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None Other Lamb, None Other Name

Author: Christina Georgina Rossetti Meter: 8.10.10.4 Appears in 24 hymnals

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ELLASGARTH

Meter: 8.10.10.4 Appears in 2 hymnals Composer and/or Arranger: Peggy Spencer Palmer, 1900-1987 Tune Key: C Major Incipit: 32144 32545 65721 Used With Text: None Other Lamb, None Other Name

[None other Lamb, none other name]

Appears in 1 hymnal Composer and/or Arranger: Joseph Roff Tune Key: E Major Incipit: 33353 33111 543 Used With Text: None Other Lamb
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ALL HALLOWS

Meter: 8.10.10.4 Appears in 7 hymnals Composer and/or Arranger: Frederick Luke Wiseman Tune Key: C Major Incipit: 17566 53441 235 Used With Text: None other Lamb, none other Name

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None Other Lamb, None Other Name

Author: Christina Georgina Rossetti, 1830-1894 Hymnal: Trinity Hymnal (Rev. ed.) #157 (1990) Meter: 8.10.10.4 Lyrics: 1 None other Lamb, none other name, none other hope in heav'n or earth or sea, none other hiding place from guilt and shame, none beside thee! 2 My faith burns low, my hope burns low; only my heart's desire cries out in me by the deep thunder of its want and woe, cries out to thee. 3 Lord, thou art Life, though I be dead; love's fire thou art, however cold I be: nor heav'n have I, nor place to lay my head, nor home, but thee. Topics: Jesus Christ The Only Mediator and Redeemer; Christ Lamb of God; Christ The Life; Christ Name of ; Christ Refuge; Faith In Christ; Longing for Christ and God; Preparatory Service Scripture: Psalm 73:25 Languages: English Tune Title: ROSSETTI
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None Other Lamb, None Other Name

Author: Christina Georgina Rossetti, 1830-1894 Hymnal: Trinity Hymnal (Rev. ed.) #158 (1990) Meter: 8.10.10.4 Lyrics: 1 None other Lamb, none other Name, None other Hope in heav'n or earth or sea, None other Hiding place from guilt and shame, None beside thee! 2 My faith burns low, my hope burns low; Only my heart's desire cries out in me By the deep thunder of its want and woe, Cries out to thee. 3 Lord, thou art Life, though I be dead; Love's fire thou art, however cold I be: Nor heav'n have I, nor place to lay my head, Nor home, but thee. Topics: Jesus Christ The Only Mediator and Redeemer; Christ Lamb of God; Christ The Life; Christ Name of ; Christ Refuge; Faith In Christ; Longing for Christ and God; Preparatory Service Scripture: Psalm 73:25 Languages: English Tune Title: ELLASGARTH

None other Lamb, none other name

Author: Christina Georgina Rossetti, 1830-1894 Hymnal: The Book of Praise #410 (1972) Meter: 8.10.10.4 Topics: Christ, the Lord Jesus Lamb of God; Christ, the Lord Jesus Name of; Christ, the Lord Jesus Refuge; Faith In Christ; Life The Christ; Longing for Christ and God; The Christian Life Repentance and Faith Languages: English Tune Title: ALL HALLOWS

