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The Hundredth Psalm

Appears in 6 hymnals First Line: Make a joyful noise unto the Lord, all ye lands Used With Tune: [Make a joyful noise unto the Lord, all ye lands]

[Make a joyful noise unto the Lord, all ye lands]

Appears in 1 hymnal Composer and/or Arranger: J. H. Rosecrans Tune Key: B Flat Major Incipit: 32156 71233 21567 Used With Text: "Psalm C"

JUBILATE DEO

Appears in 18 hymnals Composer and/or Arranger: W. Crotch Incipit: 13212 31765 35714 Used With Text: Make a joyful noise unto the Lord, all ye lands

[Make a joyful noise unto the Lord, all ye lands]

Appears in 1 hymnal Composer and/or Arranger: Faith Chambers Wilson Incipit: 15671 56712 21533 Used With Text: The Hundredth Psalm

Instances

Published text-tune combinations (hymns) from specific hymnals

Hymnal: The Little Sower for Sabbath Schools #118 (1870) First Line: Make a joyful noise unto the Lord, all ye lands Refrain First Line: Make a joyful noise unto the Lord, all ye lands Lyrics: Chorus: Make a joyful noise unto the Lord, all ye lands, Serve the Lord with gladness, come before his presence with Singing, Know ye that the Lord he is God, it is he that hath made us, and not we ourselves, we are his people, and the sheep of his pasture; we are his people, and the sheep of his pasture; Enter into his gates with Thanksgiving, and into his courts with praise, be thankful unto him, and bless his name, we are his people, and the sheep of his pasture; we are his people, and the sheep of his pasture; Enter into his gates with Thanksgiving, and into his courts with praise, be thankful unto him, and bless his name, For the Lord is good, his mercy is everlasting; and his truth endureth to all generations; to all generations. Tune Title: [Make a joyful noise unto the Lord, all ye lands]

The Hundredth Psalm

Hymnal: Songs for Juniors #177 (1953) First Line: Make a joyful noise unto the Lord, all ye lands Languages: English Tune Title: [Make a joyful noise unto the Lord, all ye lands]

Make a joyful noise unto the Lord, all ye lands

Hymnal: Selah #292 (1856)

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People

Authors, composers, editors, etc.

J. H. Rosecrans

1845 - 1926 Composer of "[Make a joyful noise unto the Lord, all ye lands]" in The Little Sower for Sabbath Schools James Holmes Rosecrans studied at the Baxter University of Music in Friendship, New York. After teaching for two years, he joined the Fillmore Brothers Music House in Cincinnati, Ohio. As of 1880, he was teaching music in Douglas County, Colorado. In 1884, was an evangelist in California, and later was associated with evangelistic efforts in Texas, and taught music and Bible at Carlton College in Bonham, Texas. He published over 20 music collections in his lifetime. © The Cyber Hymnal™ (www.hymntime.com/tch)

William Crotch

1775 - 1847 Person Name: W. Crotch Composer of "JUBILATE DEO" in Songs of Worship William Crotch (5 July 1775 – 29 December 1847) was an English composer, organist and artist. Born in Norwich, Norfolk to a master carpenter he showed early musical talent as a child prodigy. The three and a half year old Master William Crotch was taken to London by his ambitious mother, where he not only played on the organ of the Chapel Royal in St James's Palace, but for King George III. The London Magazine of April 1779 records: He appears to be fondest of solemn tunes and church musick, particularly the 104th Psalm. As soon as he has finished a regular tune, or part of a tune, or played some little fancy notes of his own, he stops, and has some of the pranks of a wanton boy; some of the company then generally give him a cake, an apple, or an orange, to induce him to play again... Crotch was later to observe that this experience led him to become a rather spoiled child, excessively indulged so that he would perform. He was for a time organist at Christ Church, Oxford, from which he was later to graduate with a Bachelor of Music degree. His composition The Captivity of Judah was played at Trinity Hall, Cambridge, on 4 June 1789; his most successful composition in adulthood was the oratorio Palestine (1812). He may have composed the Westminster Chimes in 1793. In 1797 Crotch was given a professorship at Oxford University, and in 1799 he acquired a doctorate in music. While at Oxford, he became acquainted with the musician and artist John Malchair, and took up sketching. He followed Malchair's style in recording the exact time and date of each of his pictures, and when he met John Constable in London in 1805, he passed the habit along to the more famous artist. In 1834, to commemorate the installation of the Duke of Wellington as chancellor of the University of Oxford, Crotch penned a second oratorio titled The Captivity of Judah. The 1834 work bears little resemblance to the oratorio he wrote as a child in 1789. In 1822, Crotch was appointed to the Royal Academy of Music as its first Principal, but resigned ten years later.[2] He spent his last years at his son's house in Taunton, Somerset, where he died suddenly in 1847. Among his notable pupils were William Sterndale Bennett, Lucy Anderson, Stephen Codman, George Job Elvey, Cipriani Potter, and Charles Kensington Salaman --en.wikipedia.org/