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Text Identifier:"^come_holy_ghost_creator_come_from_thy$"

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TALLIS' ORDINAL

Meter: 8.6.8.6 Appears in 232 hymnals Composer and/or Arranger: Thomas Tallis Tune Key: D Major Incipit: 13455 66551 76651 Used With Text: Come, Holy Ghost, Creator, Come

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Come, Holy Ghost, Creator, Come

Author: Anonymous; Rhabanus Maurus Hymnal: The Cyber Hymnal #990 Meter: 8.6.8.6 Lyrics: 1. Come, Holy Ghost, Creator, come From Thy bright heav’nly throne; Come, take possession of our souls, And make them all Thine own. 2. Thou who art called the Paraclete, Best gift of God above, The living spring, the living fire, Sweet unction and true love. 3. Thou who art sevenfold in Thy grace, Finger of God’s right hand; His promise, teaching little ones To speak and understand. 4. O guide our minds with Thy blest light, With love our hearts inflame; And with Thy strength, which ne’er decays, Confirm our mortal frame. 5. Far from us drive our deadly foe; True peace unto us bring; And through all perils lead us safe Beneath Thy sacred wing. 6. Through Thee may we the Father know, Through Thee th’eternal Son, And Thee the Spirit of them both, Thrice-blessèd Three in One. 7. All glory to the Father be, With His co-equal Son: The same to Thee, great Paraclete, While endless ages run. Languages: English Tune Title: TALLIS' ORDINAL

Come Holy Ghost, Creator, come from thy

Hymnal: Half a Hundred Catholic Hymns, selected from The New Catholic Hymnal #d9 (1924) Languages: English

Come Holy Ghost, Creator, come from thy

Hymnal: Cantica Sacra #d10 (1865) Languages: English

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Anonymous

Translator (from Latin) of "Come, Holy Ghost, Creator, Come" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Rabanus Maurus

776 - 856 Person Name: Rhabanus Maurus Author (attributed to) of "Come, Holy Ghost, Creator, Come" in The Cyber Hymnal Rabanus Maurus (c. 776-856) or Hrabanus Magnentius Maurus, was born of noble parents at Mainz, and educated at Fulda and Tours under Alcuin, who is reputed to have given him the surname, Maurus, after the saint of that name. In 803, he became director of the school at the Benedictine Abbey at Fulda. He was ordained priest in 814, spending the following years in a pilgrimage to Palestine. In 822, he became Abbott at Fulda, retiring in 842. In 847, he became archbishop of Mainz. He died at Winkel on the Rhine, February 4, 856. This distinguished Carolingian poet-theologian wrote extensive biblical commentaries, the Encyclopaedic De Universo, De Institutione Clericorum, and other works which circulated widely during the Middle Ages. Some of his poems, with English translations, are in Helen Waddell's Mediaeval Latin Lyrics. He is the author of: O Come, Creator Spirit, come Christ, the fair glory of the holy angels Come, Holy Ghost, our souls inspire Come, Holy Ghost, Creator blest Creator Spirit, by whose aid --The Hymnal 1940 Companion, New York: The Church Pension Fund (1949) =========================== Hrabanus (Rabanus) Maurus, son of one Ruthard, was born probably at Mainz, about 776. At an early age he was sent to the Monastery of Fulda to receive a religious education. In 801 he was ordained Deacon, and the following year he went to the monastic school of St. Martin at Tours to study under Alcuin, a celebrated teacher of that time, who gave to Hrabanus the name of Maurus to which Hrabanus added Magnentius. On his return to Fulda in 804 he became the head of the school connected with the Monastery. Towards him Ratgar the abbot showed great unkindness, which arose mainly from the fact that Ratgar demanded the students to build additions to the monastery, whilst Hrabanus required them at the same time for study. Hrabanus had to retire for a season, but Ratgar's deposition by Ludwig the Pious, in 817, opened up the way for his return, and the reopening of the school In the meantime, in 814, he had been raised to the Priesthood. Egil, who succeeded Ratgar as abbot, died in 822, and Hrabanus was appointed in his stead. This post he held for some time, until driven forth by some of the community. In 847, on the death of Archbishop Otgar, Ludwig the younger, with whom Hrabanus had sided in his demand for German independence as against the imperialism of his elder brother Lothar, rewarded him with the Archbishopric of Mainz, then the metropolitan see of Germany. He held this appointment to his death on Feb. 4, 856. He was buried first in St. Alban's, Mainz, and then, during the early days of the Reformation, in St. Maurice, Halle, possibly because of the opposition he is known to have made to the doctrine of Transubstantiation. With German historians Hrabanus is regarded as the father of the modern system of education in that country. His prose works were somewhat numerous, but the hymns with which his name is associated are few. We have the "Christe sanctorum decus Angelorum”; “Tibi Christe, splendor Patris”; and the "Veni Creator Spiritus”; but recent research convinces us that the ascription in each case is very doubtful; and none are received as by Hrabanus in Professor Dümmler's edition of the Carmina of Hrabanus in the Poetae Latini aevi Carolini, vol. ii. 1884. Dümmler omits them even from the "hymns of uncertain origin." --John Julian, Dictionary of Hymnology, Appendix I (1907) ======================= http://en.wikipedia.org/wiki/Rabanus_Maurus

Thomas Tallis

1505 - 1585 Composer of "TALLIS' ORDINAL" in The Cyber Hymnal Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561). Bert Polman
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