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Text Identifier:"^be_still_and_know_that_i_am_god_be_still$"

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Be Still and Know

Author: Anonymous Meter: 8.8.8 Appears in 44 hymnals First Line: Be still and know that I am God, Be still and know that I am God Topics: liturgical Opening Hymns

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BE STILL AND KNOW

Meter: 8.8.8 Appears in 35 hymnals Composer and/or Arranger: Anonymous; Jack Schrader Tune Key: C Major Incipit: 55365 55243 33456 Used With Text: Be Still and Know
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[Be still and know that I am God]

Appears in 10 hymnals Composer and/or Arranger: John L. Bell, b. 1949 Tune Key: E Major Incipit: 31233 12365 32155 Used With Text: Be Still and Know That I Am God
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[Be still, and know that I am God]

Appears in 3 hymnals Composer and/or Arranger: C. H. Scott Incipit: 11111 11112 61767 Used With Text: Be still, and know that I am God

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Be still and know that I am God

Author: Anonymous Hymnal: The Book of Praise #64 (1997) Meter: 8.8.8 Lyrics: 1 Be still and know that I am God. Be still and know that I am God. Be still and know that I am God. 2 I am the Lord that healeth thee. I am the Lord that healeth thee. I am the Lord that healeth thee. 3 In thee, O Lord, I put my trust. In thee, O Lord, I put my trust. In thee, O Lord, I put my trust. Topics: Choruses and Meditative Songs; Healing / Health; Metrical Psalms; Service Music; Trust; Worship Scripture: Psalm 46:10 Languages: English Tune Title: BE STILL AND KNOW
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Be still and know that I am God

Author: Unknown Hymnal: Complete Anglican Hymns Old and New #66 (2000) Meter: 8.8.8 Lyrics: 1 Be still and know that I am God. Be still and know that I am God. Be still and know that I am God. 2 I am the Lord that healeth thee. I am the Lord that healeth thee. I am the Lord that healeth thee. 3 In thee, O Lord, I put my trust. In thee, O Lord, I put my trust. In thee, O Lord, I put my trust. Topics: Communion; Confirmation; Faith, Trust and Commitment; Funerals; Grace and Providence; Healing; Holy Communion; Hope and Consolation; Protection; Suffering and Sorrow; Year A Palm Sunday: Liturgy of the Passion; Year A Proper 19; Year A Proper 21; Year A Proper 4; Year B Lent 1; Year B Palm Sunday: Liturgy of the Passion; Year C Advent 1; Year C Palm Sunday: Liturgy of the Passion; Year C Proper 10; Year C Proper 16; Years A, B, and C Easter Vigil Scripture: Psalm 46 Languages: English Tune Title: BE STILL AND KNOW
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Be Still and Know

Author: Anonymous Hymnal: One Lord, One Faith, One Baptism #559 (2018) First Line: Be still and know that I am God Lyrics: 1 "Be still and know that I am God. Be still and know that I am God. Be still and know that I am God." 2 "I am the Lord that healeth thee. I am the Lord that healeth thee. I am the Lord that healeth thee." 3 In Thee, O Lord, I put my trust. In Thee, O Lord, I put my trust. In Thee, O Lord, I put my trust. Topics: The Gospel in the Christian Life Healing and Comfort; Assurance; Comfort; Contentment; God Refuge; Healing; Trust; Wholeness Scripture: Psalm 10:15 Languages: English Tune Title: [Be still and know that I am God]

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Anonymous

Paraphraser of "Be Still and Know" in Renew! Songs and Hymns for Blended Worship In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Clara H. Scott

1841 - 1897 Person Name: C. H. Scott Composer of "[Be still, and know that I am God]" in Unity Song Selections Clara Harriett Fiske Jones Scott USA 1841-1897. Born at Elk Grove, IL, daughter of a farmer, the family moved to Chicago in 1856. Clara enrolled in the first Chicago Musical Institute, after founders, Chauncy M Cady and William Bradbury, opened it in 1858. Following her graduation from the program, she found employment at the new Lyons Girl’s Seminary (also founded in 1858) in Lyons, IA. While working there, she met Henry Clay Scott, who worked for Scott & Ovington Brothers wholesale crockery company. The two married in 1861 in McGregor, IA. They had two daughters, Medora and Mary. The family moved to Austin, IL, near Chicago in the 1870s. She become a composer, hymnwriter, and publisher. She was the first woman to publish a volume of anthems, ‘The Royal anthem book’ in 1882. Horatio Palmer, a friend, helped her publish her songs. She issued three collections of songs. In 1895 she and her husband, now an invalid, moved to Chicago. In 1897 she was returning to her friend’s house after attending a funeral in DuBuque, IA. She was driving a horse-drawn buggy with two friends, Martha Hay and D D Myers. The buggy’s hold-back strap snapped, spooking the horse, who raced forward, colliding with a coping stone, causing the buggy to roll. Clara and Martha were thrown out and both died instantly. The third lady, D D, was severly injured. Clara’s funeral was well-attended by music writers, teachers, professors, publishers, and friends. Two of her own compositions were sung by a quartet of close friends. She died at Dubuque, IA. John Perry

John L. Bell

b. 1949 Person Name: John L. Bell, b. 1949 Author of "Be Still and Know That I Am God" in RitualSong John Bell (b. 1949) was born in the Scottish town of Kilmarnock in Ayrshire, intending to be a music teacher when he felt the call to the ministry. But in frustration with his classes, he did volunteer work in a deprived neighborhood in London for a time and also served for two years as an associate pastor at the English Reformed Church in Amsterdam. After graduating he worked for five years as a youth pastor for the Church of Scotland, serving a large region that included about 500 churches. He then took a similar position with the Iona Community, and with his colleague Graham Maule, began to broaden the youth ministry to focus on renewal of the church’s worship. His approach soon turned to composing songs within the identifiable traditions of hymnody that began to address concerns missing from the current Scottish hymnal: "I discovered that seldom did our hymns represent the plight of poor people to God. There was nothing that dealt with unemployment, nothing that dealt with living in a multicultural society and feeling disenfranchised. There was nothing about child abuse…,that reflected concern for the developing world, nothing that helped see ourselves as brothers and sisters to those who are suffering from poverty or persecution." [from an interview in Reformed Worship (March 1993)] That concern not only led to writing many songs, but increasingly to introducing them internationally in many conferences, while also gathering songs from around the world. He was convener for the fourth edition of the Church of Scotland’s Church Hymnary (2005), a very different collection from the previous 1973 edition. His books, The Singing Thing and The Singing Thing Too, as well as the many collections of songs and worship resources produced by John Bell—some together with other members of the Iona Community’s “Wild Goose Resource Group,” —are available in North America from GIA Publications. Emily Brink