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Text Identifier:"^all_things_of_dust_to_dust_return$"

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All Things of Dust to Dust Return

Author: Thomas H. Troeger, b. 1945 Meter: 8.6.8.6 D Appears in 2 hymnals Topics: The Celebration of the Gospel Story Ash Wednesday and Lent; Christian Year Ash Wednesday; Death Scripture: Genesis 3:19 Used With Tune: KINGSFOLD

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KINGSFOLD

Meter: 8.6.8.6 D Appears in 304 hymnals Composer and/or Arranger: Ralph Vaughan Williams, 1872-1958 Tune Sources: English melody Tune Key: e minor or modal Incipit: 32111 73343 45543 Used With Text: All Things of Dust to Dust Return
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THIRD MODE MELODY

Meter: 8.6.8.6 D Appears in 50 hymnals Composer and/or Arranger: Thomas Tallis, 1505-1585 Tune Key: e minor Incipit: 13333 44555 55655 Used With Text: All Things of Dust to Dust Return

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All Things of Dust to Dust Return

Author: Thomas H. Troeger, b. 1945 Hymnal: One Lord, One Faith, One Baptism #300 (2018) Meter: 8.6.8.6 D Topics: The Celebration of the Gospel Story Ash Wednesday and Lent; Christian Year Ash Wednesday; Death Scripture: Genesis 3:19 Languages: English Tune Title: KINGSFOLD

All Things of Dust to Dust Return

Author: Thomas H. Troeger, b. 1945 Hymnal: All Creation Sings #920 (2020) Meter: 8.6.8.6 D Topics: Ash Wednesday; Lent Languages: English Tune Title: THIRD MODE MELODY

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Thomas H. Troeger

1945 - 2022 Person Name: Thomas H. Troeger, b. 1945 Author of "All Things of Dust to Dust Return" in One Lord, One Faith, One Baptism Thomas Troeger (1945-2022), professor of Christian communication at Yale Divinity school, was a well known preacher, poet, and musician. He was a fellow of Silliman College, held a B.A. from Yale University; B.D. Colgate Rochester Divinity School; S.T. D. Dickinson College, and was awarded an honorary D.D. from Virginia Theological Seminary. He was ordained in the Presbyterian Church in 1970 and the Episcopal Church in 1999, and remained dually aligned with both traditions. Troerger led conferences and lectures in worship and preaching throughout North America, as well as in Denmark, Holland, Australia, Japan, and Africa. He served as national chaplain to the American Guild of Organists, and for at least three years he hosted the Season of Worship broadcast for Cokesbury. He was president of the Academy of Homiletics as well as Societas Homiletica. He had, as of 2009, written 22 books in the areas of preaching, poetry, hymnody, and worship. Many of his hymn texts are found in New Hymns for the Lectionary (Oxford, 1992), and God, You Made All Things for Singing (Oxford, 2009). Laura de Jong

Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Composer (melody) of "KINGSFOLD" in One Lord, One Faith, One Baptism Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangeĀ­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Thomas Tallis

1505 - 1585 Person Name: Thomas Tallis, 1505-1585 Composer of "THIRD MODE MELODY" in All Creation Sings Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561). Bert Polman
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