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Bleibe bei mir, liebster Freund

Appears in 51 hymnals Matching Instances: 51 Used With Tune: [Bleibe bei mir, liebster Freund]

[Bleibe bei mir, treuer Freund]

Appears in 7 hymnals Matching Instances: 1 Incipit: 51176 54332 56455 Used With Text: Bleibe bei mir, treuer Freund

[Bleibe bei mir, liebster Freund]

Appears in 14 hymnals Matching Instances: 1 Incipit: 11223 53211 33211 Used With Text: Bleibe bei mir, liebster Freund

Instances

Published text-tune combinations (hymns) from specific hymnals

Bleibe bey mir, liebster Freund

Hymnal: Die Kleine Geistliche Harfe der Kinder Zions #367 (1811) Languages: German

Bleibe bey mir, liebster Freund

Hymnal: Die Kleine Geistliche Harfe der Kinder Zions #367 (1834) Languages: German

Bleibe bei mir, liebster [treuer] Freund

Author: C. Schuetz Hymnal: Die Kleine Geistliche Harfe der Kinder Zions #343 (1811) Languages: German

C. Schuetz

Author of "Bleibe bei mir, liebster Freund"

1741 - 1801 Person Name: Naumann Composer of "[Bleibe bei mir, treuer Freund]" in Deutsches Liederbuch Johann Gottlieb Naumann; b. near Dresden, 1741; d. Dresden, 1801 Evangelical Lutheran Hymnal, 1908 ========================== Born: April 7, 1741, Blasewitz, Dresden, Germany. Died: October 23, 1801, Dresden, Germany. Buried: Eliasfriedhof, Dresden, Germany. Naumann received his musical training in his town school, where he learned piano and organ. Later, he studied at the Kreuzschule in Dresden and was a member of the Dresden Kreuzchor. In Dresden, he learned from the organist and cantor of the Kreuzschule, Gottfried August Homilius, a student of Bach. In May 1757, he traveled to Italy with Swedish violinist Anders Wesström. Composer Giuseppe Tartini encountered Naumann in 1762 and took an interest in his work. Later that year, Naumann made his debut as an opera composer in Venice with Il Tesoro Insidiato. After his successful 1764 production of Li Creduti Spiriti, he was engaged as the second church composer at the Dresden court, on the recommendation of composer Johann Adolf Hasse. In 1777, as a result of negotiations by Swedish diplomat Count Löwenhjelm, Naumann was appointed to reform the Stockholm Hovkapell and help King Gustavus III in his opera plans. His work in Sweden led to the 1782 production of his opera Cora och Alonzo at the inauguration of the new opera house in Stockholm, and the 1786 production of Gustaf Wasa, based on an idea of the king for a Royal Swedish Opera. After a period as guest composer in Copenhagen (1785-56), he returned to Dresden, where he became Oberkapellmeister. In 1792, Naumann married Catarina von Grodtschilling, daughter of a Danish vice-admiral. His grandson was composer Ernst Naumann (1832–1910). http://www.hymntime.com/tch/bio/n/a/u/naumann_jg.htm ============================== http://en.wikipedia.org/wiki/Johann_Gottlieb_Naumann