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Text Identifier:"^most_gracious_savior_twas_not_thine$"

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Most gracious Saviour! 'twas not Thine

Author: S. G. Bulfinch Appears in 3 hymnals Topics: The Christian Life Sympathy Used With Tune: ST. SEPULCHRE

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HARROW

Appears in 4 hymnals Composer and/or Arranger: Eaton Faning Incipit: 54321 17721 43554 Used With Text: Most gracious Saviour! 'twas not Thine
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ST. SEPULCHRE

Appears in 37 hymnals Composer and/or Arranger: G. Cooper Incipit: 15651 45351 24443 Used With Text: Most gracious Saviour! 'twas not Thine

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Most gracious Savior, 'twas not thine

Author: Stephen Greenleaf Bulfinch Hymnal: The American Hymnal #d342 (1919) Languages: English
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Most gracious Saviour! 'twas not Thine

Author: Stephen Greenleaf Bulfinch Hymnal: Hymns of the Living Church #307 (1910) Languages: English Tune Title: HARROW
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Most gracious Saviour! 'twas not Thine

Author: S. G. Bulfinch Hymnal: Worship Song #390 (1905) Topics: The Christian Life Sympathy Languages: English Tune Title: ST. SEPULCHRE

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Stephen Greenleaf Bulfinch

1809 - 1870 Person Name: S. G. Bulfinch Author of "Most gracious Saviour! 'twas not Thine" in Worship Song Bulfinch, Stephen Greenleaf, D.D. This Unitarian minister was born at Boston, June 18, 1809, and removed to Washington in 1818, his father being the architect of the Capitol. He graduated at Columbian College and the Cambridge Theological School. In 1831 lie was ordained at Charleston, S.C., as assistant to Dr. Gilman. Subsequently he was pastor at Pittsburg, Pennsylvania; Washington, 1838; Nashua, New Hampshire, 1845; Dorchester, Mass., 1852; and "East Cambridge, Mass., 1865. He died at the last place, Oct. 12, 1870. His works include:— (1) Contemplations of the Saviour; A Series of Extracts from the Gospel History, with Reflections and Original and Selected Hymns. Boston, Carter and Hendee, 1832. This has been reprinted in England. (2) Poems, Charleston, S.C., 1834. (3) Lays of the Gospel, 1845. In addition to these works, which contain his original hymns, he also published (4) The Harp and Cross, a selection of hymns, in 1857. Those of his hymns which have attained ta the greatest popularity are:— 1. Hail to the Sabbath day. Sunday. In the Contemplations, &c, p. 45. It is appended to Sect. xii. on the “Walk through the corn¬fields," and is in 5 stanzas of 4 lines. It is in extensive use both in Great Britain and America, and is the best known of this author'ess hymns. In many collections it begins with st. ii., " Lord, in Thy [this] sacred hour." 2. Hath not thy heart within thee burned? Presence of Christ. In the Contemplations, &c, p. 148, as the accompanying hymn to the Reflections on Jesus appearing to His disciples on their way to Emmaus, It is in 5 stanzas of 4 lines and is given in the Collections of Beard, Martineau, and others in Great Britain. 3. 0 suffering friend of human kind. Passiontide. The hymn in 4 stanzas of 4 lines appended to Sect. xxxv. on "Peter's confession of Christ," in the Contemplations, &c, p. 109. It ranks next in popularity to ”Hail to the Sabbath day." In addition to these hymns which best represent Dr. Bulfinch's power? as a sacred poet, the following are also in limited use:— 4. Burden of shame and woe. Crucifixion. 5. Holy Son of God most high. Miracles of Christ. 6. How glorious is the hour. The New Life. 7. It is finished! Glorious word. Good Friday. 8. There is a strife we all must wage. Life's Duty. These are from his Poems, 1834. The next— 9. What power unseen by mortal eye. Cure of Nobleman's Son. From the Contemplations, &c, p. 56. 10. In the Saviour's hour of death. Good Friday. Also from the Contemplations, p. 142: Dr. Bulfinch's hymns were made known to English readers through Beard's Collection, 1837, in which 19 were given. His hymns throughout are noted for solid and tranquil piety, and deserve a wider circulation than has been accorded to them. They embrace some good hymns on the miracles of Christ. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907) ==================== Bulfinch, Stephen Greenleaf, p. 191, ii. Several of this authors hymns, not noted in this Dictionary, were given in Longfellow and Johnson's Book of Hymns , 1846-8. Additional hymns by him in English common use are:— 1. Benignant Saviour! 'twas not Thine. The Compassion of Christ . From his Contemplations of the Saviour , &c, 1832. In Horder's Congregational Hymns. 1884, it reads “Most gracious Saviour! 'twas not Thine." 2. We gather to the sacred board. Holy Communion. This in Horder is from Bulfinch's Communion Thoughts, 2nd ed., 1852. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

George Cooper

1820 - 1876 Person Name: G. Cooper Composer of "ST. SEPULCHRE" in Worship Song Cooper (ac­tu­al­ly George Coop­er III) came from a long line of or­gan­ists who played at St. Se­pul­chre’s Church, Newgate Street, London, through­out the 19th Cen­tu­ry. One of his ear­li­est ap­point­ments was to St. Benet’s Church in Up­per Thames Street, where lat­er John Stain­er of­fi­ci­a­ted (1854-56). Coop­er was al­so one of the or­gan­ists of the Cha­pel Roy­al, was or­gan­ist and mu­sic mas­ter at Christ’s Hos­pi­tal, and in 1843, he suc­ceed­ed his fa­ther as as­sist­ant to John Goss at St. Paul’s. He was the first ed­it­or to su­per­vise the pro­duct­ion of the new Wes­ley­an Tune-Book (both he and his suc­cess­or Gaunt­lett passed away while the work was in pro­gress; it was fin­ished by Ed­ward Hop­kins). Coop­er’s works in­clude: Organ Ar­range­ments Organist’s Ass­ist­ant Organist’s Man­u­al --www.hymntime.com/tch/

Eaton Faning

1850 - 1927 Composer of "HARROW" in Hymns of the Living Church Born: May 20, 1850, Helston, Cornwall, England. Died: October 28, 1927, Brighton, England. Faning is remembered as a teacher, choral conductor, and composer. His parents taught him the violin and pianoforte, and he was performing in local concerts by age five. He entered the Royal Academy of Music (RAM) in 1870, studying under Sterndale Bennett, Steggall, Ciabatta, and Sullivan. In 1874, he won the Mendelssohn Scholarship. He began teaching at the RAM in 1874, and his operetta The Two Majors was performed there in 1877. He later taught at the National Training School and at Harrow School, from which he retired in 1901. He also found time to conduct the London Male Voice Club and the Madrigal Society. He received a MusB degree from Cambridge in 1894, and MusD in 1900. --www.hymntime.com/tch
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