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Text Identifier:"^ferne_ueberm_tiefen_meer$"

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Ferne überm tiefen Meer

Appears in 4 hymnals Hymnal Title: Frohe Lieder und Brüder-Harfe Used With Tune: DIX

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DIX

Appears in 819 hymnals Composer and/or Arranger: Konrad Kocher Hymnal Title: Frohe Lieder und Brüder-Harfe Incipit: 17121 44367 16555 Used With Text: Ferne überm tiefen Meer
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[Ferne überm tiefen Meer]

Appears in 45 hymnals Hymnal Title: Jubeltöne Incipit: 34513 21765 17654 Used With Text: Die armen Heidenkinder

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Ferne überm tiefen Meer

Hymnal: Frohe Lieder und Brüder-Harfe #456 (1898) Hymnal Title: Frohe Lieder und Brüder-Harfe Languages: German Tune Title: DIX
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Die armen Heidenkinder

Hymnal: Jubeltöne #136a (1871) Hymnal Title: Jubeltöne First Line: Ferne überm tiefen Meer Refrain First Line: Bete, o bete, bete zu Gott Languages: German Tune Title: [Ferne überm tiefen Meer]
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Die armen Heidenkinder

Hymnal: Jubeltöne #136a (1871) Hymnal Title: Jubeltöne First Line: Ferne überm tiefen Meer Refrain First Line: Bete, o bete, bete zu Gott Languages: German Tune Title: [Ferne überm tiefen Meer]

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Conrad Kocher

1786 - 1872 Person Name: Konrad Kocher Hymnal Title: Frohe Lieder und Brüder-Harfe Composer of "DIX" in Frohe Lieder und Brüder-Harfe Trained as a teacher, Conrad Kocher (b. Ditzingen, Wurttemberg, Germany, 1786; d. Stuttgart, Germany, 1872) moved to St. Petersburg, Russia, to work as a tutor at the age of seventeen. But his love for the music of Haydn and Mozart impelled him to a career in music. He moved back to Germany in 1811, settled in Stuttgart, and remained there for most of his life. The prestigious Cotta music firm published some of his early compositions and sent him to study music in Italy, where he came under the influence of Palestrina's music. In 1821 Kocher founded the School for Sacred Song in Stuttgart, which popularized four-part singing in the churches of that region. He was organist and choir director at the Stiftskirche in Stuttgart from 1827 to 1865. Kocher wrote a treatise on church music, Die Tonkunst in der Kirche (1823), collected a large number of chorales in Zions Harfe (1855), and composed an oratorio, two operas, and some sonatas. William H. Monk created the current form of DIX by revising and shortening Conrad Kocher's chorale melody for “Treuer Heiland, wir sind hier,” found in Kocher's Stimmen aus dem Reiche Gottes (1838). Bert Polman