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Text Identifier:"^not_all_the_outward_forms_on_earth$"

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Utter helplessness

Author: Isaac Watts Appears in 153 hymnals Hymnal Title: Laudes Domini First Line: Not all the outward forms on earth Lyrics: 1 Not all the outward forms on earth, Nor rites that God has given, Nor will of man, nor blood, nor birth, Can raise a soul to heaven. 2 The sovereign will of God alone Creates us heirs of grace; Born in the image of his Son, A new, peculiar race. 3 The Spirit, like some heavenly wind, Breathes on the sons of flesh, New-models all the carnal mind, And forms the man afresh. 4 Our quickened souls awake and rise From the long sleep of death; On heavenly things we fix our eyes, And praise employs our breath. Topics: Atonement Necessary Scripture: Ezekiel 37:9 Used With Tune: HUMMEL

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CHATHAM

Meter: 8.6.8.6 Appears in 8 hymnals Hymnal Title: African Methodist Episcopal hymn and tune book Tune Key: G Major Incipit: 12334 55655 Used With Text: Not all the outward forms on earth
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BROWN

Appears in 196 hymnals Composer and/or Arranger: Wm. B. Bradbury Hymnal Title: Book of Hymns and Tunes, comprising the psalms and hymns for the worship of God, approved by the general assembly of 1866, arranged with appropriate tunes... by authority of the assembly of 1873 Incipit: 51231 67165 51325 Used With Text: Not all the outward forms on earth
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DEVOTION

Appears in 354 hymnals Composer and/or Arranger: W. H. D. Hymnal Title: Gospel Hymn and Tune Book Incipit: 56512 33212 56512 Used With Text: Not all the outward forms on earth

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Not all the outward forms on earth, Nor rites that God hath given

Author: Isaac Watts, 1674-1748 Hymnal: A Baptist Hymn Book, Designed Especially for the Regular Baptist Church and All Lovers of Truth #d532 (1844) Hymnal Title: A Baptist Hymn Book, Designed Especially for the Regular Baptist Church and All Lovers of Truth Languages: English
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Not all the outward forms on earth, Nor rites that God hath given

Author: Isaac Watts, 1674-1748 Hymnal: A Choice Selection of Evangelical Hymns, from various authors #179 (1806) Hymnal Title: A Choice Selection of Evangelical Hymns, from various authors Languages: English
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Not all the outward forms on earth, Nor rites that God hath given

Author: Isaac Watts, 1674-1748 Hymnal: A Choice Selection of Hymns and Spiritual Songs for the use of the Baptist Church and all lovers of song #47 (1877) Hymnal Title: A Choice Selection of Hymns and Spiritual Songs for the use of the Baptist Church and all lovers of song Languages: English

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Authors, composers, editors, etc.

William B. Bradbury

1816 - 1868 Person Name: Wm. B. Bradbury Hymnal Title: Book of Hymns and Tunes, comprising the psalms and hymns for the worship of God, approved by the general assembly of 1866, arranged with appropriate tunes... by authority of the assembly of 1873 Composer of "BROWN" in Book of Hymns and Tunes, comprising the psalms and hymns for the worship of God, approved by the general assembly of 1866, arranged with appropriate tunes... by authority of the assembly of 1873 William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

W. Howard Doane

1832 - 1915 Person Name: W. H. D. Hymnal Title: Gospel Hymn and Tune Book Composer of "DEVOTION" in Gospel Hymn and Tune Book An industrialist and philanthropist, William H. Doane (b. Preston, CT, 1832; d. South Orange, NJ, 1915), was also a staunch supporter of evangelistic campaigns and a prolific writer of hymn tunes. He was head of a large woodworking machinery plant in Cincinnati and a civic leader in that city. He showed his devotion to the church by supporting the work of the evangelistic team of Dwight L. Moody and Ira D. Sankey and by endowing Moody Bible Institute in Chicago and Denison University in Granville, Ohio. An amateur composer, Doane wrote over twenty-two hundred hymn and gospel song tunes, and he edited over forty songbooks. Bert Polman ============ Doane, William Howard, p. 304, he was born Feb. 3, 1832. His first Sunday School hymn-book was Sabbath Gems published in 1861. He has composed about 1000 tunes, songs, anthems, &c. He has written but few hymns. Of these "No one knows but Jesus," "Precious Saviour, dearest Friend," and "Saviour, like a bird to Thee," are noted in Burrage's Baptist Hymn Writers. 1888, p. 557. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) =================== Doane, W. H. (William Howard), born in Preston, Connecticut, 1831, and educated for the musical profession by eminent American and German masters. He has had for years the superintendence of a large Baptist Sunday School in Cincinnati, Ohio, where he resides. Although not a hymnwriter, the wonderful success which has attended his musical setting of numerous American hymns, and the number of his musical editions of hymnbooks for Sunday Schools and evangelistic purposes, bring him within the sphere of hymnological literature. Amongst his collections we have:— (1) Silver Spray, 1868; (2) Pure Gold, 1877; (3) Royal Diadem, 1873; (4) Welcome Tidings, 1877; (5) Brightest and Best, 1875; (6) Fountain of Song; (7) Songs of Devotion, 1870; (8) Temple Anthems, &c. His most popular melodies include "Near the Cross," "Safe in the Arms of Jesus," "Pass me Not," "More Love to Thee," "Rescue the Perishing," "Tell me the Old, Old Story," &c. - John Julian, Dictionary of Hymnology (1907)

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes Hymnal Title: Hymns to the Living God Composer of "VOX DILECTI" in Hymns to the Living God As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman