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Psalm 62 (My Soul Finds Rest in God Alone)
Author: David J. Diephouse Meter: 8.6.8.6 D Appears in 5 hymnals First Line: My soul finds rest in God alone Scripture: Psalm 62 Used With Tune: RESIGNATION
Psalm 62 (My Soul Finds Rest in God Alone)
THIRD MODE MELODY
Meter: 8.6.8.6 D Appears in 47 hymnals Composer and/or Arranger: Thomas Tallis Tune Key: b minor or modal Incipit: 13333 44555 55655 Used With Text: My Soul Finds Rest in God Alone
THIRD MODE MELODY
RESIGNATION
Meter: 8.6.8.6 D Appears in 110 hymnals Composer and/or Arranger: Erik Routley Tune Sources: Walker's Southern Harmony, 1835 Incipit: 13532 35165 31351 Used With Text: Psalm 62 (My Soul Finds Rest in God Alone)
RESIGNATION
ST MATTHEW
Meter: 8.6.8.6 D Appears in 133 hymnals Composer and/or Arranger: William Croft 1678-1727 Tune Sources: Modern form of a melody by Croft Tune Key: B Flat Major Incipit: 53513 21713 25654 Used With Text: My soul finds rest in God alone
ST MATTHEW
My Soul Finds Rest in God Alone
Author: David J. Diephouse Hymnal: Psalter Hymnal (Gray) #62 (1987) Meter: 8.6.8.6 D Topics: Comfort & Encouragement; Industry & Labor; Profession of Faith; Trust in God; Assurance; Comfort & Encouragement; Humility; Industry & Labor; Profession of Faith; Refuge; Rest; Trust in God Scripture: Psalm 62 Languages: English Tune Title: THIRD MODE MELODY
My Soul Finds Rest in God Alone
My Soul Finds Rest in God Alone
Author: David J. Diephouse Hymnal: Psalms for All Seasons #62C (2012) Meter: 8.6.8.6 D Topics: Assurance; Church Year Passion/Palm Sunday; Comfort and Encouragement; God Light from; God Obedience to; God Trust in; God as Refuge; God as Rock; God as Shield; God's Safety; God's Word; God's Armor; God's law; God's Protection; God's Strength; Hope; Humility; Judgment; Lord's Prayer 4th petition (give us today our daily bread); Mercy; Prayer; Remnant of Isarel; Renewal; Rest; Ten Commandments 8th Commandment (do not steal); Ten Commandments 9th Commandment (do not bear false witness); Trust; Year B, Ordinary Time after Epiphany, 3rd Sunday Scripture: Psalm 62 Languages: English Tune Title: THIRD MODE MELODY
My Soul Finds Rest in God Alone
My Soul Finds Rest in God Alone
Author: David J. Diephouse Hymnal: Lift Up Your Hearts #435 (2013) Meter: 8.6.8.6 D Topics: Difficult Times; God As Refuge/Safety/Shelter; Grateful Living; Lament Individual; Rest Scripture: Psalm 62 Languages: English Tune Title: THIRD MODE MELODY
My Soul Finds Rest in God Alone
William Croft
1678 - 1727 Person Name: William Croft 1678-1727 Composer of "ST MATTHEW" in Praise! psalms hymns and songs for Christian worship William Croft, Mus. Doc. was born in the year 1677 and received his musical education in the Chapel Royal, under Dr. Blow. In 1700 he was admitted a Gentleman Extraordinary of the Chapel Boyd; and in 1707, upon the decease of Jeremiah Clarke, he was appointed joint organist with his mentor, Dr. Blow. In 1709 he was elected organist of Westminster Abbey. This amiable man and excellent musician died in 1727, in the fiftieth year of his age. A very large number of Dr. Croft's compositions remain still in manuscript.
Cathedral chants of the XVI, XVII & XVIII centuries, ed. by Edward F. Rimbault, London: D. Almaine & Co., 1844
William Croft
Thomas Tallis
1505 - 1585 Composer of "THIRD MODE MELODY" in Psalter Hymnal (Gray) Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561).
Bert Polman
Thomas Tallis