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Christina Georgina Rossetti

1830 - 1894 Person Name: Christina Rossetti (1830-94) Author of "None other Lamb, none other Name" in A Missionary Hymn Book Rossetti, Christina Georgina, daughter of Gabriel, and sister of Dante Gabriel and William Michael Rossetti, was born in London, Dec. 5, 1830, and received her education at home. Her published works include:— (1) Goblin Market, and Other Poems, 1862; (2) The Prince's Progress, and Other Poems, 1866 ; (3) Poems, mainly a reprint of Nos. 1 and 2, 1875; (4) A Pageant, and Other Poems, 1881, &c. In addition, Miss Rossetti has published several prose works, as:— Annus Domini (a book of prayers for every day in the year), 1874; Letter and Spirit of the Decalogue, 1883, and others. She has written very few hymns avowedly for church worship, but several centos have been compiled from her poems, and have passed into several hymn-books. These include:— 1. Dead is thy daughter, trouble not the Master. The raising of Jairus's daughter. From her Goblin Market, &c, 1862, into Lyra Mystica, 1865. 2. God the Father, give us grace. Invocation of the Holy Trinity. From Lyra Mystica into the Savoy Hymnary, for use in the Chapel Koyai, Savoy (see No. 8 below). 3. I bore with thee long weary days and nights. The Love of Christ. From her Goblin Market, &c, 1862, into Lyra Messianica, 1864. 4. I would have gone, God bade me stay. Resignation. From her Poems, Hymns, 1884, &c. 1875, into Horder's Congregational Hymns. 5. Once I thought to sit so high. A Body hast Thou prepared Me, or Passiontide. Contributed to Lyra Eucharistica, 1863. 6. The Advent moon shines cold and clear. Advent. From her Goblin Market, &c, 1862. 7 The flowers that bloom in sun and shade. The Eternity of God. In Mrs. C. Brock's Children's Hymn Book, 1881. 8. What are these that glow from afar? Martyrs. Part of the poem "We meet in joy though we part in sorrow," which appeared in Lyra Mystica, 1865, and then in Miss Rossetti's Prince's Progress, &c, 1866. It is the most widely used of her hymns. No. 2 above is also from the same poem. Miss Rossetti's verses are profoundly suggestive and lyrical, and deserve a larger place than they occupy in the hymnody of the church. Her sonnets are amongst the finest in the English language. [Rev.W. Garrett Horder] --John Julian, Dictionary of Hymnology (1907) ============== Rossetti, Christina G., p. 978, i. The following hymns by Miss Rossetti have recently come into common use:— 1. A burdened heart that bleeds and bears. [Lent.] In her Time Flies: A Reading Diary, ed. 1897, p. 59, for March 26; and her Verses, &c., ed. 1898, p. 113. Included in Church Hymns, 1903. 2. Give me the lowest place, not that I dare. [Humility.] From her Prince's Progress, 1866, p. 216. 3. In the bleak midwinter. [Christmas.] In her Poetical Works, 1904, p. 246, as "Before 1872"; repeated in The English Hymnal, 1906. 4. None other Lamb, none other Name. [Jesus, All, and in All] From her The Face of the Deep, &c, 1892 (3rd ed. 1895, p. 176); and her Verses, &c, 1898, p. 36. It is the second of two poetical meditations on Rev. v. 6. In Church Hymns, 1903. 5. The shepherds had an angel. [Christmas.] In her Poetical Works, 1904, p. 187, this is entitled "A Christmas Carol. For my Godchildren," and dated 6 October, 1856. Repeated in the Sunday School Hymnary, 1905. 6. We know not a voice of that River. [The River of the Eternal City.] In The Face of the Deep, &c, 1892 (3rd ed. 1895, p. 523), as a poetical meditation on Rev, xxii. Also in her Verses, &c., 1898, p. 81. Additional works by Miss Rossetti to those named on p. 978, i., include Time Flies A Reading Diary, 1885; Called to be Saints, 1881; Seek and Find, 1879; The Face of the Deep, A Devotional Commentary on the Apocalypse, 1892; and Verses ... reprinted fromCalled to be Saints, Time Flies, The Face of the Deep, 1893. It must be noted that (1) the hymn attributed to her, "Dead is thy daughter; trouble not the Master," is not by her, but by Mrs. C. F. Alexander, with whose name it appeared in Lyra Mystica, 1865; and (2) her “I would be gone; God bade me stay," is from her Prince's Progress, 1866, p. 204. Miss Rossetti d. Dec. 29, 1891. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Peggy Spencer Palmer

1900 - 1987 Person Name: Peggy Spencer Palmer, 1900-1987 Composer of "ELLASGARTH" in Trinity Hymnal (Rev. ed.) At one time was Assistant Organist at St. Paul's Onslow Square, South Kensington. Dianne Shapiro, from email to Hymnary

Joseph Roff

1910 - 1993 Composer of "[None other Lamb, none other name]" in Songs of Light Joseph Roff enjoyed a unique vantage point in his work as composer of church music. That position was constructed over decades as his double career of musician and priest evolved in the Roman Catholic Church. As a senior member of the presbyterate of the Diocese of Brooklyn (he was ordained in England in 1935), he wrote for the liturgy of the church both before and after the Second Vatican Council. With well over a thousand compositions (with over twenty-five publishers) behind him, he continued to offer the church steadfast service as he composed anthems and hymns, psalm settings, and acclamations. An example of his commitment to serve the Church when the Church placed new demands on the composer, he published in 1966 a four-volume collection of harmonized settings of the propers for Sundays and feast days, a welcome relief to the tedium of psalm tone propers that were so prevalent in choir lofts at the time. Church musician found in his settings well-constructed harmonies and satisfying melodic lines that took into account the limited musical resource of the majority of the parish choirs. Such a control of harmony and theory is not acquired by accident but learned by training and artistic discipline. Father Roff achieved both during his early music education, which took him to the University of Toronto, where he earned a doctorate in music in 1948. While he pursued his studies at the university, he was student of Healey Willan, the foremost North American church music composer of the mid-century. In addition to his sacred works, he boasts a lengthy list of orchestral compositions, as well as an operetta, Lady of Mexico, which was performed at the Blackfriars Theater in Manhattan in 1967. Whether he wrote a score for a symphonic ensemble or composed an anthem for a liturgical vocal ensemble, Roff consistently exerted the care and skill that characterized his early compositions. With such a history of successful music for the church, he can be seen as the never-tiring servant of the church, eager to write, to create, and to praise God. Joseph Roff died on July 10, 1993, at age 82, just three days after the fifty-eighth anniversary of his ordination to the priesthood. In a way, Roff's passing marks the end of an era at GIA. His first published work was issued in the early days of the Gregorian Institute of America. Since then, he published over 100 editions with GIA, the majority of which are still in print. www.giamusic.com/