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Search Results

Text Identifier:"^frequent_the_day_of_god_returns$"

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Texts

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Frequent the day of God returns

Author: Browne Appears in 191 hymnals Used With Tune: DEVIZES

Tunes

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BEDFORD

Meter: 8.6.8.6 Appears in 115 hymnals Tune Key: E Flat Major Incipit: 53165 43251 76653 Used With Text: Frequent the day of God returns
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LANESBORO'

Appears in 72 hymnals Tune Sources: English Melody Incipit: 15567 15435 64217 Used With Text: Frequent the day of God returns
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TAPPAN

Appears in 52 hymnals Composer and/or Arranger: G. Kingsley Incipit: 55532 16555 54321 Used With Text: Frequent the day of God returns

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Frequent the day of God returns

Hymnal: Book of Worship (Rev. ed.) #45 (1870) Meter: 8.6.8.6 Lyrics: 1 Frequent the day of God returns, To shed its quick'ning beams; And yet how slow devotion burns, How languid are its flames. 2 Accept our faint attempts to love; Our frailties, Lord forgive: We would be like Thy saints above, And praise Thee while we live. 3 Increase, O Lord, our faith and hope, And fit us to ascend Where the assembly ne'er breaks up, The Sabbath ne'er shall end; 4 Where we shall breathe in heavenly air, With heavenly lustre shine; Before the throne of God appear, And feast on love divine. Topics: Lord's Day; Praise hymns of genearl praise; Sabbath; Worship hymns of opening Languages: English
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Frequent the day of God returns

Hymnal: The Psalms of David #H92 (1789) Lyrics: 1 Frequent the day of God returns To shed its quickening beams; And yet how slow devotion burns! How languid are its flames! 2 Accept our faint attempts to love, Our frailties, Lord, forgive; We would be like thy saints above, And praise thee while we live. 3 Increase, O Lord, our faith and hope, And fit us to ascend, Where the assembly ne'er breaks up, The sabbath ne'er shall end. Topics: Lord's Day Evening Languages: English
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Frequent the day of God returns

Author: Simon Browne Hymnal: Church Book #54 (1890) Meter: 8.6.8.6 Lyrics: 1 Frequent the day of God returns, To shed its quickening beams; And yet how slow devotion burns, How languid are its flames! 2 Accept my faint attempts to love; Our frailties, Lord, forgive. We would be like Thy saints above, And praise Thee while we live. 3 Increase, O Lord, our faith and hope, And fit us to ascend Where the assembly ne'er breaks up, The Sabbath ne'er shall end; 4 Where we shall breathe in heavenly air, With heavenly lustre shine; Before the throne of God appear, And feast on Love divine. Topics: Worship Public Worship Languages: English Tune Title: BEDFORD

People

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Authors, composers, editors, etc.

William B. Bradbury

1816 - 1868 Person Name: W. B. Bradbury (1816-1868) Composer of "BROWN" in Hymns of the Ages William Batchelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

A. Williams

1731 - 1776 Composer of "MEAR" in The National Baptist Hymnal Aaron Williams (b. London, England, 1731; d. London, 1776) was a singing teacher, music engraver, and clerk at the Scottish Church, London Wall. He published various church music collections, some intended for rural church choirs. Representative of his compilations are The Universal Psalmodist (1763)— published in the United States as The American Harmony (1769)—The Royal Harmony (1766), The New Universal Psalmodist (1770), and Psalmody in Miniature (1778). His Harmonia Coelestis (1775) included anthems by noted composers. Bert Polman

Isaac Tucker

Composer of "DEVIZES" in African Methodist Episcopal hymn and tune book
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