. And will the offended God again? The Body the Temple of the Holy Ghost. 3. As on the Cross the Saviour hung. The Thief on the Cross. 4. Behold the leprous Jew. The healing of the Leper. 5. Come, every pious heart. Praise to Christ. 6. Father, at Thy call, I come. Lent. 7. Great God, amid the darksome night. God, a Sun. 8. Great God, what hosts of angels stand. Ministry of Angels. 9. Here at Thy Table, Lord, we meet. Holy Communion. 10. How charming is the place. Public Worship. 11. How shall the sons of men appear? Acceptance through Christ alone. 12. How soft the words my [the] Saviour speaks. Early Piety. 13. How various and how new. Divine Providence. 14. Not all the nobles of the earth. Christians as Sons of God. 15. On Jordan's stormy banks I stand. Heaven anticipated. 16. Prostrate, dear Jesus, at thy feet. Lent. Sometimes, "Dear Saviour, prostrate at Thy feet." 17. Should bounteous nature kindly pour. The greatest of these is Love. From this, "Had I the gift of tongues," st. iii., is taken. 18. Thy counsels of redeeming grace. Holy Scripture. From "Let avarice, from shore to shore." 19. Thy life 1 read, my dearest Lord. Death in Infancy. From this "'Tis Jesus speaks, I fold, says He." 20. 'Tis finished! so the Saviour cried. Good Friday. 21. To Christ, the Lord, let every tongue. Praise of Christ. From this,"Majestic sweetness sits enthroned," st. iii., is taken. 22. To God, my Saviour, and my King. Renewing Grace. 23. To God, the universal King. Praise to God. 24. What wisdom, majesty, and grace. The Gospel. Sometimes, “What majesty and grace." 25. Where two or three with sweet accord. Before the Sermon. 26. Why should a living man complain? Affliction. From this, "Lord, see what floods of sorrow rise," st. iii., is taken. 27. With tears of anguish I lament. Lent. 28. Yonder amazing sight I see. Good Friday. All these hymns, with others by Stennett, were given in Rippon's Baptist Selection, 1787, a few having previously appeared in A Collection of Hymns for the use of Christians of all Denominations, London. Printed for the Booksellers, 1782; and No. 16, in the 1778 Supplement to the 3rd edition of the Bristol Baptist Selection of Ash and Evans. The whole of Stennett's poetical pieces and hymns were included in vol. ii. of his Works, together with a Memoir, by W. J. Jones. 4 vols., 1824. [Rev. W. R. Stevenson, M.A.] --John Julian, Dictionary of Hymnology (1907)