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Text Identifier:"^i_feel_the_winds_of_god_today$"
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Anonymous

Person Name: Unknown Author of "I feel the winds of God today" in The Hymnal for Young People In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Ellwood S. Wolf

1903 - 2003 Person Name: Ellwood Shermer Wolf Arranger of "KINGSFOLD" in Hymns for the Living Church

Charles Spurgeon Brown

1860 - 1943 Person Name: Charles S. Brown Composer of "MOUNT VERNON" in Christian Song Brown’s works in­clude: The King’s Prais­es (Bos­ton, Mass­a­chu­setts: Unit­ed So­ci­e­ty of Chris­tian En­dea­vor, 1899) www.hymntime.com/tch/

Jessie Adams

1863 - 1954 Person Name: Jessie Adams, 1863 - 1954 Author of "I Feel The Winds Of God" in The Hymn Book of the Anglican Church of Canada and the United Church of Canada Adams, Jessie. (Ipswitch, Suffolk, England, September 9, 1863-July 15, 1954, York). Society of Friends. She preferred to remain anonymous. She was a progressive teacher and a leader of the local adult school in Frimley, England. --Don Hustad, DNAH Archives

Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Vaughan Williams, 1872 - 1958 Arranger of "KINGSFOLD" in The Hymn Book of the Anglican Church of Canada and the United Church of Canada Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

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