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Text Identifier:"^in_expectation_sweet$"

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In expectation sweet

Author: Anon. Appears in 80 hymnals Lyrics: 1 In expectation sweet, We'll wait, and sing, and pray, Till Christ's triumphal car we meet, And see an endless day. 2 He comes! the conqueror comes! Death falls beneath his sword; The joyful prisoners burst the tombs, And rise to meet their Lord. 3 The trumpet sounds, Awake! The saints the call obey; Their joyful upward flight they take To realms of endless day. 4 Thrice happy morn for those Who love the ways of peace; No night of sorrow e'er shall close Or shade their perfect bliss. Topics: Waiting for Christ Closing Work Used With Tune: LEIGHTON

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LEIGHTON

Appears in 160 hymnals Composer and/or Arranger: Henery W. Greatorex Tune Key: A Flat Major Incipit: 33212 35543 21556 Used With Text: In expectation sweet
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BOYLSTON

Appears in 1,039 hymnals Incipit: 53456 51176 65534 Used With Text: In expectation sweet
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ST. THOMAS

Appears in 1,093 hymnals Incipit: 51132 12345 43432 Used With Text: In expectation sweet

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In Expectation Sweet

Author: Joseph Swain Hymnal: The Cyber Hymnal #12094 Meter: 6.6.8.6 Lyrics: 1 In expectation sweet We’ll wait, and sing, and pray, Till Christ’s triumphal car we meet, And see an endless day. 2 He comes! He comes! behold His presence melts the sky! Celestial armies, clad in gold, Around His chariot fly. 3 He comes! the Conqueror comes! Death falls beneath His sword; The joyful prisoners burst the tombs, And rise to meet their Lord! 4 The trumpet sounds, "Awake! Ye dead, to judgment come!" The pillars of creation shake While hell receives her doom. 5 Thrice happy morn for those Who love the ways of peace; No night of sorrow e’er shall close, Or shade, their perfect bliss. Languages: English Tune Title: ABER
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In expectation sweet

Author: Anon. Hymnal: The Seventh-Day Adventist Hymn and Tune Book #816 (1886) Lyrics: 1 In expectation sweet, We'll wait, and sing, and pray, Till Christ's triumphal car we meet, And see an endless day. 2 He comes! the conqueror comes! Death falls beneath his sword; The joyful prisoners burst the tombs, And rise to meet their Lord. 3 The trumpet sounds, Awake! The saints the call obey; Their joyful upward flight they take To realms of endless day. 4 Thrice happy morn for those Who love the ways of peace; No night of sorrow e'er shall close Or shade their perfect bliss. Topics: Waiting for Christ Closing Work Tune Title: LEIGHTON
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In expectation sweet

Hymnal: Church Psalmody #H621 (1831) Languages: English

People

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Anonymous

Person Name: Anon. Author of "In expectation sweet" in The Seventh-Day Adventist Hymn and Tune Book In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Joseph Swain

1761 - 1796 Person Name: Jos. Swain Author of "In expectation sweet" in The Praise Hymnal Swain, Joseph, was born at Birmingham in 1761, and after being apprenticed to an engraver, removed to London. After a time he became a decided Christian, and being of an emotional poetic temperament, began to give expression to his new thoughts and feelings in hymns. In 1783 he was baptized by the Rev. Dr. Rippon, and in 1791 became minister of a Baptist congregation in East Street, Walworth. After a short but popular and very useful ministry, he died April 16, 1796 Swain published the following:— (1) A Collection of Poems on Several Occasions, London, 1781; (2) Redemption, a Poem in five Books, London, 1789; (3) Experimental Essays on Divine Subjects, London, 1791; (4) Walworth Hymns, by J. Swain, Pastor of the Baptist Church Meeting there, London, 1792, 129 hymns; with a Supplement, 1794, 192 hymns; (5) A Pocket Companion and Directory, London, 1794. In addition to a limited number of Swain's hymns, annotated under their respective first lines, the following, from his Walworth Hymns1792, and the 2nd ed., 1796, are also in common use:— 1. Brethren, while we sojourn here. Mutual Encouragement. 2. Children of the King of grace. Holy Baptism. 3. Christ the Lord will come again. Second Advent. 4. Come, ye souls, by sin afflicted. The Yoke of Christ. 5. How sweet, how heavenly is the sight. Communion of Saints. 6. In expectation sweet. Second Advent. 7. Lift up your heads, ye gates. Ascension. 8. Love is the sweetest bud that blows. A Flower an Emblem of Christ. 9. 0 how the thought that I shall know. Heaven Anticipated. Sometimes it begins with st. ii., "For ever to behold Him shine". 10. On earth the song begins. Heaven Anticipated. 11. On the wings of faith upspringing. Passiontide. 12. Pilgrims we are to Canaan bound. Pilgrimage of Life. 13. Praise ye the Lord, the eternal King. Divinity of Christ. 14. Praise your Redeemer, praise His Name. Praise for Redemption. 15. 'Tis heaven begun below. Heaven Anticipated. 16. What is it for a saint to die? Death and Burial. 17. What must [will] it be to dwell above? Heaven Anticipated. 18. When firm I [we] stand on Zion's hill. Confidence. Sometimes as "I stand on Zion's mount," in American collections. 19. Who can forbear to sing? Praise of Jesus. From his Redemption, a Poem in Five Books, 1791, the following hymns are also in common use:-- 20. 0 Thou in whose presence my soul takes delight. In Affliction. 21. Ye daughters of Zion, declare, have you see? Comfort in Affliction. Of these hymns the most widely known are Nos. 1, 5, 6, and 20. We may add that several of Swain's hymns appeared in The Theological Miscellany, 1784-1789. [Rev. W. R. Stevenson, M.A.] -- John Julian, Dictionary of Hymnology (1907)

A. Williams

1731 - 1776 Composer of "ST. THOMAS" in Better Than Pearls Aaron Williams (b. London, England, 1731; d. London, 1776) was a singing teacher, music engraver, and clerk at the Scottish Church, London Wall. He published various church music collections, some intended for rural church choirs. Representative of his compilations are The Universal Psalmodist (1763)— published in the United States as The American Harmony (1769)—The Royal Harmony (1766), The New Universal Psalmodist (1770), and Psalmody in Miniature (1778). His Harmonia Coelestis (1775) included anthems by noted composers. Bert Polman
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