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Search Results

Text Identifier:"^benedictus_qui_venit_in_nomine_domini$"

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Texts

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Benedictus

Appears in 5 hymnals First Line: Benedictus, qui venit in nomine Domini

Tunes

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[Benedictus qui venit]

Appears in 6 hymnals Composer and/or Arranger: Charles Gounod Tune Sources: From St. Cecilia Mass Incipit: 33331 22334 33321 Used With Text: Benedictus

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Mass in C. (Benedictus)

Hymnal: The Catholic Youth's Hymn Book #151 (1871) First Line: Benedictus, Benedictus qui venit in nomine Domini
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Mass In Honor of Saint La Salle (Benedictus)

Hymnal: The De La Salle Hymnal #149 (1913) First Line: Benedictus qui venit in nomine Domini
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Benedictus

Hymnal: English and Latin Hymns, or Harmonies to Part I of the Roman Hymnal #A383a (1884) First Line: Benedictus, qui venit in nomine Domini

People

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Authors, composers, editors, etc.

Charles F. Gounod

1818 - 1893 Person Name: Charles Gounod Composer of "[Benedictus qui venit]" in The Treble Choir Charles F. Gounod (b. Paris, France, 1818; d. St. Cloud, France, 1893) was taught initially by his pianist mother. Later he studied at the Paris Conservatory, won the "Grand Prix de Rome" in 1839, and continued his musical training in Vienna, Berlin, and Leipzig. Though probably most famous for his opera Faust (1859) and other instrumental music (including his Meditation sur le Prelude de Bach, to which someone added the Ave Maria text for soprano solo), Gounod also composed church music-four Masses, three Requiems, and a Magnificat. His smaller works for church use were published as Chants Sacres. When he lived in England (1870-1875), Gounod became familiar with British cathedral music and served as conductor of what later became the Royal Choral Society. Bert Polman
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