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Text Identifier:"^be_not_afraid_sing_out_for_joy$"

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Be not afraid; sing out for joy!

Author: Taizé Community Meter: 4.4.8 D Appears in 7 hymnals

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BE NOT AFRAID

Meter: 4.4.8 D Appears in 7 hymnals Composer and/or Arranger: Jacques Berthier, 1923-1994 Tune Key: F Major Incipit: 13564 245 Used With Text: Be Not Afraid

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Be Not Afraid

Author: Taizé Community Hymnal: Worship (4th ed.) #522 (2011) First Line: Be not afraid, sing out for joy! Topics: Easter Languages: Croatian; Czech; English; Polish Tune Title: [Be not afraid, sing out for joy]
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Be Not Afraid

Author: Taizé Community Hymnal: RitualSong (2nd ed.) #628 (2016) First Line: Be not afraid, sing out for joy! Topics: Easter Languages: English Tune Title: [Be not afraid, sing out for joy]

Be Not Afraid (Nebojte se)

Hymnal: Taizé #2 (1998) First Line: Be not afraid, sing out for joy! (Nebojte se, radujte se!) Languages: Czech; English Tune Title: [Be Not Afraid]

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Communauté de Taizé

Person Name: Taizé Community Author of "Be Not Afraid" in Evangelical Lutheran Worship

Jacques Berthier

1923 - 1994 Person Name: Jacques Berthier, 1923-1994 Composer of "BE NOT AFRAID" in Evangelical Lutheran Worship Jacques Berthier (b. Auxerre, Burgundy, June 27, 1923; d. June 27, 1994) A son of musical parents, Berthier studied music at the Ecole Cesar Franck in Paris. From 1961 until his death he served as organist at St. Ignace Church, Paris. Although his published works include numerous compositions for organ, voice, and instruments, Berthier is best known as the composer of service music for the Taizé community near Cluny, Burgundy. Influenced by the French liturgist and church musician Joseph Gelineau, Berthier began writing songs for equal voices in 1955 for the services of the then nascent community of twenty brothers at Taizé. As the Taizé community grew, Berthier continued to compose most of the mini-hymns, canons, and various associated instrumental arrangements, which are now universally known as the Taizé repertoire. In the past two decades this repertoire has become widely used in North American church music in both Roman Catholic and Protestant traditions. Bert Polman
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