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Text Identifier:"^eterno_y_poderoso_dios$"

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Eterno y Poderoso Dios

Author: William Whiting, 1825-1878; Anónimo Meter: 8.8.8 D Appears in 2 hymnals Topics: Ocasiones Especiales Used With Tune: MELITA

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MELITA

Appears in 505 hymnals Composer and/or Arranger: John B. Dykes Tune Key: C Major Incipit: 13355 66551 27554 Used With Text: Eterno y Poderoso Dios

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Eterno y Poderoso Dios

Author: William Whiting, 1825-1878; Anónimo Hymnal: Himnos de Vida y Luz #336 (1990) Meter: 8.8.8 D Topics: Ocasiones Especiales Languages: Spanish Tune Title: MELITA
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Eterno y Poderoso Dios

Author: William Whiting; Robert Nelson Spencer; Anónimo Hymnal: El Himnario #412 (1964) Topics: Ocasiones Especiales Viajeros Languages: Spanish Tune Title: MELITA

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William Whiting

1825 - 1878 Person Name: William Whiting, 1825-1878 Author of "Eterno y Poderoso Dios" in Himnos de Vida y Luz William Whiting was born in Kensington, November 1, 1825, and was educated at Clapham and Winchester Colleges. He was later master of Winchester College Choristers' School, where he wrote Rural Thoughts and Other Poems, 1851. He died at Winchester. --The Hymnal 1940 Companion =============== Whiting, William, was born in Kensington, London, Nov. 1, 1825, and educated at Clapham. He was for several years Master of the Winchester College Choristers' School. His Rural Thoughts and other poems were published in 1851; but contained no hymns. His reputation as a hymnwriter is almost exclusively confined to his “Eternal Father, strong to save". Other hymns by him were contributed to the following collections:— i. To the 1869 Appendix to the Society for Promoting Christian Knowledge Psalms & Hymns 1. O Lord the heaven Thy power displays. Evening. 2. Onward through life Thy children stray. Changing Scenes of Life. ii. To an Appendix to Hymns Ancient & Modern issued by the Clergy of St. Philip's, Clerkenwell, 1868. 3. Jesus, Lord, our childhood's Pattern. Jesus the Example to the Young. 4. Lord God Almighty, Everlasting Father. Holy Trinity. 5. Now the harvest toil is over. Harvest. 6. 0 Father of abounding grace. Consecration of a Church. 7. We thank Thee, Lord, for all. All Saints Day. iii. To The Hymnary, 1872. 8. Amen, the deed in faith is done. Holy Baptism. 9. Jesus Christ our Saviour. For the Young. 10. Now the billows, strong and dark. For Use at Sea. 11. 0 Father, Who the traveller's way. For Travellers by Land. 12. When Jesus Christ was crucified. Holy Baptism. Mr. Whiting's hymns, with the exception of his “Eternal Father," &c, have not a wide acceptance. He died in 1878. -- John Julian, Dictionary of Hymnology (1907)

Anonymous

Person Name: Anónimo Translator of "Eterno y Poderoso Dios" in Himnos de Vida y Luz In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes, 1823-1876 Composer of "MELITA" in Himnos de Vida y Luz As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman
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