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Text Identifier:"^joy_is_now_in_every_place$"

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Joy Is Now In Every Place

Author: Unknown Meter: 7.7.7.7 Appears in 3 hymnals Lyrics: 1 Joy is now in every place, Christmas lightens every face; Now be with us, in Your grace, Bless us, holy Jesus. 2 May the star that shone that night, Making Your poor stable bright, Fill our hearts with love and light; Hear us, holy Jesus. 3 Through the New Year let it stay, Leading us upon Your way, Making Christmas every day, Bless us, holy Jesus. 4 Now and ever may we find Your good news to fill our minds: Peace and love to humankind, Hear us, holy Jesus. Used With Tune: INNOCENTS

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RESONET IN LAUDIBUS

Appears in 61 hymnals Composer and/or Arranger: Ralph Vaughan Williams Tune Sources: German carol melody, ca. 1500 Tune Key: E Flat Major Incipit: 53135 65531 35654 Used With Text: Joy Is Now in Every Place
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INNOCENTS

Meter: 7.7.7.7 Appears in 485 hymnals Tune Sources: The Parish Choir, 1850 Tune Key: D Major Incipit: 34517 65123 54323 Used With Text: Joy Is Now In Every Place

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Joy Is Now in Every Place

Author: Unknown Hymnal: Voices United #45 (1996) Refrain First Line: 7 7 7 6 Lyrics: 1 Joy is now in every place, Christmas lightens every face; now be with us, in your grace, O hear us, bless us, holy Jesus. 2 May the star that shone that night, making your poor stable bright, fill our hearts with love and light, O hear us, bless us, holy Jesus. 3 Through the New Year let it stay, leading us upon your way, making Christmas every day, O hear us, bless us, holy Jesus. 4 Now and ever may we find your good news to fill our minds: peace and love to humankind, O hear us, bless us, holy Jesus. Topics: The Christian Year Christmas; Christian Year Christmas; Good News, Gospel; Holiness; Jesus Christ Birth and Infancy; Joy; New Year; Star(s) Tune Title: RESONET IN LAUDIBUS
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Joy Is Now In Every Place

Author: Unknown Hymnal: The Cyber Hymnal #15334 Meter: 7.7.7.7 Lyrics: 1 Joy is now in every place, Christmas lightens every face; Now be with us, in Your grace, Bless us, holy Jesus. 2 May the star that shone that night, Making Your poor stable bright, Fill our hearts with love and light; Hear us, holy Jesus. 3 Through the New Year let it stay, Leading us upon Your way, Making Christmas every day, Bless us, holy Jesus. 4 Now and ever may we find Your good news to fill our minds: Peace and love to humankind, Hear us, holy Jesus. Languages: English Tune Title: INNOCENTS

Joy is now in every place

Hymnal: The Canadian Youth Hymnal #122 (1939)

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Anonymous

Person Name: Unknown Author of "Joy Is Now In Every Place" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Ralph Vaughan Williams

1872 - 1958 Arranger of "RESONET IN LAUDIBUS" in Voices United Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangeĀ­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman
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