My Starred Hymns
My FlexScores
My Hymnals
My Purchased Files
Planning worship?
Check out our sister site, ZeteoSearch.org,
for 20+ additional resources related to your search.
- |
User Links
Search Results
God be merciful unto us, and bless us
Appears in 342 hymnals Topics: Chants, Canticles, Ascriptions Used With Tune: DEUS MISEREATUR
God be merciful unto us, and bless us
[God be merciful unto us]
Appears in 83 hymnals Composer and/or Arranger: Richard Farrant Incipit: 11235 43221 Used With Text: Deus Misereatur
[God be merciful unto us]
[God be merciful unto us, and bless us]
Appears in 48 hymnals Composer and/or Arranger: Louis van Beethoven, 1770-1827 Incipit: 51566 77121 51211 Used With Text: Deus misereatur
[God be merciful unto us, and bless us]
DEUS MISEREATUR
Appears in 20 hymnals Composer and/or Arranger: H. Aldrich Incipit: 32343 21171 Used With Text: God be merciful unto us and bless us; And cause His face to shine upon us
DEUS MISEREATUR
God Be Merciful unto Us
Hymnal: African Methodist Episcopal Church Hymnal #621 (2011) First Line: God be merciful unto us and bless us Lyrics: God be merciful unto us and bless us,
and cause His face to shine upon us:
That Thy way may be known upon earth,
Thy saving health among all nations.
Amen. Topics: Service Music Chants; Holy Scripture Languages: English Tune Title: [God be merciful unto us and bless us]
God Be Merciful unto Us
God Be Merciful Unto Us
Hymnal: The A.M.E. Zion Hymnal #697 (1999) First Line: God be merciful unto us and bless us Lyrics: God be merciful unto us and bless us,
And cause His face to shine upon us.
That Thy way may be known upon earth,
Thy saving health among all nations.
AMEN. Topics: Scriptural Responses Languages: English Tune Title: [God be merciful unto us and bless us]
God Be Merciful Unto Us
Tallis' Chant No. 2
Hymnal: New Hymn and Tune Book #C2 (1889) First Line: God be merciful unto us and bless us Languages: English Tune Title: [God be merciful unto us and bless us]
Tallis' Chant No. 2
Joseph Barnby
1838 - 1896 Person Name: J. Barnby Composer of "[God be merciful unto us, and bless us] (Barnby)" in The Church Hymnal Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barnby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873).
Bert Polman
Joseph Barnby
Ludwig van Beethoven
1770 - 1827 Person Name: Beethoven Composer of "[God be merciful unto us, and bless us] (Beethoven)" in The Church Hymnal A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period.
Bert Polman
Ludwig van Beethoven
William Hayes
1706 - 1777 Person Name: Dr. W. Hayes, 1706-1777 Composer of "DEUS MISEREATUR" in Methodist Hymn and Tune Book William Hayes (26 January 1708 (baptised) – 27 July 1777) was an English composer, organist, singer and conductor.
Hayes was born in Gloucester. He trained at Gloucester Cathedral and spent the early part of his working life as organist of St Mary’s, Shrewsbury (1729) and Worcester Cathedral (1731). The majority of his career was spent at Oxford where he was appointed organist of Magdalen College in 1734, and established his credentials with the degrees of B.Mus in 1735 and D.Mus in 1749. (He was painted by John Cornish in his doctoral robes around 1749.) In 1741 he was unanimously elected Professor of Music and organist of the University Church. He presided over the city’s concert life for the next 30 years, and was instrumental in the building of the Holywell Music Room in Oxford in 1748, the oldest purpose-built music room in Europe. He was one of the earliest members of the Royal Society of Musicians, and in 1765 was elected a ‘privileged member’ of the Noblemen’s and Gentlemen’s Catch Club. He died in Oxford, aged 69.
William Hayes was an enthusiastic Handelian, and one of the most active conductors of his oratorios and other large-scale works outside London. His wide knowledge of Handel left a strong impression on his own music, but by no means dominated it. As a composer he tended towards genres largely ignored by Handel—English chamber cantatas, organ-accompanied anthems and convivial vocal music—and his vocal works show an English preference for non-da capo aria forms. Hayes also cultivated a self-consciously ‘learned’ polyphonic style (perhaps inspired by his antiquarian interests) which can be seen in his many canons, full-anthems, and the strict fugal movements of his instrumental works. Nevertheless, several of his late trio sonatas show that he was not deaf to newly emerging Classical styles. Although he published virtually none of his instrumental music, his vocal works were extremely popular, and the printed editions were subscribed to by large numbers of amateur and professional musicians. Substantial works like his ode The Passions, the one-act oratorio The Fall of Jericho, and his Six Cantatas demonstrate that Hayes was one of the finest English composers of the eighteenth century.
As a writer, his Art of Composing Music includes the first published description of aleatoric composition—music composed by chance—albeit deliberately satirical in intent. In his Remarks he reveals much about his aesthetic outlook: in particular that he valued the music of Handel and Corelli over that of Rameau, Benedetto Marcello and Geminiani. Finally, the Anecdotes offer insights into the organization of provincial music festivals in the mid-eighteenth century. Hayes bequeathed his important and wide-ranging music library to his son Philip Hayes; the manuscripts of both father and son eventually passed to the Bodleian Library, Oxford, in 1801.
Sacred works
The Fall of Jericho, oratorio, c. 1740–50
Sixteen Psalms (London, 1773)
David, oratorio, completed by Philip Hayes
around 20 anthems and service music, in Cathedral Music in Score, edited by Philip Hayes (Oxford, 1795)
--en.wikipedia.org/wiki
William Hayes
